Welcome to GMR

If you haven’t encountered us before, read on; otherwise skip to the weekly edition which is up every Sunday morning and which alternates with a Story every Wednesday morning.

Everything that interests us as a diverse group of individuals will get attention here, be it Rock and RollIrish music, a  jazz or classical recording, tarot decks,   Folkmanis puppetsmanor house mysteries and science fiction novelsfiction inspired by folklore, sf filmsegg nog recipes,  ymmmy street foodchocolatewhisky and cookbooks… Well you get the idea.

Stories about the Kinrowan Estate will show up every Wednesday, be it Gus the Estate Head Gardener talking about pumpkins; Reynard, our Manager of the Green Man Pub located in Kinrowan Hall, sharing stories; Zina on the Neverending Session and Midsummer as well; or even Iain, our Librarian, talking about life there such as the Several Annies, his sort of Library Apprentices.  And you’ll see material from The Sleeping Hedgehog, the in-house newsletter for our staff, such as Lady Alexandra Margaret Quinn, Estate Gardener here in the Victorian Era, on a tree spirit. You might even meet Hamish, one of the current hedgehogs living in the Library who sleep the Winter away in a basket near the fireplace in the New Library.

So if you’ve got something you’d like reviewed, whatever it might be, email me here as you never know what’ll tickle our fancy.

PS: you’ll also get to hear some choice music here every week such as Michele Walther and Irina Behrendt playing Aaron Copland’s ‘Hoe Down’  from his Rodeo album. I sourced it off a Smithsonian music archive which has no details where or when it was recorded which surprised me given how good they usually are at such things.

PSS: If you look to the far left of the standing menu, you’ll see Words. That’s where you can find the various pieces of fiction that authors have given us exclusive permission to reprint here. Some are excerpts such as from Charles de Lint’s Forests Of The Heart whigh is reviewed here or Deborah Grabien’s The Weaver and The Factory Maid with the review thisaway.

Other are full stories such as Solstice by Jennifer Stevenson, or poems such as ‘The Sturgeon’s Wife’ by Catherynne Valente. Some exist too as audio readings by authors of their work as you’ll note by the link at the bottom of the fiction piece where they exist. There’s quite pieces up now and more will follow. 

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What’s New for the 13th of October: Music from Aaron Copland, a Superstar, a Horrible Folk Tale, Tolkien (Again), a Cuddly Leopard, and Do Have an Apple and Cheese Tart

She is our moon. Our tidal pull. She is the rich deep beneath the sea, the buried treasure, the expression in the owl’s eye, the perfume in the wild rose. She is what the water says when it moves. ― Patricia A. McKillip’s Solstice Wood

They’re sort of linked, so may I recommend McKillip’s Winter Rose and Solstice Wood for your Autumnal reading pleasure on a rainy, cold afternoon? They’re elegant novels full of  very interesting characters involved in stories both fantastical and believable at the same time. The latter novel even has a lot of stitchers in it!

Needless to say they’re always on heavy circulation here at the Kinrowan Estate Library. The Library has been particularly busy this week as we’ve gotten that wet, wind and frankly cold weather which means outside chores are in abeyance. So I  asked for recommendations on what to read, a task I delight in doing.

The Kitchen staff under the watchful eye of Mrs Ware has been doing all things apple right now. Apple muffins, apple pie, chicken stuffed  with apples and bacon, apple ice cream… you get the idea. And of course we’re pressing cider as well, some of it destined to be what you Yanks call hard cider. If you’re interested in learning more about that process, I recommend Simon McKie’s Making Craft Cider: A Ciderist’s Guide. Now let me finish off this Edition so you can read it…

April has a truly horrific folktale for us: ‘In Deerskin, Robin McKinley delves into a dark tale of royal incest, derived from Frenchman Charles Perrault’s “Donkeyskin”. At its simplest, this oft-neglected, disturbing tale revolves around a deathbed promise extracted from a King by his Queen, to marry no woman not at least her equal. The Queen may have had good intentions, or may simply have been petty; either way, the result is inevitably the same: the King dutifully promises, remains unmarried for a number of years, then notices the striking resemblance of his daughter to her late mother.’

We usually give you a blurb from the review that we’re linking to but Chuck’s look at Steven Brust & Megan Lindholm’s The Gypsy, Steven Brust’s The Sun, the Moon, and the Stars, and Boiled in Lead’s Songs From The Gypsy recording is quite resistent to being blurbed as it is a magnificent, sprawling review that is well worth you reading, so just go read it over a mug of hot cider with an apple and cheddar cheese tart to nibble on.

Robert has a trip back in time, sort of, to the days of Andy Warhol and The Factory, with a book that has more than a few surprises: ‘Imagine, for a moment, that it is the 1960s – the last half of them, actually – and that you are a small-town boy attending a major Midwestern university in a major Midwestern city, where you are majoring in theater and art. One thing that is very big in your circle is Andy Warhol’s movies. Michael Ferguson’s Little Joe Superstar: The Films of Joe Dallesandro is a little bit more than nostalgia, and a little bit more than dèja vu: it is a lot that you never knew at the time, that in a way you wish you had known then but, in a way, you’re glad you didn’t.’

Warner looks at a story about a story about a story — or something like that: ‘Stories about stories can be interesting, whether they fail or succeed in their own right.  Clay McLeod Chapman, in The Remaking, has given us a story about ghost stories which is itself a ghost story in which the tale of Ella Louise and her daughter Jessica is being relived over and over again through different eras of telling. The particular focuses are the classic campfire tale, the 1970s low budget horror film, the self-aware 90s remake, and the modern podcast.’

Robert’s always on the lookout for something easy and filling for dinner, and came across one that fits the bill: ‘I like Mexican food almost as much as I like Indian food. Well, I like food, especially if it’s easy to prepare and filling. It’s even better if it’s something I don’t have all the time — as in, I made a huge batch of it and now I have to eat it. One of the recent additions to my fast dinner repertoire is Jose Ole’s Steak and Cheese Chimichangas.’

Good thing Robert has us covered, because Denise gave Reese’s Wasabi Horseradish a try, and was none too impressed. ‘No. No no no no no. NO. This isn’t wasabi, it’s an abomination.’ Read her review to see exactly why you should give this a wide berth.

Grey starts off her review of The Fellowship of The Ring in this most proper manner: ‘When a reviewer makes specific comments about plot elements in a book or a movie, it is a common internet convention to say, “Spoilers ahead!” I cannot think of a single movie made in recent years for which that warning has been less necessary. J.R.R. Tolkien’s epic The Lord of the Rings is the cornerstone of modern fantasy, the trilogy that most readers of fantasy under sixty either cut their teeth on or discovered as an already well-established and well-weathered feature on the landscape of fantasy fiction.’ Go read her ever so delightful review thisaway.

Ed says this is a weak excuse for a Greatest Hits compilation: ‘If you missed the Horslips the first time around — they disbanded in 1980 after 10 years together — here’s a chance to hear a small piece of their ground-breaking work. Horslips Greatest Hits is probably a good introduction to this Dublin roots-rock band, but at only 40 minutes and with a mere 12 tracks gleaned from just a few albums, it offers an awfully skimpy history. The liner notes are virtually nonexistent, an underwhelming three sentences. There is no indication of which albums these songs originally appeared on. The tunes aren’t laid out in any logical order — certainly not chronological or based on the band’s musical development. Indeed the song order seems random and disjointed, a mindless cut and paste job.’

Peter saw Steeleye Span on their Reunion Tour and he says ‘I know it is hard to put a band together with a lineup that creates that little bit of extra magic, but I have said it before and I will say it again: ‘This is the line up, they are the Steeleye Span that everyone remembers and loves.’ Long may they reign!’

Richard argues strongly that ‘Contrary to what the liner notes in the recent Pearls from the Oysters compilation suggest, the finest period in the Oysterband’s long and illustrious history was the three CD arc that began with Deserters and culminated in The Shouting End of Life. The Shouting End of Life, the last of the three, is the most bitter of the lot. Holy Bandits, its predecessor, is the angriest. And Deserters? It is, for lack of a better word, the bravest of the trio. It’s defiant without being vitriolic, proud without being arrogant and energetic without being enraged.’

Robert ran across something new from a favorite composer — a twofer, in fact: Terry Riley’s A Rainbow in Curved Air and Poppy Nogood and the Phantom Band: ‘A Rainbow in Curved Air is a hard piece of music to describe, in part, perhaps, because although easy to listen to (at this point in history, at least), it’s not really very easy to make sense of.’

After her horrible experience with ‘wasabi’ in this edition, Denise had a chance to snuggle up with her Emotional Support Puppet, Folkmanis’ Snow Leopard Cub. ‘I just stare into his big dark blue eyes and give him a pat. And another. And yet another. ‘I think I’m in love.’ As the days begin to grow darker earlier and earlier, and the weather has a nip i it, why not find comfort in a snuggle? Furred, faux or fleshed, doesn’t matter. Everyone needs a big of cheer as we dip into Fall.’

Where’s that music by Aaron Copland that feels perfectly Autumnal to me? Ahhh there it is! It’s Michele Walther and Irina Behrendt playing Aaron Copland’s ‘Hoe Down’ from his Rodeo album. I sourced it off a Smithsonian Institution music archive which has no details where or when it was recorded which surprised me given how good they usually are at such things.

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A Kinrowan Estate story: Bonfires

Nothing warms my heart and body as much as a bonfire does. Other than my wife that is. Oh I know that I could be inside with my wife Catherine enjoying the warmth of one of the many fireplaces in this old building, but I love, particularly as Fall gives way to Winter, being outside when a roaring bonfire’s been built.

We build bonfires often in the courtyard here at the Kinrowan Estate. Sometimes we have contradances deep into the night with bloody big mugs of hot chocolate, spiced cider or tea to aid in keeping everyone warm, and sometimes the Neverending Session treats those who care to come out in the cold to music by fire and moonlight. There’s something rather amazing to hear those musos play long into the night with the stars overhead.

Now building a proper bonfire is not something most folks know how to do. They think just throwing anything wooden into a pile and lighting is all there is to it. And we won’t even dwell on the idiots who use petrol to ignite their bonfires which is a sure way to get someone hurt badly.

A proper bonfire first of all needs a pit, preferably made out of stone. Ours is twelve feet across and three feet deep — need I say that it’s set a safe distance from anything that could catch fire? The wood for the bonfire should be a mix of softwoods like spruce and pine for both its quick burning and its lovely crackling sound; the hardwoods we use are maple and oak as they’ll burn a long time.

Our fire pit has a three foot wide flat lip — perfect for sitting on as the fire dies down. As the courtyard has a nice stone tile surface perfect for dancing (at least ’til it gets really cold), we often use the bonfire as a light source for those dances. And we’ve actually roasted whole pigs in the pit — really good eating that makes!

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Folkmanis’ Snow Leopard Cub Hand Puppet

I LOVE THIS FLOOF. Yes, I love cats of all sizes, but this little fella? He’s simply adorable. Okay, so maybe little is incorrect; this guy is about the size of an average housecat. My kitty got jealous immediately. I don’t blame him. Look at that picture – how fuzzy-wuzzy is this cub? Answer: extremely. I adore running my fingers through the soft, silky faux fur that covers this puppet. It’s a marvel. Then there’s his velvety paws, with a shorter, slicker fur, so the stitching can show the individual “toe beans” clearly. The nose is covered in a fabric similar to the Jabberwock’s scaly but soft skin, though with this puppet it’s a matte black.

I couldn’t help but notice a knot of clear plastic thread near his nose, and being a bit of a perfectionist it was driving me crazy. So I gave it a tug to see where it was attached, and found it was actually the bottom of his whiskers. They’re pushed through the fur at, well, whisker level, and hidden away at the sides of his nose, and I could have easily removed ’em. This knot-end must have slipped out of its hiding spot, so I pushed it back in, allowing the whiskers to fan out again, and gave the whiskers a good solid tug. They’re not going anywhere, and now the knot is all but impossible to find after my efforts.

This puppet has a tummy entrance for your hand, which can either slide into his front paws, or into his jaw to move his mouth. I can’t seem to do both, but then I’ve never been the most dexterous person in the world. I just stare into his big dark blue eyes and give him a pat. And another. And yet another. I think I’m in love.

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What’s New for the 6th of October: A breakfast biscuit, Women in Genre Fiction, Princess Bride Times Two, Trad Plus, Robert Hunter RIP and Autumn has really arrived!

Brown-eyed women and red grenadine,
The bottle was dusty but the liquor was clean.
Sound of the thunder with the rain pourin’ down,
And it looks like the old man’s gettin’ on.

Robert Hunter’s Brown-Eyed Women

Remember I mentioned Ingrid, my wife, who’s the Steward for the Estate,  did an inventory of the woollen blankets that we got last October, as most staffers keep the heat cool enough in their sleeping areas not to be too warm, and woollen blankets are preferred covers by most every soul here? Well, these are really nice ones. Some blankets seem to get lost, some down the decades just wear out. And replacing them is bloody expensive! Well the ones we ordered from the Anatolian mills just came in. I sense much wonderful sleeping is upon us this Winter season!

I’ve had breakfast, well an early afternoon one of a really big biscuit brimming with smoked ham, well done egg as I like it to be, sliced onion and cheese along with lots of cardamon coffee, so I’m ready to finish this Edition off so you can go ahead and have a go of it. There’s music from the late Robert Hunter  and a look at The Princess Bride in both of its forms, along with lots of other neat stuff.

Up for a bloody good alternate steampunk adventure based in a Victorian London that wasn’t? Elizabeth has one for us: ‘Nevertheless, an unconvincing conclusion aside, S.M. Peters’ Whitechapel Gods is a gorgeously written, endlessly inventive steampunk novel and a truly entertaining read.’

Jayme has the Good Parts for us: ‘Some forms of fantasy are pure escapism. Other forms use magic and myth to promote social consciousness. And then there’s The Princess Bride, a book that exists in a class all its own. William Goldman’s tale of True Love, Harsh Revenge and Rodents of Unusual Size exhibits a gleeful audacity seldom seen in literature before or since.’

Kathleen has a bit of Southern magic for us: ‘Cherie Priest is a first time novelist. However, she writes with ease and a deceptive power, like the flow of the Tennessee River through her home city of Chattanooga. Four and Twenty Blackbirds is a Southern Gothic with a hint of hard boiled mystery: there’s grit in the magnolia honey and in the heroine as well.’

Warner says happily ‘Gauging the influence of women on genre fiction can be rather difficult due to years of gender bias in criticism and historical recording. As a result I was pleased to hear the announcement of Monster, She Wrote by Lisa Kröger and Melanie R. Anderson. I love histories and biographies, and this work combines the two rather effectively. Written in a colloquial, almost casual, style this book nonetheless is informative and clear. As a result it is not only useful, but could easily serve as a textbook in a class for beginners studying the subject matter.’Denise welcomes the new month by…reviewing a St. Patrick’s day brew? Well, it is stout season, so we’ll allow it. Captain Lawrence Brewing Co.’s Cookie O’Puss Limited Edition Stout had her happily draining her glass. ‘…a lovely cycle of mint, chocolate, raw cocoa, and roasted malt that’ll have you emptying your glass before you know it.’

Denise also took a bite of Billinger’s Coffee Toffee 75% Dark Chocolate, Almond Toffee & Rich Roasted Coffee bar. ‘Sometimes I feel as though I’m not cool enough for some of these uber-fancy chocolate bars. Such was the case with this one…’ Read her full review to find out what she thinks of this treat!

L.G. happily says ‘Envision a film with Billy Crystal, Carol Kane, Peter Falk, and Peter Cook that is absolutely hilarious, yet none of them appear in the lead roles. “Inconceivable!,” you cry and I reply, “I do not think that word means what you think it means.” Yes, indeed, we are talking about The Princess Bride — the wildly successful movie based on the wildly successful book of the same title. Both book and screenplay were written by William Goldman which explains two things; 1) why they match up so well, and 2) why they’re both so very, very good. Fast-paced adventure and laugh-out-loud humor are combined to wonderful effect.’

Brendan looks at Jay Ungar and Molly Mason’s Harvest Home: Music For All Seasons: ‘This is an amazing CD that manages not only to pay tribute to the rural style of life but the entire field of American traditional music as well. Ungar and Mason have created a unique blend of orchestral and folk music that manages to preserve the integrity of each style while enhancing each other.’

Jack looks at a band back together after a very long break: ‘Pastures of Plenty, named for one of the more famous Woodie Guthrie song, brings back togather all the original members of the JSD Band for only the second time in the recording studio since their breakup in 1974. The band have been compiling new material over the last couple of years which draws from the same original mix of traditional Irish, Scottish and American traditional music along with a new song penned by fiddler Chuck Fleming. ‘

Meredith has a two-for for us: ‘Irish singer, songwriter, and vocalist Susan McKeown, originally of Dublin but now emigrated to New York City, is widely considered to be one of the fastest rising stars in contemporary music. She has released several critically acclaimed albums, both on her own and with her New York-based Celtic/jazz/rock band The Chanting House. She has proven herself to be a very versatile artist, as two recent collaborations amply illustrate.’

Aly Bain’s Aly Bain & Friends says Pat is ‘Exuberant, rich, steeped in tradition and eclectic, this album is a snapshot of one of the great fiddle players of recent times having a bit of fun. At the end of the day though, despite his forays into other musical genres, Aly Bain remains the quintessential Shetland fiddler and his many fans around the world are glad of it.’

So this What Not is a review of the masked Spider-Gwen figure, out of the many figures in the Rock Candy line of Marvel characters. She was more than a bit difficult to find, as she was a Hot Topic exclusive but she had long since disappeared from those stores by the time I managed to track her down some months later. The non-masked version showing Gwen Stacy with blonde hair was available online just about everywhere — at the original price.

I just learned that Robert Hunter died on the 23rd of September. Fuck. Since I rather like ‘Brown-Eyed Women’ quite a bit but my favorite version isn’t the one with Garcia singing that the Dead did, but rather is one done by Hunter who wrote much of what they played including this song and my favourite version is done by him during a show at Biddy Mulligan’s in Chicago on the tenth of October some thirty years ago. So let’s now listen to him doing that song.

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A Kinrowan Estate story: Tatties

Have I shown you our tattie patch yet? I haven’t? Well let’s see it now. It’s a bit of a walk to it, as we’ve needed a lot of space down the centuries for this endeavour, as tatties get used for a lot of purposes, including several not so successful attempts by the more enthusiastic members of our staff to replicate their favorite vodkas! Oh they managed to make a passable vodka but (as the Brewmaster at the time recorded in his journal) they did couldn’t quite get the distillation process right. So after the regrettable accident in the Thirties with their still that went BOOM!, vodka making was banned.

Ahhh, we’re here now. Not much to look at now as most of the tubers have long since been harvested but there’s a few late season varieties in the ground which will get harvested this week before we get a hard frost as they are unfortunately sensitive to such frosts, which damage them in the ground. Even not terribly cold weather makes tatties far more susceptible to bruising and quite possibly later rotting, which can quickly ruin a large stored crop, and that we do not want to happen!

Tatties are a lot fussier than most non-gardeners, and a lot of gardeners as well, realize. This rather steep slope has been used for tatties for centuries now and carefully tended the whole time. It’s now a soil with lots of compost added in and even a bit of sand to facilitate draining . . . Note that it’s fully open to the sun and air flow here is excellent which keeps the damp away.

We’re harvesting tatties for two breads that Mrs. Ware and her kitchen staff want to make in a week or so . . . I’ll show you the recipes she’s using when we get back to the Kitchen, as they’re quite interesting and have been used here ever since they were published in Keesling’s 1890 Book Of Recipes And Household Hints. These are mostly Russets and Red Pontiac varieties, with the former probably better suited for using in bread than the latter. Of course tattie breads run the spectrum from Okrągły chleb kartoflany which is a light and airy Ukrainian tattie bread to the German Kartoffelbrot, which may contain spelt and rye flour.

OK, let’s take our harvest back to my workshop where we’ll gently clean them and set them on wire racks to cure for a week or so…

Mrs. F.M. Harwood’s Potato Ball Bread

Scald a tablespoonful of flour with a pint of water. Take a pint of fresh mashed potatoes, when cool, add a small potato ball (left from last baking), and one teaspoonful salt, two teaspoonfuls sugar, beat thoroughly. Take out half or three fourths of a cup of this mixture and save it to start bread next time. Mix the remainder of the potatoes with the scalded flour, and let rise overnight; next morning add a pint of tepid water to the yeast or sponge and enough flour to knead well: let rise, work down and rise again before putting in pan, when very light mould into a loaf and a pan of biscuit.

Mrs. PJ Studebaker’s Potato Beer Bread

One cup of dried yeast, soak twenty minutes, stir stiff with flour, and let rise; boil four potatoes, scald two spoonfuls of flour with beer from boiled potatoes, mash potatoes and mix with beer and flour. Stir in three quarts of water, then the yeast, let stand overnight; in the morning stir in flour to make thin batter, let rise, then knead stiff with flour, let rise, knead, then rise again, knead out in pans to bake, let rise, then bake in forty-five minutes.

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What’s New for the 29th of September: A Folkmanis Robot, Mug Cakes, Pogues Sans Shane McGowan, McKillip’s “Mystery” Story and Other Autumnal Matters

If the evidence says you’re wrong, you don’t have the right theory. You change the theory, not the evidence. — John Brunner’s Stand on Zanzibar

Oh those puppets. They’re the extra ones of an Autumnal nature that Folkmanis sent along, so I gave them a home on the shelves behind my desk here in our Estate Library. I particularly like the Mouse in the Pumpkin one, which Denise is reviewing for Autumnal Matters edition. Cute, isn’t she?

Now why don’t you give me a few minutes to finish up this Edition and we’ll head off to the Kitchen, as the season’s upon us when the staff’s making babka, that oh so exquisitely chocolate, rich Eastern European sweet, leavened bread along with the just as tasty rugelach, both a good treat as the weather cools, especially  when served with warm cider in those oversized mugs that some of my Several Annies crafted quite a while back.

Jayme has a book he’s very pleased about for us: ‘What a fascinating book! I’ve long been a fan of the Henson-produced science fiction series Farscape, particularly the effort the program always put in to making the alien species that populated the Farscape universe seem, well, alien. In The Creatures of Farscape: Inside Jim Henson’s Creature Shop, author Joe Nazarro takes readers behind the scenes to show with informative, straightforward prose — along with the aid of lavish photographs, sketches and concept art — just what kind of effort was needed to pull off one of the ambitious creative works ever presented on television.’

Richard has a cautionary note for us: ‘To say that Summer Morning, Summer Night is minor Bradbury is, I think, to miss the point entirely. While it shares the same Green Town, Illinois setting as his legendary Something Wicked This Way Comes, the material collected here works on a smaller, more delicate scale. It’s chamber music, not a brass band or a full orchestra, affectionate and truth-telling and warm in a way that only Bradbury can manage.’

Robert has a novel that’s merely good by the standards of that writer: ‘Patricia A. McKillip seems to write two kinds of novels. On the one hand, she has produced what I can only call thoughtful adventure stories, such as Riddle-Master. On the other are what I call the “mystery” stories — not detective fiction, but those stories that involve a central mystery in the religious sense: a transcendent image that cannot be explained or really even described. The Tower at Stony Wood is one of the latter.’

Sara’s ecstatic about a sequel: ‘Yay sequels! Loved faces and familiar places! Well, okay, maybe not in the Abarat. This gorgeous and meaty second book, in Clive Barker’s four book series about the adventures of Candy Quackenbush through the Abarat’s many things rich and strange is certainly every bit as entertaining and mysterious as the last, but in the Abarat, nothing is familiar, or comfortable, or certain.’ Read her review of Days of Magic, Nights of War to see what got her excited.

West Coast Cat takes a foray into mug cakes. Mug cakes? you ask. Says Cat: ‘Food crazes come and go, and I noticed that a current one is for mug cakes of various sorts. I tried a few and have thoughts. Mug cake, for those unfamiliar with the concept, is cake made in a mug in the microwave. Look in the baking mix section of your supermarket, if you’re American, and you’ll notice a sudden abundance of the “cake for one” concept.’ As for her thoughts on this phenomenon, you can find them here.

Mia happily notes that ‘Ignore the requisite “cute” child actor playing Mike Benedict (oddly, “cute” in 1960’s movies was often portrayed by whining and acting both obnoxious and mentally slow) and concentrate on the amazing performances by Tony Randall and the harsh but satisfying lessons taught by Dr. Lao and his circus performers. Moral but never preachy, sentimental but never maudlin, The 7 Faces of Dr. Lao is not to be missed.’

Craig happily notes that ‘Will Eisner’s The Best of The Spirit culls twenty-two stories from the dozen-year run of The Spirit, with two early selections (including the 1940 origin story). The vast majority, however, come from the postwar period, with 1946, 1948, and 1949 the most heavily represented. The introduction by Neil Gaiman (author of The Sandman series) acknowledges Eisner’s influence on him and otherwise reinforces Eisner’s importance to the medium (the community’s annual awards are named after him).’

Joe says ‘It’s not many bands that can claim to have invented a whole musical genre, but that’s what Horslips are credited with. Without them we wouldn’t have Celtic Rock. Of course Fairport Convention had been rocking up jigs and reels for a few years before the Irish band released their debut single “Johnny’s Wedding” in 1971, but with their first album Happy to Meet, Sorry to Part in ’72, the first real Celtic Rock album came into being.’

Peter wryly notes ‘The second album by the JSD Band was released in 1972 with declamatory sleeve notes by John Peel (the hippest man alive at the time). It included this account of a typical gig by this effervescent young band: “In a dark corner I danced with as much abandon as I ever allow myself and, for the umpteenth time blessed bands like the Faces and Lindisfarne who have brought joy and rowdiness back to our music.” He also went on to mention that “…no-one who goes on to buy this LP is ever going to flog it again…” How right he was.’

Robert has some comments on Linkin Park’s A Thousand Suns: ‘Full disclosure: as much as I am ever a “fan” of anything, I am a Linkin Park junkie. I suspect that’s only partly because they do loud, obnoxious rock and roll; it’s also partly because they are very sophisticated musicians who use the same vocabulary that musicians have been using since at least the sixteenth century. There’s a nice sense of continuity there.’

And Robert has something from the other end of the musical spectrum — or is it? Decide for yourself after reading his review of Leopold Stokowski’s collection of Rhapsodies: ‘No one who ever saw Disney’s Fantasia can forget Leopold Stokowski, who in many ways was the star of the film, even though he shared conducting honors with Mickey Mouse. Stokowski’s reputation as one of classical music’s greats is still largely unassailable, even though our taste as turned towards “purer” renderings, those that are more about the composer than the interpreter. Stokowski was, first and foremost, an interpreter, known as much for his tendency to pull out all the stops as for his musical erudition. This collection of concert favorites is a showcase for his particular brand of conducting.’

West Coast Cat brings us this week’s What Not, a somewhat odd creation from Folkmanis: Are you ready for a robot hand puppet? Well, that’s what we’ve got for you. You can go here to read Cat’s reaction.

So you hear the band name The Pogues and quite naturally think that their vocalist is Shane McGowan. Well for  most of the time the band was around,  you’d be right. But they did have a number of other vocalists down the decades when that wasn’t so and I’ll introduce you to one tonight in the guise of Andrew Ranken who performed the lead vocals on the ‘Star of the County Down’ in Köln Sporthalle, Germany on the seventh of November twenty eight years ago. He was their drummer and harmonica player and he appeared on all their official releases in those capacities.

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A Kinrowan Estate story: Fall Equinox Tale

I strongly urge that you do not join the teller of this tale later, nor should you drink too deeply of what he is offering you…

Come in. Yes, the party is here in the Pub tonight. There will be rituals in the hills and the Wood later, but I advise you to avoid them. Join me here, at least for the time being. I can’t stay for the evening — there are things I must do elsewhere tonight, but that will be later on. Oh, forgive me — I’m sure you recognize Reynard, and there’s Reynard’s cousin Kit, and I saw several Jacks around earlier. I am . . . well, I have many names, but you can call me Jake. Yes — Jake will do for tonight.

You’re just in time. People are starting to arrive from the press barn — yes, we do it the old-fashioned way here, and everyone pitches in. Fortunately, it’s still warm enough to use the pumps outside to clean up. That’s what I like to see — people are tired but happy. Look, even McKenzie is smiling, and the Annies are positively glowing. After all, it’s the Wine Harvest, the Merry Moon, when Summer’s work is done and the bloody business of colder days has yet to start. So, no meat for tonight’s feast, but we have fresh bread and a rich vegetable stew and good cheeses to share.

Grab a glass or a tankard — we still have the last of the old vintage, and good ale and beer. Come over to the corner, where the Neverending Session has set up. The music will be a little different tonight, I think. I’ve brought a couple of friends who will be playing — yes, those fellows there. Ah, I see you recognize the piper. Fitting him for boots was a problem, and we had to cut a hole in his pants for his tail. Oh, yes, we had to put him into pants, else the evening would have gotten much too lively much too soon. He lacks restraint, and I thought it best to keep him indoors tonight, and to keep him playing — there will be enough madness in the wild places. At any rate, there will be some fine music tonight — my friends have been playing together for time out of mind. And there will be tales later — I know the storyteller of old, and he’s a rare one.

What? The Equinox? Oh, no — that’s only part of it. Yes, tonight is a night when we observe time in balance, but it’s more than just day and night — it’s one of the days we can look back and forward, like Janus the Two-Faced. It’s nothing so simple as ‘balance,’ at least as your thinking of it — it’s a complex and delicate thing, an equilibrium that is already out of place, that only holds its shape for an instant, part of the long interplay between day and night, dark and light, the eternal dance of the Kings as each in turn takes his place as Lord of the Wheel. It’s the ends of the circle that count, do you understand? Tonight is just a pause to take a breath and rejoice before the serious business starts again.

And it’s the midpoint of the Harvests, which I rule with my brothers. You hold a mug of my brother John’s bounty in your hand, and my brother Kern will come in his turn with the harvest of the woods, that can only be bought with blood. They offer sustenance, as do I — I stand between them and bring joy. Remember, the Harvests mark a time of sacrifice — we offer our lives, and I my beloved as well, and tonight we celebrate my gift. No, don’t regret it. Accept it gladly, as it was given, lest you belittle them and me — no one lives without the sacrifice of others. Acknowledge it, and treasure it, and give us your blessing.

Ah, I see them slipping out. I suspected they would — fox-haired Kit and his cat-eyed companion. Ha! You didn’t even know he’d come in, did you? They’re good at being unnoticed, the both of them — I’ve seen them slipping through the Wood like smoke, and not even the sharp-eyed ravens marked their passing. They’ll be coursing the woodland paths tonight, offering shelter. That Wood belongs to Kit, though I can’t guess how much of it he’s gifted to his friend — and don’t be fooled by that one — they are subtle and devious, both of them — and they understand that sacrifice must be willing. Kit has declared that tonight is not the night for bloodshed in his domain, and I have agreed, out of respect — he is my elder, after all. I daresay any bands of my celebrants who wander into the Wood will find themselves wandering out again in short order.

For the rest, you’d best stay in tonight. Stay close to the fire. See, the storyteller is here, so there will be tales told, strange and wondrous, and, if I know anything about this place, many healths pledged.

No — sadly, I have other tasks ahead of me, other places I must be, and I must say adieu. Tomorrow? No, I can’t promise that, but next year — next year for certain.

For tonight, be merry!

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What’s New for the 22nd of September: Falstaff’s Fireplace, Superb Chocolate, Single Pot Irish Whiskey, Great Fiction and Sweet Music — Small Treats Indeed!

One of the secrets of a happy life is continuous small treats, and if some of these can be inexpensive and quickly procured so much the better. — Iris Murdoch’s The Sea, The Sea

Would you like a taoscán of Green Spot Single Pot Still Irish Whiskey? It’s not cheap but it’s considered the Pappy Van Winkle of Irish whiskies, as it’s both that good and that uncommon as well. We paid dearly for our bottle and I don’t expect that it’ll last very long. Good, I’ll get that for you. I’m sure you’ll find it quite amazing.

So Autumnal weather arrived today with a sharp tang in the air and rain as well. You’ll notice that it’s busy here in our Pub as both Estate staff and visitors are enjoying the fact that I’ve got Falstaff’s Fireplace well stoked this afternoon. And the Kitchen sent over several baskets of baked treats such as blackberry scones and their ever so popular dark chocolate chip cookies too.

Everything we review here could, by the measure established by Iris Murdoch, be considered a small pleasure. So read on to which ones you would  like to be your small pleasures.

Kestrell says ‘Rebecca Munford’s Re-visiting Angela Carter should be considered a necessary text for any scholar of Angela Carter’s work. Due to the density of the lit crit language, the this book is probably not for the general reader, although the dedicated Carter fan with a familiarity with literary criticism terms may wish to acquire a copy. It would also be wonderful to find this text being used in classes which focus on feminist approaches to film, radio, and other media.’

Kestrel in her second  review apprehensively says ‘when I sat down to view Lifeline Theatre’s live stage production of Neverwhere, I had my doubts. Works of fantasy offer a particular challenge for live theatre in that the fantastic often translates poorly to the limitations of the flesh and the material world, resulting in bad fur suits and the omission of many favorite passages.’ Now read her review to see why she was amazed by this performance!

Michael has a collection of short stories from a very prolific author: ‘Azazel is a collection of eighteen of his modern fantasy stories, all written during the 1980s. They originated in a story Issac Asimov wrote for a monthly mystery magazine, but, as the editor objected to the recurring fantasy elements, he soon found a home for an altered version of the concept at the Magazine of Fantasy and Science Fiction. After two such stories, the editor at Isaac Asimov’s Science Fiction Magazine objected to the titular head of the magazine selling stories elsewhere, and thus, the next sixteen found a home at IASFM.’

Robert has the first volume of what could be an exceptional fantasy series, if this book is any indication: ‘Despite what the church claimed and the people believed, this was still a Kingdom born of younger sons, the land-hungry and the dispossessed. Thus begins one of the more fascinating books I’ve read in a while, Chaz Brenchley’s The Devil in the Dust.’

Robert has some very special chocolate for us: ‘Willie’s Cacao is the name of a chocolatier owned and operated by William Harcourt-Crooze, an Englishman with a passion for chocolate. Willie maintains that cacao from particular locations is like a fine wine, with its own flavor and character. Not surprisingly, given that approach, each of his chocolates is made from beans from a single estate.

David looks at the The Three Musketeers  and The Four Musketeers, both directed by Richard Lester: ‘The two films stand on their own merits individually but also form a wonderful whole when viewed together. The characters develop from the first to the second film. The relationships grow convincingly, and the action never lets up. There is sex, romance, and true love. There is action, and wit, and slapstick comedy. The scripts are glorious models of the screenwriter’s art, and there is not a bad performance to be seen. The sets are rich and faithful to the time, and the score (by Lalo Schifrin) underpins it all.’

Gary was moved by La misteriosa musica della Regina Loana, a tribute by two Italian jazz masters to their late friend, author and philosopher Umberto Eco. ‘It’s a loving tribute to Eco and at the same time a masterful performance of music that evokes an era but lives utterly in the present.’

Jessica notes that ‘Though The Lonesome Crowded West deals with ugly subjects, it does so effectively, with honesty and understanding. Stylistically, it can at times be both coarse and difficult. And Brock’s wavering lisp is not for everyone. However, I consider Modest Mouse to be one of the most talented and original young groups currently making music, and the way in which they graft various roots-music styles into the stuttering alienation of post-punk gives me hope that their appeal is not as limited as the self-referential indie rock scene.’

Green Linnet went out of business quite some decades ago, but Patrick reminds us that they were quite important in the Celtic Music music scene once upon a time: ‘And through it all, we can always count on Green Linnet to assemble some of the finest groups and most wonderful music in the genre, thanks in no small part to founder Wendy Newton’s willingness to stop and marvel at the musicians and revel in their music. As for finding something to rejoice about, take your pick of any of the artists featured on Nua Teorainn, one of the label’s latest releases. Each is extraordinary.’

Tim disclaims ‘I’ll admit, I don’t care for electronics in traditional musical forms, so I didn’t expect to like this CD. I didn’t want to like it. In the end, though, the arrangements were so inventive, and Kerstin Blodig’s voice so compelling, that I found myself listening to Valivann over and over again.’

Our What Not this week is from Cat, who takes a look at a Rock Candy figure of Lady Thor. Rock Candy? That’s what it says.

Good music of course is always a welcome small treat and so I’ve got such a treat for you in the form of ‘Jenny Rocking The Cradle’  by the Irish group De Dannan Lee by Frankie Gavin as recorded at the Canal Street Tavern in  Dayton, Ohio thirty seven years ago. This version of De Dannan seems to have gone defunct as their website has been shuttered. Actually neither version of the group (don’t ask, it’s too long a story to tell now and it’s depressing to boot) appears to exist anymore.

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A Kinrowan Estate story: A Hard Rain is Falling

If you’ve visited us and been here when it was raining, you know why we put in a modern heating system. Heating with wood was cold, really cold in the winter, and miserably damp when it rained. I mentioned that as we’re in the middle of what is forecast to be a week of heavy rain.

Even I, who love all things outdoors in some pretty miserable weather, have curtailed all outdoor activities as much as possible. I’ve gratefully let my staff, many much younger than me, do the duties needed to keep Estate livestock safe while I and my wife stay in our modernised crafter cottage reading, listening to music, and just enjoying each other’s company.

Mind you, that much rain impacts everything. It’s far worse in its own way than a blizzard as folks know that’s really dangerous, but forget that a torrential rain storm can both cause hypothermia and cause anyone to get lost under the best possible conditions. It’s certainly possible to die within a handful of minutes. And the livestock has to be kept inside (save the ducks and geese who really like getting wet) in order to be safe.

Not to mention that I and my staff will have very long work days as soon as it stops raining, as there’ll be paths to rebuild, gardens to check for damage (good practices help minimise damage), forests to survey for dangerous hanging branches, and such and so forth.

But for now, we’ve got the Penguin Cafe Orchestra playing, I’m writing this post up, my wife is reading some mystery novel, one by Tony Hillerman I think, and we’re nice and toasty. That’s enough to make us as content as our cats are right now.

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Whats New for the 15th of September: Patrick Street, Ethan Iverson Quartet, Ashley Hutchings, Patricia McKillip, The Band, Issac Asimov and Other Matters as We See Fit

Good times don’t last long sometimes. — Levon Helm

We’ve had our first not so light frost last night, which was a few days early but not unusual for us. Gus, our Estate Gardener, protected what needed protecting and ruefully acknowledged that it meant that for many things the growing season was indeed at an end. So now his crew will be harvesting and processing a lot of produce that we’ll be gratefully using this coming off season.

So it’s likely we’ll have a garlic heavy squash soup with smoked pork sausage in it for supper sometime in this coming fortnight. Tonight we’re having a lasagna made with pork, tomatoes and peppers from our gardens with the oh so tasty cheese from Running Hill Estate.

Hmmm… I’ll tell you the fascinating story of Kedgeree before you turn to our reviews  as it’s considered a traditional British breakfast dish but its origins are rooted in Indian cooking having started its life as khichari, a simple dish of rice and lentils. Due to the British Raj and the colonization of the sub-continent the dish was taken, adapted and turned into something more suited to those serving in India, and it came to Britain during the Victorian era.

Cat leads us off with alternative history novel, The Peshawar Lancers, where the British Empire decamps to India: ‘The much more Indian that English culture is a brilliant re-visioning of British history that reads like vintage Poul Anderson, particularly his Dominic Flandry series. It features rugged heroes — male and female — vivid combat scenes, exotic locales, and truly evil villains. Hell, it even has Babbage machines, the great analytical engines that Sir Charles Babbage never built but which also play an important role in William Gibson and Bruce Sterling’s The Difference Engine.’

Grey has one of her favourite books for us: ‘Some of the GMR staff were having a conversation about books that are beautifully written, books whose authors obviously love the English language and use it skillfully, extravagantly, profligately, even orgiastically. Patricia McKillip’s The Book of Atrix Wolfe is on my list of such books. It’s a book I return to at least twice a year, to linger once again in the richness of its language.’

Fairport Convention and Steeleye Span are two of my fav British folk rock(ish) bands, so it’s apt that Lars has a review of Brian Hinton and Geoff Wall’s biography of Ashley Hutchings: The Guv’nor & the Rise of Folk Rock as he helped birth both of those groups: ‘To some of us the subject of this book is, if not God, at least the musical equivalent to the pope. Name a group you like and have followed over the years, and there is a fair chance that Mr. Hutchings was there to start it, or at least influence the starting of it. He is in one way or another responsible for a very large number of the records in my collection, and yes, we are certainly talking three figures, here.’

It turns out that we don’t know who did this review as we had the wrong reviewer credited  but it is a splendid one nonetheless: ‘When faced with a work of the stature of I, Robot, one is pretty much at a loss. This is the collection of Isaac Asimov’s stories about robots that originally appeared between 1940 and 1950, collected and provided with a frame: Dr. Susan Calvin, the chief robopsychologist at U.S. Robots and Mechanical Men, Inc., is being interviewed; this collection is her reminiscences of her career and some of the more interesting personalities — human and otherwise — she has known.’

This issue, Denise digs into Specially Selected Mango Chili Flavored Tortilla Strips with Chia Seeds. ‘Aldi is quickly becoming my go-to place for finding new things to try. They have a knack for creating items that make me do a double-take, and then put said things into my cart. Like these chips.’

Fairport Convention has had many a boxset in its over fifty-year existence and David looks at one of them, Fairport unCconventional: ‘Eleven lead singers, eleven lead guitarists, six fiddlers, seven drummers, five keyboard players, two bass players, four CDs, one 172 page book, a Family Tree from Pete Frame, a poster by Koen Hottentot, a history of Cropredy, some interesting loose papers and ads, a postcard for a 5th CD and a program from Martin Carthy’s birthday celebration! Whew! Does Free Reed know how to throw a party? Until further notice this box is the anthology of the year! Don’t miss it!’

Gary was quite pleased with Common Practice, a new jazz album by the Ethan Iverson Quartet with trumpeter Tom Harrell. ‘This is a beautiful recording of standards from the swing and bop eras (and a couple of Iverson compositions in that spirit), played in a modern way but with respect to their history.’

Gary reports on Dori Freeman’s third Americana release: ‘Dori Freeman is amassing an impressive catalog of work as she grows into her professional career as a songwriter, recording artist and performer, as well as a mature adult navigating her way through the world. Every Single Star is yet another solid demonstration of how to turn the particulars of a life into songs with universal appeal.’

Lars has a very fine album for us: ‘Live from Patrick Street was recorded in 1998 during a tour of Great Britain and Ireland. It is an unusual live album due to the fact that more than half of the tracks are previously unreleased. In that respect, it should be treated as a new album, not as a greatest hits-collection performed live. As usual, there is a mixture of songs (five) and instrumental tracks (seven); and, as usual, it is played with all the expertise you would expect from these gentlemen. We are talking the creme de la creme here.’

Patrick says that Lowlands, Susan McKeown’s sixth album, is ‘one of the most fascinating works I have listened to in what seems ages. There isn’t a bad song — not even a mediocre one — on this 12-track CD. Her practice of combining traditional works with non-traditional instrumentation gives each piece a very unearthly feel, while keeping their roots quite grounded in the fertile Celtic soil.’

Did you have a lovely Friday the 13th? Yes, lovely. No one here suffers from Friggatriskaidekaphobia, and neither should you. In fact, we relish the day. Why not? Frigg is a great goddess! Wisdom, prescience, and not to forget she’s the very entity we get Friday from! What’s not to like about that? (In this instance I’ll skip the Frigg/Freja discussion. We can have that at another time.)

So the next time you hear people freaking out about Friday the 13th, just smile. It’s gonna be a good day. A Frigg-in’ great day, in fact.

So let’s have some rock and roll. I’ve been thinking of The Band which is more or less a Canadian group despite doing ‘The Night they Drove Old Dixie Down’ which is one of the great anti-war protest songs ever. But I’m thinking of something a lot less heavy by them, to wit ‘Up On Cripple Creek’ in which lead vocalist Levon Helm recites the story Robbie Robertson wrote of a not so epic but highly entertaining day that an average joe has.

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A Kinrowan Estate story: Theatre in the Round (A Letter to Annbjørg)

Greetings Annbjørg,

About that theatre I mentioned — we’ve had a theatre in the round for nearly forty years now, ever since the a particular Steward developed a deep affection for theatre. He noticed that the very old stone livestock auction barn either had to be repaired or torn down before it fell down. And the last auction held there was generations ago, as that activity moved to Riverrun Farm, as it was more convenient for all the farmers.

It’s about forty feet across and two stories high — apparently there was no way to heat it, so all the theatre done there was done in the summer and early fall, though there was one Estate muso who convinced the Neverending Session to do a concert there on Winter Solstice just after it was renovated. It is said by those there that it was an interesting event as Border smallpipes and fiddles sound superb there!

So we cleaned out the space, fixed the slate roof and pointed up the stone exterior, and added a stage. And then it got interesting, as the Steward noticed it was a tall enough interior that we could have three levels of staging and seating. He readily agreed to spending the funds to do so, as Jackie, a musician resident here then, said it’d make a dandy summer and fall concert venue. And so it has been ever since.

The Welsh folk punk band, Ymyl Danheddog (Serrated Edge), always plays there when it’s warm enough to do so, and one of the Several Annies who’s Welsh plans on doing A Child’s Christmas in Wales there this Winter, as we just added a Russian stove system there which was a costly affair indeed.

At any rate, I’m hoping you and your hardingfele fiddle make it here for the tune swap planned for the fortnight around Candlemas.

Warmest regards, Reynard

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What’s New for the 8th of September: Celtic Music, Making Cider, Folkmanis dragons, Sherlock Holmes films, Pub Renovations, Music by the Old Blind Dogs and There’s a Touch of Frost in The Air

Like legend and myth, magic fades when it is unused. — Charles de Lint’s The Little Country

The Pub’s closed for a fortnight for its once a decade cleaning, as it gets a complete overhaul with everything from the slate floor removed and thoroughly cleaned to a complete paint job, which is a pain in the ass, given the size of the Pub. Of course, everything has to removed from it and stored away, which takes time as well. I’ve moved my office into an adjacent space to oversee the renovations. It’s worth it, but oh, the look on patrons when they see the We’re close for cleaning sign is somewhat heartbreaking.

So I’m pretty much free to do what I want as we’ve hired a outside firm to do the work needed. And Iain’s busy this week so I got the Sunday edition. Right now I’m sitting in the Kitchen having a late lunch, which is a plate of smoked turkey, cheese and hard rolls while listening to the kitchen crew talk about what’s going on about the Estate. I learned there’s two new pregnancies, one marriage coming up and we’ve got a Latvian Several Annie arriving next week.

Thinking about the coming colder weather got you down? Well Deborah has a reading recommendation: ‘While I recommend this book whole-heartedly for reading any time of day or night, on a plane, on a train, or simply on the couch at home, here is my specific prescription for Patricia McKillip’s The Bell at Sealey Head: buy it, place it upon your bookshelf, and wait. Wait until a day when you feel blue, or when the world is blue around you, with stormy heavens and endless rain. Make a cup of tea, settle yourself among soft pillows and fabrics, and then enter The Bell at Sealey Head. Savor it. You’ll feel better immediately.’

Kate ponders  Cats Have No Lord: ‘It was not immediately clear when I began to read this book exactly how the title fit with the story. However, the characters brilliantly pull a reader in, until the question is revealed, “Why do Cats Have No Lord?” I believe that is the first comical twist Will Shetterly gives this very busy plot.’

Robert says that ‘A good argument can be made for calling Emma Bull’s Bone Dance an urban fantasy. There is a great deal to do with the spirit world, events that are only explainable in terms of magic of some sort, and there are visitations from supernatural beings. However, the fact that it is set in a post-Apocalyptic dystopia, technology plays a pivotal role (although that is more because of its scarcity than because of its reliability), and the magic comes from “hoodoo” (Voudou is part of modern reality, for some of us at least) make me place it firmly in science fiction (which does, after all, leave room for beings with advanced mental powers).’ After you read his review, go read the first chapter here, courtesy of Emma.

Warner wasn’t too happy with the first volume of a new trilogy: ‘So sometimes, you just cannot connect with a book. Lies of Descent is the first book in a new trilogy by Troy Carrol Bucher. It is also a volume that fails in many ways to connect with the reader. The start is promising, if cliche, of a young man in a hard life discovering he has a very special destiny, and a girl making a similar discovery.’

It being nigh unto Autumn, let’s look at Simon McKie’s Making Craft Cider: A Ciderist’s Guide which comes with a warning from Gereg: ‘Let’s get the down side out of the way first. This is not a book you’ll pick up for light entertainment. It’s not a particularly a lively read, nor is it often witty (though the wit, where it comes out, is as dry as a good cider).’ If however you want to make hard cider as the Yanks call it, you really should read his review!

Craig has his Holmes for us: ‘The Sherlock Feature Film Collection gathers together the five feature-length installments of the Jeremy Brett and Edward Hardwicke series, giving the viewer an opportunity to see these two actors together over a more leisurely period of time. Some are better than others, of course, but all of them allow us to further get to know this Holmes and Watson, without being rushed by the necessity of getting the story told in an hour’s time.’

We’re deep in Celtic this edition covering the Cornish, Manx, Irish, Scottish and Welsh traditions. So let’s get started…

Our lead-in review isn’t precisely Celtic but it is based on the music that Charles de Lint wrote for The Little Country, his novel  featuring Cornish small piper Janey Little, so it has its roots in Cornish music. Thus Cat has some comments on somewhat non-traditional rendering of the music of Charles de Lint, Zahatar’s The Little Country: ‘Zahatar is more akin to a classical music ensemble than it is to a folk group, and their arrangements of de Lint’s The Little Country compositions very much reflect that. It’s a lively but dignified approach to his songs, more closely akin to what you’d hear if you were listening to any classical music ensemble than to, say, a contradance band.’

Debbie has a great Scottish recording for us in Brian McNeill’s The Busker And The Devil’s Only Daughter: ‘As with all other albums I’ve heard by Brian McNeill, there is much to delight the listener. His creativity and eclectic approach to his music, laced with his honest passion for what he’s doing, make this worth seeking out despite some minor unevenness here and there.’

Barrule’s Manannan’s Cloak gets praised by Gary: ‘The Isle of Man is a small island in the Irish Sea between Great Britain and Ireland, with a lot of history and an ancient Celtic culture. Barrule is a trio that is celebrating that culture and bring the island’s jigs, reels and old Manx songs to the world. The group consists of fiddler Tomas Callister, guitarist and bouzouki player Adam Rhodes, both Manx natives and leading lights in the current revival of the music scene, and Welsh accordionist Jamie Smith (who also has a Welsh band called Mabon). This is their second album, and it’s a wonderfully lively collection of tunes and songs.’

Calennig’s A Gower Garland says Lars ‘may not be everyone´s cup of tea, but it should be interesting to anyone with the slightest interest in Welsh music or Welsh culture, even though everything here is sung in English. I know what I will be playing in the car stereo the next time I get the opportunity to visit Rhossili Bay.’

Patrick has an equally superb Irish album for us: ‘The ease with which they deliver these pieces on Street Life is an abject lesson to every young band looking to achieve longevity in a very fickle marketplace. There was a time when each new Patrick Street album defined the session content of every Irish-music-type person in North America. Those days may have passed given the availability of other recordings but their new albums are always welcome and given some of the directions “Celtic music” is taking these days I think I’ll stick with the tried and true.’

Mia has a bonnie brunch of fantastical dragons and one gryphon for us: ‘These four puppets are lovely examples of why Folkmanis is the single premier fantasy puppetmaker. This is just a small sampling of their dragons and other fantastic creatures; they have several other dragons, a sea serpent, a pegasus, a unicorn . . . and boy do I have my eye on the griffin. Folkmanis puppets are great for kids who want to use their imagination in play — but I really think they’re better for adults like me who never really plan to grow up.’

The weather’s already starting to get cooler here, so let’s see if we’ve got some  music to match … so how about ‘Come a’ Ye Kincardine Lads’ by the Old Blind Dogs, a Scottish trad band that’s very, very popular around here? It was recorded at Chagrin Valley Little Theatre located somewhere in Ohio back in March sixteen years ago. The fine sound tells me it was a soundboard recording.

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A Kinrowan Estate story: Discographies ( A Letter to Jackson)

G’Day Jackson,

Iain asked me to teach the Several Annies, Iain’s Library Apprentices, the proper way of constructing a discography. It’s trickier than it looks as it requires a lot of research in obscure corners of the internet and an willingness to ignore what the band thinks is the history of the band.

A discography is the study and cataloging of published sound recordings, often by specified artists or within identified musical genres. The exact information varies depending on the manner of the discography, but one for a recording will often list such details as the names of the artists involved, the time and place of the recording, the titles of the pieces performed, release dates, chart positions, and sales figures. What we’re doing is less about that sort of detail than where and when the recording was done, and who’s on the recording.

I started them off an easy project, that of Chasing Fireflies, the very local contradance band that plays here and in the region. They’ve got three recordings out, all on their own label, Falling Down Dancing Recordings. We had all of the recordings in the Music Library so they could go there for the actual recordings. And all of the musos themselves were all here, so they could ask them questions if need be.

(I suggested that for the purposes of this project that constructing a history of the band would also be good. A very nice oral history of Chasing Fireflies was done, good enough that Iain was very impressed.)

We also tackled the delicate question of EPs from bands that fell apart after releasing a one-off EP such as one from Cuillin, a Cape Breton group, that was sent to us as a favour. I insisted upon a cataloging note that the band never actually toured and that this EP was the only recording they did. Same holds true, or perhaps even truer, for a Celtic band by the name of The Windbags who cut an EP but never even existed outside of that one-off in the studio. 

I made it much more complicated for the final project by choosing the Oysterband, a very long-running band. I told them that I want a full discography including any promotional releases and bootlegs of significance. Oh, that was fun.

When the band was the Oyster Band, they released a recording called Freedom And Rain with June Tabor as a guest artist. Officially that was the only recording released to the public. Dig a little deeper and you find a Ryko disc called Freedom and Rain Tour ’91 Sampler which includes splendid covers of ‘White Rabbit’ and ‘All Along the Watchtower’. Both are quite superb but the best recording is a bootleg catching them in full glory in Minneapolis during their American tour!

That exercise led the Annies to learn how a bootleg is cataloged, a tricky task as ofttimes the releasing party takes no credit for their frequently splendid work. Garry Freeman’s The Bootleg Guide (Scarecrow Press, 2005) is the gold standard for what a bootleg is and how to catalog it.

I think they learned a lot about both the difficulty of making a complete discography and the fun of discovering the hidden history of a long-running band. All in all, it was a entertaining week for them.

Cheers, Reynard

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What’s New for The 1st of September: Italian flugelhorn music, a Zelazny collection, Pogues fronted by Strummer, a Miles Morales Spider-Man and Summer is Fading Away

To absent friends, lost loves, old gods, and the season of mists; and may each and every one of us always give the devil his due. — Hob Gadling, toasting upon Dream’s journey as told in Neil Gaiman’s The Sandman: Season of Mists

Autumn is yet to arrive here with its promise of bonfires, fresh pressed cider, of blackberries fat and tart on their prickly bushes  and pumpkins still ripening on the vine, but it’s also the time of year that we get fully in gear about getting ourselves ready for the coming Winter.  So if you visit us on the Kinrowan Estate, someone will ask you to pitch in on some task or other that does need doing. So dress appropriately, have a good attitude, sturdy footware and you’ll be appreciated here rather nicely.

It’s rather quiet in the Pub on this warm afternoon, as almost everyone who can be is outside is either doing needed chores or just enjoying the unseasonably warm weather as it’s twenty three out right now, with not a breeze to be felt. I’ve the windows open here airing the place out, which is something I rarely get to do this time of year. I do have a group of German tourists sampling ciders and chatting with me about northern German favourite foods we share in common.

Denise has a fantasy that makes her long for the next book in the series: ‘What do you get when you take an assassin sick of killing, a petulant half-demon and his hubba-hubba aide “Nursie,” a barely pubescent girl who would leave a marathoner in the dust, and a cook so amazing she could make gruel taste like foie gras? The beginnings of Kage Baker’s The Anvil of the World, one of the most enjoyable romps I’ve had between the pages in a very long time.’

Robert looks at The Doors of His Face, the Lamps of His Mouth and Other Stories: ‘This is one of those instances where I have to stop myself or go on for pages and pages. Let it suffice that, as I was dipping into the stories once more in preparation for this review, I found myself caught again and again by images bizarre, frightening and wonderful, less than willing to put the book down until I had finished whatever tale had caught my eye. As much of Roger Zelazny’s work as I’ve read (and at this point, I think it’s almost everything), I can’t offhand think of any better introduction.

Melissa Scott and Lisa A. Barnett’s Point Of Dreams says Sarah ‘is basically a murder mystery. The city of Astreiant may be in a world where magic works and ghosts walk, but it’s still a mystery. That magic only serves to complicate things for the law enforcers, the Pointsmen, so called because their stations, and perhaps their beats, are known as Points. A point is also what a Pointsman makes where a policeman would say a charge. The people of Astreiant make their words do heavy duty.’

Warner says ‘The stand-alone fantasy novel is something of a rarity in this day and age, and Julie E. Czerneda as produced an excellent example of it. Czerneda is already an experienced hand in the fantasy genre, with 20 novels under her belt including award-winning books like A Turn of Light, but The Gossamer Mage is something truly special.’

Denise pops the top on a box of Dent Duett pastilles. ‘For those days when you can’t seem to make up your mind on what kind of taste you’re craving – which for me is just about every single day of my life – Duet has an equal amount of sweet and sweetly savory.’ But are they any good? Well, read her review!

Aurora looks at two versions of The Lion in Winter, James Goldman’s story of the Christmas Court of King Henry II and Queen Eleanor that wasn’t. One version has the pair played by Peter O’Toole and Katherine Hepburn, the other by Patrick Stewart and Glenn Close. Read her review to see why she was surprised that she liked both versions.

Gary reviews a jazz recording by the Israeli-born duo Avishai Cohen and Yonathan Avishai called Playing The Room. He was quite taken with the album, in particular one piece, South African pianist Abdullah Ibrahim’s “Kofifi Blue,” of which he says, ‘if this doesn’t have you flaneuring up and down the boulevard with your walking stick as you hum this tune, I don’t know what it’ll take.’

Gary also reviews a live recording called Roma by Italian flugelhornist Enrico Rava and American tenorist Joe Lovano, backed by a lively young rhythm section. ‘The program features only five pieces, all long works with lots of room for the players to stretch their ample improvisatory muscles.’

Gary’s not done with jazz yet. He has one more called Jazz and Art by the Jazz at Lincoln Center Orchestra, with 10 songs dedicated to and inspired by modern American visual artists and their work. ‘Although it’s played by a large ensemble that some may think of as old-fashioned, this music is as richly varied as the artworks that inspired it and the backgrounds of its composers.’

Dorothea, says Richard, is from Lais, who are ‘a unique group that has no equivalent, to my knowledge, anywhere in the world of music. This seven-piece band from the Flemish region of Belgium is fronted by three alluring young women, Jorunn Bauweraerts, Annelies Brosens and Nathalie Delcroix, who sing, move and gesture in a highly dramatic manner while singing beautiful harmonies, occasionally a cappella, but more often to an eclectic accompaniment that ranges from the downright folky to something closer to electropop.’

Scott notes ‘The members of Mozaik all have reputations which precede them, and the musicianship on Live from the Powerhouse lives up to expectations. Long-time fans of any of the individual performers will want to have this CD. Newcomers looking for quality Irish or world music will find much to like about this as well, although they might want to catch up on Andy Irvine and Donal Lunny’s histories while they’re at it. It will be interesting to see if Mozaik becomes a fairly permanent outfit, with multiple albums and tours, or if all the performers return to their regular career.’

Our What Not this week is a Mile Morales Spider-Man figure. Cat says ‘So I went hunting on the internet for a good Miles Morales Spider-Man figure. I liked that particular Spider-Man after seeing Spider-Man: Into the Spider-Verse while I was in-hospital being treated for a staph infection that required not only that I have bone surgery but that I spend forty two days there having antibiotics three times a day. So I was looking for something entertaining to watch and I heard very good things about this film. It turned out that it is a fantastic film that if a Spider-Man fan you should see now as Miles Morales is an amazing Spider-Man and the rest of the Spider-Beings are equally amazing.’

Joe Strummer, May He Rest In Peace, had a much better voice that Shane MacGowan ever had on his very best day which I swear never happened. So I’ll show you that by letting you hear him when he fronted the Pogues in Köln, Sporthalle, Germany on the seventh of November twenty eight years ago to sing ‘If I Should Fall From Grace With God’. What an amazing voice!

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A Kinrowan Estate story: An Oak King

We’ve had honourary human Oak Kings down the years such as Arthur Rackham, and in more recent years, Charles de Lint comes to mind, but this one was most decidedly was not human though his glamour would be a proper guise for most humans not to know that when looking at him.

He was made of roots, leaves and a skeletal structure not of bone, but of living oak. Without his guise, he resembled a tree trying to be human in appearance and not coming even close as his proportions were simply wrong — way too many joints in the limbs, shoulders too wide and a skull that even I found painful to look at. He had no eyes but could obviously sense the world around him; no ears nor mouth either. He reminded me of a riddle I’d been told by an insane mortal centuries ago.

When I looked more closer at him, I could see that everything on the surface of him was moving visibly — leaves rustling though there was no breeze in the Pub, branches and roots questing for something, and his whole being pulsing with eldritch energies. Damn, he was unsettling. When he entered, even my ravens were discomfitted, and deserted my shoulders for a perch in the rafters.

(I’ve never told the mortals who live on the Estate that the Pub itself stands on a crossroads between here and somewhere else as some of them have enough trouble sleeping as it is.)

My luck must have been slightly cursed that late evening as he shambled towards me. I sighed deeply, put away the Ravens in The Library anthology I was reading and turned towards the intruder. I inclined my head slightly towards him as I bow to no one, human or otherwise. He, not being human, didn’t notice my intended rebuff.

A voice entered my head, deep and somehow akin to dry oak leaves rustling in a Winter wind. A voice I’d rather not have heard ever. It asked me a question that I could not answer, nor really wanted to know that the question existed. Even my ravens were visibly quite agitated by the question.

Emotions flushed rapidly — irritation, anger, puzzlement, even sadness. With that, he turned and left the Pub. I for my part signalled for another whiskey and planned on telling my ravens to forget this ever happened …

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What’s New for the 25th of August:Yolen on Writing, Beatles in Portland, Costume Design on Doctor Who, Music from Kathryn Tickell and Other Late Summer Matters

I watched the people passing below, each of them a story, each story part of somebody else’s, all of it connected to the big story of the world. People weren’t islands, so far as I was concerned. How could they be, when their stories kept getting tangled up in everybody else’s? ― Charles de Lint’s Spirits in the Wires

Summer, meteorologically speaking, has a ways to go, but Tamsin, the hedge witch resident on this Scottish Estate, notes that late August really is the turning of the year from Summer to Autumn in all the ways that really count. The days have become noticeably shorter, the nights are definitely cooling off and the vegetable gardens are beginning their slow fade into being fallow.

So indeed Autumn will be soon upon us — Summer’s already waning as the plants in our gardens are just now showing their form of botanical entropy, which puts them on their last legs before first frost kills them off entirely. So Gus, our Estate Head Gardener, and his staff has been drying beans and apples, preparing root cellars for carrots and the like, braiding strings of onions and garlic, sending cornucopias of produce to the Kitchen for Mrs. Ware and her staff to pickle, can or freeze as they see proper.

The Changeling Sea sort of pleased Grey: ‘This is a pocket-sized paperback book of one hundred and thirty seven pages. The story inside is small, but potent, like a well-crafted spell. It makes perfect sense, but it’s fairy tale sense, not reasonable sense. To use a poetry metaphor, Patricia McKillip’s style isn’t like iambic quadrameter or pentameter, but rather like Gerard Manley Hopkin’s sprung rhythm. The story ebbs and flows naturally around the shapes and sounds of words and images. The ending feels right. I sense that there’s no other way for this story to end. Yet it leaves me, not deeply content and satisfied, but restless. Which is a good way for a story about the sea to feel.’

So Kelly realises something and he shares with us: ‘Confession time: as a working writer, albeit one who is as yet unpublished in the fiction realm, I have a weakness for books about writing by successful writers. I have quite the collection of them, sitting atop my desk — volumes by Stephen King, Orson Scott Card, Cory Doctorow, and others. I used to wonder why I like this kind of book so much, since quite frankly, a lot of the advice you’ll find is similar from one book to the next. (“Write a lot, write every day, read a lot, read every day, avoid adverbs, avoid passive constructions, lather, rinse, repeat.”) It occurred to me, while reading Jane Yolen’s new book, Take Joy, that in these books I’m not really looking for advice or pointers for publishing at all. I’m not looking for “how-to” anymore. What I’m looking for is inspiration, a “pep-talk” of sorts.’

Patrick says ‘When Roger Zelazny died in 1995, his was one of the few “celebrity” deaths that actually saddened me on a deeply personal level. In some way I always identified with him and his characters. He was a role model for writers; a fountain of creativity whose waters could be bottled up and shared with others. I was saddened, too, by what I saw as the death of his characters: There would be no sequels to take me back to my beloved Changeling and Madwand worlds; no new Ambers.’ So now read his review of Lord Demon to see what he thinks of the work Jane Lindskold did in fleshing it out.

Robert brings us Frank O’Hara’s Lunch Poems, a collection that’s actually fun: ‘Frank O’Hara is one of those American poets who hovers on the edge of what we are pleased to call “greatness.” Perhaps he hovers there because there is something tongue-in cheek about O’Hara’s work — and, one suspects, about his attitude toward life — which means that we can’t possibly take him as seriously as that. I suspect there is some logical fallacy there. As O’Hara himself wrote, “Pain always produces logic, which is very bad for you.”’

West Coast Cat strays to the sweet side as she tastes three different chocolate bars from Seattle Chocolate, finding two noteworthy and the third not so much. Read her tasty notes to see if they pleased her.

This past week marked the 54th anniversary of The Beatles’ only visit to Gary’s home state of Oregon. He has a review of a documentary that chronicles that visit where they played two shows at Portland’s Memorial Coliseum, which he says is a bit of a mixed bag.

Debbie says of  Steeleye Span In Concert that ‘No matter how many times you’ve listened to your old Steeleye Span recordings, you’ve never heard these songs like this before unless you were lucky enough to see the performances from which the songs on this CD were taken. If you love this band and especially if you were not able to see them perform live, go out and get a copy!’

Gary reviews Pharmakon the debut album by indie folk band Humbird featuring singer-songwriter Siri Undlin. ‘This is such a brave album. Undlin puts her words and voice on the line, daring her audience to enter into her poetic explorations with song after song on themes that recur in our culture’s literature, tales, films, music.’

A band that includes cello, droning synthesizers and jazzy alto sax solos? That’s what Gary says of How to Live by Modern Nature, an English indie-folk group led by Jack Cooper. ‘The enigmatic songs themselves and repeated ideas and sounds both instrumental and lyrical, give this album a rich sense of layering and depth,’ he says.

Ranarop, Call of the Sea Witch in English, is a recording Iain really liked: ‘Gjallarhorn is a foursome from Ostrobothnia, the Swedish speaking area of Finland. They are tightly bound to both folk music traditions, and ancient mythology. Musically, the band is a mixture of fiddle, mandola, didgeridoo, and percussion, with vocals provided by Jenny Wilhelms. Ranarop is an amazing album, with a singular sound which makes the band appear to be larger than it is.’

Kim exclaims ‘Kila’s Lemonade and Buns, their latest offering, continues the wild instrumentals and hypnotic vocals that made Tog e Go Bog e such as delight. Melodies on the uilleann pipe sound as if they were lifted from a session, lured away from the safety of indoors into the night by a fairy lover with djembe and a rain stick. Then the saxophone takes over, and the music conveys the ease and warmth of the tropics, where we can really surrender to the need to dance. Vocal numbers are frenzied, with simple melodies that become a part of the texture of bass, percussion, and wailing middle eastern influences that blend with Irish tunes and insist on dancing — or why else would this music exist?’

Cat has a look at an aspect of Dr. Who (all of them) that you probably noticed but didn’t think about much: ‘Doctor Who Magazine: Costume Design: Dressing the Doctor from William Hartnell to Jodie Whittaker is an amazing undertaking as it covers pretty much the entire history of the series from its inception some fifty years ago during the black and white era, when CGI didn’t exist, so costuming was how everything was created, to the modern era when a lot of what was costuming is now rendered as CGI.’

August has come to the end, so let’s have some fitting music to see it out. I’ve chosen ‘Herd on the Hill’ and ‘Elsie Marley’ by Northumbrian fiddler and smallpiper Kathryn Tickell as performed her at the Shoreditch Church down London way on the fifteen of June nine years ago. Sweet music indeed to see the month out.


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A Kinrowan Estate story: Clue

Remember the Clue film with Tim Curry? Well one of Iain’s Library Apprentices did remember it fondly and she decided to organize a similar game recently as she thought it’d make a splendid diversion in the Winter here.

She limited the game to the main Estate Building as it’s far too cold and dark to be outside in the evening after Eventide meal which was the proper time to do so. Certainly everyone here who expressed interest thought it’d be an interesting evening entertainment!

Some of the players dressed in period costumes, many from the extensive collection we’ve built up doing theatre for, oh, centuries now. So Iain came as Professor Plum, a sight truly worth seeing, and Tamsin, our hedge witch, made an exquisite flapper! Some of the staff got to be NPCs (Non-Character Players) which meant they added character to the game and provided dialogue that aided the players in solving the mystery.

Our authoress was ingenious as she didn’t start the story going after the Eventide meal as agreed upon but rather made the meal part of the story by murdering the first victim with poison in the chocolate ice cream. That NPC died after just after saying  ‘I should have known it was my…’ and before slumping down in her chair. Dramatic license was allowed in this game as she should’ve died at once given strychnine kills instantly.

From there, the gamers were sent in a merry chase across the Building being given myriad clues (true, false and Macguffins alike) being engaged with the other players and the NPCs. In addition, our authoress decided that she’d enlist random willing Estate residents to do things, say things, that might or might not be part of her game. I think all of the residents  were involved in one manner or another.

Now adding to the game was that we didn’t know definitely know who the game authoress and runner was. Oh some of us suspected who it was as we’d been consulted by one of the Library Appreciates and Iain even thought he knew who it was as one of the Apprentices presented the idea to him. He and the rest of us were faked out as she used an NPC to present the idea and run the meetings needed to get it going. She only revealed her role after the game was completed.

The game ran a total of almost five hours with several breaks built in as both rest breaks and times the players could share what they’d learned and what others thought they knew. Of course she used one of those breaks to have the lights go out and one of the players (who didn’t know she was going to die) to be knifed in the chest. We later learned that a voice whispered in her ear that she’d be the next murder victim.

She would not be the last murder victim as there would be two more over the course of this heavily modified Clue game. One victim in particular was only revealed as a victim when an NPC revealed that he had been told that the victim was a former Estate Librarian named Grubb who went missing some decades ago on a dark and stormy night. Yes, that’s a literary reference. From Peanuts I think.

Everyone involved agreed it that it was a successful and entertaining game that they’d all certainly enjoy doing it another time. So you ask who the authoress was? Good question. We still don’t know as she never revealed herself as, yes, the apparent authoress was an NPC herself! So, many of us think we think we know you she was, but she never revealed herself. Iain’s guess, which makes a lot of sense is it was all of the Several Annies which is what we call his Library Apprentices.


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What’s New for the 18th of August: An Alternate Cairo, Craft Cider, Angela Carter’s Writings, Live Breton Music and Other Autumn Is Coming Matters

People talk about mainstream fiction and sf as though they were two quite different kinds of writing, and fantasy as well, as though it was quite different. But I think this a false distinction, that it is a labelling that helps librarians, and people who know the kind of thing they like and don’t want their prejudices to be disturbed.” ― Angela Carter’s Shaking a Leg: Collected Journalism and Writings

We get really interesting things in for review. This past week saw Folkmanis send us what our Editor has labelled the Autumnal Puppets: a Worm in An Apple, a Chipmunk in Watermelon and a Mouse in Pumpkin. I’ve seen all three and the latter I think is my favourite. It’s adorable enough that I’ve ordered one for placement here in the Library amidst the books just because it is, well, quite folklorish I think. They’re all getting their due review in our special Autumn Edition sometime in October.

OK. I’m off to the Kitchen as I’m feeling a bit peckish and I’ve heard they’ve made sausage, tomato and cheddar cheese tarts that are being kept warm along with the first pressed cider, a favoured drink on this Estate. So here’s this Edition for your reading pleasure…

Cat has a look at another mystery set in an alternate Cairo, P. Djèlí Clark‘s A Dead Djinn in Cairo: ‘This story precedes The Haunting of Tram Car 015 and lays down some of the backstory that’s not quite explained in that book. It, like that other story, makes me hope Clark will actually write a novel set in the alternate twentieth century Cairo, as it’d be a fascinating place to explore at length.’

Speaking of folklorish matters, I’ve got a look at Angela Carter’s The Curious Room: Plays, Film Scripts and an Opera. As I said in my review, Sometimes the Reaper is just too damn unfair. Angela Olive Stalker Carter died of lung cancer in 1992 at the far too young age of 52. Writer, feminist theorist, folklorist, opera buff, playwright, poet — she was these things and much, much more.’

Not quite Autumn yet, but Triskell Press has released a digital edition of Charles de Lint’s Yarrow: An Autumn Tale, which Grey delightfully notes is ‘set in de Lint’s Ottawa, the one he first envisioned for his novel Moonheart, and expanded in its sequel, Spiritwalk. Those readers who have fallen in love with the wonderful Tamson House of these two novels will be delighted to note its brief appearance in Yarrow as well. However, the characters in Yarrow are part of different story than the residents of Tamson House and their associates, and Yarrow is a stand-alone novel.’

Some novels arise from The smallest of seeds, other have an extensive family tree. Richard looks at one of the latter from Ray Bradbury: ‘A Pleasure to Burn is best summed up as literary living history, and as a pile of paradoxes. It’s a book dedicated to the joys of reading that’s best read in bits and pieces, a collection of wonderful works that when places in close proximity threaten to crowd one another, and a collection of short stories that’s perhaps more important for what isn’t included — the actual novel of Fahrenheit 451 — than what is. None of that, however, subtracts from the magic, or the importance, of A Pleasure to Burn.’

Simon McKie’s Making Craft Cider: A Ciderist’s Guide comes with a warning from Gereg: ‘Let’s get the down side out of the way first. This is not a book you’ll pick up for light entertainment. It’s not a particularly a lively read, nor is it often witty (though the wit, where it comes out, is as dry as a good cider).’ If however you want to make hard cider as the Yanks call it, you really should read his review!

Rachel looks at a Hong Kong film: ‘2002 is the purest example of style without substance that I’ve ever come across. The title is never explained; motly, the plot makes little sense; and seekers of deep meaning will search in vain. The movie doesn’t just feature coolness, it’s about coolness: slow-motion shoot-outs and rain-slicked streets and looking chic in black leather. For sheer delirious style, 2002 is hard to beat.’

April has a treat for us: ‘Visually stunning, and a host of intriguing things to say about perception and memory, Violent Cases was definitely an impressive debut for the duo of Neil Gaiman and Dave McKean duo.’

Gary reviews the latest release from The Rails, their third, titled Cancel The Sun. He says it has a bit more rock to it than their previous album, but it’s still recognizably English folk-rock. ‘The arrangements and production have just enough sophistication to them to set them above simple folk fare, but the words always stand out as timely, thoughtful and important.’

Jack says of The White Horse Sessions by Nightnoise that ‘I spent years looking for this album after Reynard, a bandmate of mine in Mouse in the Cupboard, said it was an album that I should hear. (He heard it on some late-night Celtic radio programme, but couldn’t find a copy either! Nor could he remember who the DJ was.) But literally nowhere was there a copy to be had at any price or in any format. We both began to suspect that perhaps this was one of those fey albums that only existed across the Border, but a copy showed up in the post here a few months ago at Green Man with a scribbled unsigned note and a smudged postmark that might have said ‘Bordertown’ but I can’t be sure. It simply said that the sender had heard that I was looking for The White Horse Sessions, and here was a copy of the CD! Whoever you are, thank you!’

Lars says ‘If you want a fine piece of Scottish music I would recommend Synergy. If you like it, then get Ae Spark of Nature´s Fire as well. And, if they ever play at a place near you, do not miss Deaf Shepherd. From what they present on these CDs they must be a great live band.’

Scott notes ‘Frigg’s delightful self-titled debut album in 2004, it marked the emergence of a new generation of musicians from a pair of prominent fiddling families from Finland and Norway. Now Alina (fiddle), Esko (fiddle and keyboards), and Antti (bass and fiddle) Järvelä; Gjermund and Einar Olav Larsen (fiddle and Hardanger fiddle); Tuomas Logrén (guitar and dobro); and Petri Prauda (mandolin, cittern, Estonian bagpipes) have returned with a new CD Oasis. Happily, Frigg’s sophomore effort exceeds its predecessor by quite a bit, with tighter playing, a more diverse sound, and some ambitious arrangements and original compositions.’

Denise decided to indulge her love of all things dragon for this edition, with a review of Folkmanis’ Winged Dragon Puppet. ‘…[W]hen I saw the Folkmanis Winged Dragon Puppet, my thoughts immediately went to Pern. And okay, Toho.’ Sound discordant? Not so – read her review to find out why she thinks this puppet harks back to two such disparate genres!

Now let’s see what’s been listed  for Breton music on the Infinite Jukebox, our media server, for music. Ahhhh that’ll do. ‘An Dro’ and ‘Hunter Dro’ aka ‘The Breton Set’ is from John Skelton,  Jerry O’Sullivan, Pat O’Gorman and Tony Cuffe who might have been know as The Windbags if  they’d actually ever become a band which they did not do as Cuffe died not long after this was recorded. They had recorded this set of tunes in preparation of doing an album but that was it.

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A Kinrowan Estate story: Autumn was her name (A Letter to Ekentrina)

Dear Ekentrina,

I’ve been reading the older Pub journals this past week in the afternoon as I’ve taken a week off to be the caller for the series of contradances this week organized by Shut Up and Dance!, a meeting of dance enthusiasts who are staying in the yurts and having a grand time dancing, gossiping, eating, drinking, and skinny dipping in the river.

So I’d been reading a long comment from Lady Alexandra Margaret Quinn, Head Gardener here in the Reign of Her Majesty Queen Victoria, about a visitor from over The Border which separates here from the Faerie realm. She had been telling Sara, the Pub manager a century and half ago, that she’d had a visitor named Autumn, no other name that she’d  would admit to, dressed in bright reds, yellows, and oranges even.

She came bearing an invitation to an event across The Border of an unknown nature that “We’d be delighted to put any member of your choosing — be it fiddling jack, Sidhe archivist, changeling, or whoever you choose, on the guest list plus one.” (Not sure they knew we had a changeling here as that individual has no desire to go across The Border ever again, as her journals said so. Repeatedly.) It was decided that the best being to represent us was none of the ones named but rather Lady Alexandra herself as she had just started growing Border strawberries here — the ones that start out red and turn white when they ripen.

So she went and arranged to meet her counterpart over The Border, a fey being who was, she said, what we call an apple tree man, and he loved tea, thick with honey, and could converse for hours on all matters botanical. When they weren’t off somewhere together, they were deep in conversation in the Conservatory that Lady Alexandra had convinced The Steward to build at no small cost.

According to her Journal, she was deeply, madly fascinated by him. And she never gave his name saying it was a True Name which held Great Power over him. After that first meeting, they met constantly for the next fifty years ending only when she died at well over a hundred. It is said in another Journal, that of the Librarian at that time, that he came to her burial under the Oaks she loved and wept green tears that later sprouted seedlings that the next Estate Gardener grew into Apple trees. 

Until next time, your friend, Gus

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What’s New for the 11th of August: Scottish Sort of Trad Music, A Fiendish Bean Dip, Africa, The Muppets and other Summer Things

‘Order me some of that delicious-looking lager those people are drinking and I’ll reveal everything,’ said Angela. ― Ngaio Marsh’s A Man Lay Dead

It’s been unusually hot and humid here, so Mrs. Ware and her ever so talented Kitchen staff have been doing cold food all week such as smoked chicken, American style ham-and-cheese breakfast biscuits, salmon and new pea pasta salad, mustard and vinaigrette dressed new potato salad and of course strawberry ice cream for dessert. Lots of iced tea and the like to keep folks hydrated has been on tap as well. She has had the oven on in the cooler hours to make up chocolate chip cookies and even brownies as those never go out of demand around this Estate.

I’ve been farming off the Festival work we do this time of year to the younger Pub staff who don’t mind the long hours of being elsewhere on the Estate, so I can stay here in the cool environs of basement Pub. It’s also quieter here as the musically and literary inclined are elsewhere. So I’ve been enjoying a re-read of the original four issues of Charles Vess’ The Book Of Ballads And Sagas which he released on his own press decades back. They’re hard to find today, but Tor did a revised edition called The Book of Ballads which is readily available.

We’ve got a nice fat edition full of new material and some carefully curated material from deep in our Archives. And I do mean deep. Read on to see not one, but two first  recordings from bands we like a lot here.

Jennifer leads off our literary reviews this edition with a wonderful commentary on some  of the great  audio dramas from ZBS Media that she listen to. Read on for her delightful commentary.

Robert has a look at two classic books about Africa, Isak Dinesen’s Out of Africa and Shadows on the Grass: ‘Isak Dinesen is the pseudonym of Karen Blixen, who was, when all is said and done, quite a remarkable woman. Born in Denmark in 1885, she arrived in Africa in 1913, where she married Baron Bror Blixen, a Swedish cousin; they owned a coffee plantation in Kenya until 1921, when they were divorced, after which Baroness Blixen ran it herself until 1931, when the collapse of coffee prices forced her to sell the farm and return to Europe. Out of Africa, thanks to Hollywood, is probably her best-known book.’

Next, Robert has a travel book: ‘It occurs to me, reading John Gimlette’s Theatre of Fish, that there are certain prerequisites for being an effective travel writer. One must be, obviously, fairly peripatetic in nature, and interested in the exotic and new. One must also be very accepting, non-judgmental, and open to a wide range of differing attitudes. It also seems to help if one has an unrestrained, completely irreverent, and somewhat bizarre sense of humor. Mmm . . . and a heavy dose of fearlessness. That helps.’

Warner brings us his thoughts on a new entry in the Military SF field: ‘Military SF has a long history and more than one tradition, complicated by the issues of patriotism and war. Some are in the business of glorifying one or both of these, others are dismissing one or both as folly. Joel Dane’s Cry Pilot overall takes the latter approach, and yet attempts to keep battle morally justifiable through use of enemies that are not political, but more in the way of natural disasters.’

Gary waxes all nostalgic about crunchy tacos. ‘Now, I know seasoned ground beef with lettuce and cheese in a shell made of a crunchy, pre-shaped tortilla is about the least authentic bit of faux-Mexican food that’s ever graced a plate.’

Jennifer revisits the typing pool at that consulting firm for a fiendish bean dip served up by a creature out of fable. How does a Southerner kill a dinner guest? Does flimflam make the world go ’round? And what exactly was in the Pound Cake that Killed Elvis?

Denise starts her review of Season One of The Muppet Show by quoting the opening song: ‘It’s time to get things started/ On the most sensational, inspirational,/ celebrational, Muppetational/ This is what we call the Muppet Show!’ For her enthusiastic review, you’ll need to hop over here.

Adam has a Summer suitable recording for us: ‘Mellowosity, the debut CD from the Scottish band the Peatbog Faeries, is wonderfully misleading in its packaging. A quick glance at the credits on the back reveals a synthesizer alongside all the usual traditional instruments (bodhran, fiddle, whistles, pipes, etc.). So this is another Corrs-type band, blending traditional Celtic songs with pop beats, right? Wrong.’

Gary brings us news of an album by Che Apalache, a bluegrass band with members from North Carolina, Mexico and Argentina. ‘Rearrange My Heart just brims with hope and joy and humanity, beautifully sung with great verve and played in more styles than you can count by musicians who are virtuosos on their instruments.’

Háliidan is recommended by Scott: ‘The contemporary folk music emanating from Scandinavia in general, and Finland in particular, has branched out from home-grown traditions to incorporate a great variety of musical styles across the globe, from Western pop and rock to Balkan and Middle Eastern folk music. The Finnish band Vilddas goes even further than most of their compatriot folk performers in this regard. Their lead singer Annuka Hirvasvuopio is a native of Utsjoki, the northernmost city of Finland, in the heart of Lapland. Hirvasvuopio writes and sings in Sámi, the language of the indigenous people of the far north of Scandinavia.’

Vonnie looks at Blue Horse, the first album from a trio of women: ‘These are lovely voices, but maybe not the ones that you’re used to! The three women who are the Be Good Tanyas create a distinctive sound that includes the sort of rawness that’s been completely expunged from contemporary pop music.’

Our What Not is as stated in my review of them: ‘My favorite two characters on The Muppet Show were the audience members high up in the box seats that served as the Greek Chorus for many of the acts, particularly those that they considered particularly bad. Statler and Waldorf are two generally disagreeable old men and heckled the rest of the cast from those balcony seats. They appeared in all but one episode of the show. Like Bryant & May in Christopher Fowler’s mystery series of the same name, they apparently are very old and I’d guess always been. And these are the Macys Limited Edition figures.’

Something cooling like the lager Angela craved would be apt on this hot, humid day, so how about ‘Croftwork’ from the Peatbog Faeries, a Scottish neo-trad band, recorded at the Arches, Glasgow on the nineteenth of January thirteen years ago. They play for a lot of ceilidhs in their Scottish region which makes them unique among their sort of band.

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A Kinrowan Estate story: Céilidh music (A Letter to Anna)

Dear friend,

Knowing your love of Scottish traditional music, I wanted to tell you about the Ceilidh House evening we had here recently. Normally we just have the Neverending Session playing in the Pub which more than enough for good, lively music, or a contradance band formed out of whoever’s willing to play, such as Solstice, which has your sister on violin, Finch on border pipes, and Elizabeth setting aside her cello for a sweet set of hand drums.

But Iain had decided some months back that a journey through the history of the Highlands and Islands with the music and song of the same with an emphasis on the Highland bagpipe, fiddle and Gaelic song would make for an interesting evening. That would be followed by a dance using the older Scottish dances, which meant just about everyone got instruction in them.

Needless to say the Kitchen staff and the Several Annies decided that a traditional summer Scottish eventide meal was in order: grouse, hare and salmon were the meats along with new potatoes and steamed greens. A strawberry shortbread was served for dessert. And Bjørn decided a traditional Scottish ale would be in order.

Need I say that your brother made more than several toasts with one of the better single malts I’ve had? After dinner, he quoted at length from the writing of Burns. It was a good thing that the dance came next as I think a number of us were, errrr, nodding off during his lengthy ramblings. Succinct he isn’t. 

All in all it was an interesting evening though I must admit that I really prefer a quiet evening at home with my wife and our cats, or a pint in the Pub while engaging in conversation and listening to the music for a few hours.

tills nästa gång, Gus

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What’s New for the 4th of August: Alternative Egypts, American Indian Literature, The Final BronyCon, Irish trad music, Alan Moore’s Mind, Hunter’s smoky egg dip and Other Matters

The impossible could not have happened, therefore the impossible must be possible in spite of appearances. ― Agatha Christie’s Murder on the Orient Express

Yes, that’s a bagpiper, a smallpiper to be precise, that you can hear playing outside in the evening mists. Finch, my associate Pub Manager, decided she’d see the sunrise out this evening so she’s playing a set of tunes she thinks are apt. Right now, she’s playing ‘Sunset on the Somme’ by Pipe Major George S. McLennan. It commemorates the first day of the battle of the Somme in which the British suffered nearly sixty thousand casualties.

Right now I’m  reading a collection of short stories by Naomi Kritzer, Cat Pictures Please and Other Stories. If you read nothing but the title story, do read that as it’s absolutely charming, with a completely believable scenario. If more than a bit scary. Of course the other stories are first rate as well.

Now let’s see what I’ve got for you this time.

Cat brings us The Haunting of Tram Car 015, a mystery set in an Egypt that never was — or maybe it might have been: ‘This is a remarkably detailed story for something a mere three and a half hours in length. It was in the Recorded Books folder that I have ongoing access to and which has any number of Really Great Books in it; the name intrigued me, so I downloaded it to my iPad. I’d never heard of P. Djèlí Clark, no surprise there as he’s written a scant three works to date, two set in this steampunk, djinn infested Egypt and one in a New Orleans where things are quite different as well.’

Reamde, the title of a Neal Stephenson cyber-thriller from a few years back, is a corruption of “ReadMe,” those text files that often come with software discs or downloads. Gary took it as a command and tackled the 1,100-page book, which he found hard to put down. ‘It was the first time in quite a while that I’d read such a big book that got me so involved, and it was a welcome change from the usual absorption with screens and social media.’

Robert takes us somewhat out of our ordinary territory with a review of Kathleen Tigerman’s Wisconsin Indian Literature: Anthology of Native Voices: ‘What makes this collection particularly rewarding is that in addition to the more or less standard roster of creation stories and tales of mythic heroes, Tigerman has included a series of orations, polemics, poetry and drama by Native writers which serves to bring the narrative into the present and also gives an indication of how diverse the Native voice is.’

Warner has a look at Jim C. Hines’ Terminal Uprising, which might be a take=-off on Douglas Adams. Or maybe not: ‘As a successor to Douglas Adams, I cannot say that Hines succeeds, matching neither the tone nor style of the original. Fortunately, Hines makes no attempt to imitate the Adams, instead forging his own worlds and dealing in his own brand of distinctively less-than-classical British humor. In its place is a somewhat more American style. . . .’

Remember when you were in school and you couldn’t, for whatever reason, make it home for a major holiday? With a recipe for Hunter’s smoky egg dip, Jennifer recalls the kind soul who kept Yale Drama School students from starvation and loneliness on a bygone Fourth of July.

April has a look at The Mindscape of Alan Moore: ‘Filmed in 2003, this 78 minute long film consists of a one-on-one interview with comic creator Alan Moore, best known for works like From Hell, Watchmen and V for Vendetta. Although Moore does touch on his past and his comic career, Mindscape isn’t so much a straightforward autobiographical film as an exploration of his more philosophical musings. Moore posits himself a modern-day shaman, and much of the latter part of the film is a discussion about magic.’

Brendan says in his review of the first four Chieftains recordings that ‘For an excellent assortment of really great Irish music, this set of CDs really cannot be beat. Each clocks in at about 40 minutes, which means that the Chieftains packed their LPs as much as possible, and which also means that there are many other gems on these CDs that I’ve left out in this review.

The Alt’s The Alt garners this from Lars: ‘Irish music comes in many forms, from the loud and boisterous to the soft and soothing, from the long slow ballads to the fast furious instrumentals. The Alt is a trio focusing on songs, only three of the eleven tracks are instrumental sets, and traditional material. No pipes, no fiddle, but plenty of guitar, bouzouki, that special wooden Irish flute and vocal harmonies. Their sound is much closer to the style set by groups like Sweeney’s Men, Planxty and Patrick Street, than the Dubliner-side of Irish folk.

Naomi says of Beginish, the first album by an Irish group of that name, that they’re ‘a potent Irish traditional group which was born from four musicians who are successful in their own right, and have a long history of collaborating with one another. This history of collaboration is what brought about the birth of this talented group, and I can only hope that they’re here to stay.’

Stephen looks at three of Lunasa recordings (LúnasaOtherworld and The Merry Sisters of Fate) in a long and thoughtful essay that touches upon the changes in Irish music they created: ‘Sitting here in my house in Cornwall, on a balmy spring evening in 2003, the 1990’s feel like a long time ago. Back then I was living near Slough, one of those modern, overcrowded railway towns that form a steel and concrete archipelago along the West London fringe. Not, in many ways, the most salubrious of locations, but a paradise for anyone who frequented the numerous Irish music venues of the area. Why? Because, and here comes the bold assertion, the 1990’s, those faraway days of less than a decade ago, were a GOLDEN AGE for Irish music!’

It is with a heavy heart that I witness the end of an era. That’s right folks; this weekend marks the final BronyCon. STOP IT. STOP IT RIGHT NOW. I love ‘My Little Pony: Friendship is Magic’ and I’m a grown-ass woman. Is it the anime-esque animation? The lovely voice actors? Or the stories that have a moral that’s just obvious enough for kids to grasp, yet couched in enough fun and cheeky humor to keep adults from gagging on treacle? All of the above y’all.

With more: the fandom is amazing. From the little girl who shyly offered me a ‘bro-hoof’ (aka fist-bump) and then absolutely beamed when I responded – I could see her self-confidence grow as our fists made contact – to actual military service members who thank MLPFiM for keeping them sane during tours of duty. And every type of person in-between, including fans who grew up with poni and now share it with their kids. It’s a wild, woolly (furry? Yeah, those folks are awesome too #freehugs) and I’ll miss the hell out of every single person I’ve had the pleasure to see each year.

This year, to commemorate all the staff has done over the years, a local bakery made cakes for staff and crew that had a different BronyCon logo. Nine logos, nine cakes. The looked delicious, but I’m betting they’re bittersweet. I’ll miss you, BronyCon, but I’ll be a fan forever. FOREVER.

So let’s have some music from Planxty, the great Irish group, to see us off. ‘Chattering Magpie’ and ‘Lord MacDonald’s’ was recorded at the Olympia Theatre, Dublin nearly forty years ago. It’s a sweet set of music.

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A Global News Service story: Istanbul, 1926

Istanbul, Turkey
23rd of November, 1926
Global News Service

It’s a cold morning here as I sip my Turkish coffee outside a small smoked-filled cafe near the Grand Bazaar. It’s been just three years since Ataturk and his military allies overthrew the old Ottoman Empire and created this nation by granting independence to an Empire they could no longer hold together at any cost. Despite that fact, it feel likes any other times I’ve been here over the decades: an odd culture neither Muslim (which officially it no longer is) nor Christian (which it definitely isn’t). And all of the old tension between the Turkish citizens, be they towards Greeks, Armenians, or Jews still exist.

My Editor at GNS was interested in my take on the changes in Turkey a few years after the end of the Ottoman Empire. I think he’s going to be disappointed as I’m not seeing it. As T.S. Eliot said in Murder in The Cathedral, ‘We have suffered various oppression, But mostly we are left to our own devices, And we are content if we are left alone.’

The politics might be different but life for almost all who live here hasn’t really changed that much in many generations such as Ismet, the owner of this cafe, who I chatted with in Arabic even though officially that language had been replaced by Turkish. He has run this establishment for forty years now and his great-great-grandfather bought it from the previous owner close to one hundred and twenty years ago. For his perspective, nothing had changed — the bribes were still expected, the police were all surly and prone to violence, and the military still ran everything. And don’t get him started about how bad the post was!

The Grand Bazaar is even more impervious to change — within its walls, the goods, the traders, and even the patterns of commerce most likely even haven’t significantly changed in many centuries. Spices and rugs and jewellery and coffee beans and books, sacred and profane, even been traded there for that long and still are. Fortunately the trade in slaves is ceased though the trade in weaponry still persists.

Newspapers abound — all with their political bent and most along ethnic lines as well — the Greeks have their Apoyevmatini and the Armeniums and Jews have ones as well. The number of Turkish ones is amazing. Reading the Greek and Turkish ones is alarming as the rift between those two groups is very much headed towards something quite unpleasant!

So dear readers, I’m left with the feeling that, for better and worse, nothing has really changed in what is now Turkey beyond the changing of borders. And those borders are potentially pregnant with the probability of trouble.

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What’s New for the 28th of July: Lord Dunsany, The Mother Tongue, Chocolate Cake, Anime, Cajun Music, and more

I don’t trust memory, anyway. Why should I? Memories, however undependable, ought to be the stuff on the sand when the tides of experience recedes. As long as they’re part of that process, there’s something valid about them, something that ties them to real life. — Emma Bull’s Bone Dance: A Fantasy for Technophiles

It’s not only the hottest time of the year on this Scottish Estate but also the busiest, as we host a number of music and cultural events here, with the attendees staying in the clusters of yurts we’ve built starting back in the Sixties. They’re low-impact and easy to maintain,  and we’ve even got a cluster just for summer gardening and event staff.

I’m Nicholas Winter filling in this week as both Iain and Reynard were too busy with those events. I’m here working on an article on a possible second Scottish independence vote for the Global News Service so I volunteered to fill in. So let’s get started and see what I’ve  got for you.

But first, I’ve got the first chapter of Bone Dance for you to read. It’s a wonderfully weird work by her set in a future Minneapolis after civilisation has largely collapsed and concerns, well, go read the first chapter to meet Sparrow and the world of that time. The book itself is available in print and digital formats.

Laurie leads off our book reviews with with a novel by Lord Dunsany: ‘This is a magical, lyrical novel, not at all like the run of the mill, Tolkien-clone quest novels to be seen on shelves these days (witness the hunting of the unicorn, for instance), which is to be expected, since it was published thirty years before The Lord of the Rings. Del Rey should be congratulated for presenting The King of Elfland’s Daughter to a new generation of readers.’

Robert starts his insightful look at a John Brunner novel in this manner: ‘Stand on Zanzibar  is a novel that any student of science fiction has to know. It’s not a pleasant book — not one I would recommend for a cold gloomy evening, cheerful fire or no. But it’s good. It’s really good.’

For you language buffs, Robert has a real treat: “Being the purist that I am, I wince when people talk about the evolution of this, the evolution of that – evolution has nothing to do with automobile design or cell phones or political systems. It is, however, a legitimate concept when discussing language: language does change over time, languages do descend from common ancestors, and there are exchanges and mutations of “genetic material” – words. Merritt Ruhlen, a prominent linguist, has, in The Origin of Language, given us a fascinating, hands-on investigation of that evolution. He also gives us a history of linguistics and in particular, brings us up to date on developments in historical linguistics over the past fifty years.”

Sometimes a book gets the attention of more than one reviewer, which is how we get Warner looking at a novel that Cat R. reviewed last week: ‘Richard Kadreys’ The Grand Dark is an interesting combination of alternate history and the strange genre that is often called steampunk but more suitably termed “gaslamp fantasy”.’ Read his review to see his take on this novel.

Jennifer flashes back to a consulting firm’s typing pool, where every birthday was celebrated with all that was good and fattening. This sour cream chocolate cake lives on long after its creator, alas, has left the red dust of earth.

Robert dips into his library of anime to bring us a delightful romantic comedy/drama from Japanese TV, Sukisyo!: ‘You may notice that the title of this DVD is spelled “Sukisho” on the cover: these are alternate transliterations of the title, which is actually pronounced somewhere in between the two spellings: it’s another one of those sounds that Japanese has and English doesn’t. And there’s an alternate title, Suki na Mono wa Suki Dakara Shōganai!, that translates roughly as “I like what I like, so deal with it”, which should give you a good idea of the tone of this Japanese TV series.’

David Doucet’s 1957: Solo Cajun Guitar, says Gary, is ‘a sterling collection of songs, made even stronger by the dynamic tension Doucet has wrought between melody and rhythm. He has not only transformed these fiddle and accordion pieces into minor masterpieces of guitar picking, but he has lifted them out of the realm of dance tunes and placed them squarely in the realm of folk art.’

John has a solo album from the lead vocalist of Steeleye Span: ‘Maddy Prior has become synonymous with the voice behind Steeleye Span. It was as much to escape the ghost of Steeleye as to make her own mark that she embarked on a solo career in 1978. That move caused both a sensation and consternation within the UK folk press and folk community. While Maddy as a writer had been involved in re-writing and editing epic traditional ballads as part of the Steeleye Span repertoire, her own progress as a songwriter in the singer/songwriter framework had not been documented. It was with this in mind that Woman in the Wings was conceived and recorded.’

Dead Can Dance’s Toward the Within says Kate is ‘From the very first eerie opening bells, percussion and crystalline notes of the yang ch’in of “Rakim,” it becomes clear that this is music unlike any you’ve ever heard. Amend that: it’s certainly unlike any I had previously heard.’ H’h. Sounds, errr, interesting.

Michael has a recording from a band many of you of are very familiar with: ‘The Wood & The Wire is unmistakably an album that fits well into the Fairport Convention discography. In fact, if you include compilations, official live tapes and the like, this is actually their 51st release, so that’s quite a back catalogue! The spirit of the band is still evident. Although the album is not groundbreaking, it will certainly please the band’s legion of fans to at least a healthy degree.’

This week’s What Not is another cutie from Folkmanis Puppets. Robert says: ‘The latest Folkmanis hand puppet to come my way is the Raccoon in a Garbage Can, which seems appropriate — garbage cans are one of raccoons’ favorite places. (Trust me — I know this from personal experience…)

Now let’s what I’ll leave you with this time for music. Ahhhh, this will do very nicely — ‘Safety Dance’ by The Men Without Hats which was recorded in Toronto in December thirty seven years ago. No idea what venue it was recorded at as no other details were given. This was one of a few hits by this band and it was ubiquitous in the early Eighties as I heard it in the States, in the U.K., everywhere in Europe it seemed and of course in Canada as the band was from Montreal.

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A Kinrowan Estate story: Strawberry Ice Cream

During the early Victorian Era, the Head Gardener at the time, Jacob Niles, persuaded the Steward to invest in a conservatory. According to the journals kept by him and the Steward, the deciding factor was that it could be used for growing fruit in the long winter, including oranges and bananas. It wasn’t cheap and was costly to heat as it needed lots of seasoned wood to make it warm. Fortunately, triple glazed glass was used (at no small expense), and that helped. Certainly the fresh tropical fruit was a hit during our long Scottish winter. We still use it for that purpose but now we use solar power to heat it more efficiently than the original builders could have possibly have imagined.

So what does that have to do with strawberry ice cream? Well, that was my idea. You see, we exist on The Border with The Faerielands. Several decades back, I made friends with the Head Gardener for the Red Dragon House, who had no luck growing their version of strawberries — the ones that start red and turn white when fully ripe — when it turned cold there. So he asked me to see if I could make them flourish.

It took several years before I figured that it needed a symbiotic bacterium that didn’t like being cold, so I started growing them for the Red Dragon House with the proviso that we could also use them. Would you believe that took a contract signed by all parties? Elves are big on formality! Three pages of contract to be precise. And that’s how we came to have strawberry ice cream in the winter. The whole milk comes from High Meadow Farm, the vanilla from Madagascar, and it’s sweetened, just a bit, with honey from our hives. It’s quite delicious! Mind you we do use some traditional strawberry preserves to give it a proper colour.

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What’s New for the 21st of July: Welsh Mythology in Fiction, Gazpacho, Bounty Hunters in Outer Space, a New take On Spider-Man, Lots of English Music, and more,

Branches grew from his hands, his hair. His thoughts tangled like roots in the ground. He strained upward. Pitch ran like tears down his back. His name formed his core; ring upon ring of silence built around it. His face rose high above the forests. Gripped to earth, bending to the wind’s fury, he disappeared within himself, behind the hard, wind-scrolled shield of his experiences. ― Patricia McKillip’s The Riddle-Master trilogy 

Thunderstorms are awesome to experience provided you aren’t outside in their path. Mind you the Estate felines passionately hate them but there’s nothing we been ever able to do about that, as you can’t even put a spell on any of them to make them ignore the storms, since our cats are completely spell resistant. Tamsin, our current hedgewitch, says that the Estate Journals say it’s been thus for centuries.

So I’m sitting in my private office, a large mug of Sumatran coffee with a splash of cream in hand, working on this Edition on my iPad as the storm’s getting even worse out. That last lightning strike was, judging from the interval between the flash and the boom, less than half a mile out. Gus, our Estate Groundskeeper, will definitely be assessing damage come tomorrow.

Now let’s see what I’ve got for you. I even found a review of a Gabriel Yacoub, found of Malicorne, recording for you to tempted by!  Jennifer’s got a most tasty gazpacho recipe as well, and get ready to get introduced to Spider-Gwen.

Welsh mythology in the guise of a well-loved novel gets looked at by Iain: ‘I must have first read Alan Garner’s The Owl Service some forty years ago when I was interested in all things concerning Welsh mythology. I wanted a hardcover first edition which cost a pretty penny at the time. I mention this because it’s now been at least twenty years since I last read this novel, which is long enough that when Naxos kindly sent the audiobook, I had pretty much forgotten the story beyond remembering that I was very impressed by the story Garner told.’

Fairport Convention and Steeleye Span are two of my fav British folk rock(ish) bands, so it’s apt that Lars has a review of Brian Hinton and Geoff Wall’s biography of Ashley Hutchings: The Guv’nor & the Rise of Folk Rock as he helped birth both of those groups: ‘To some of us the subject of this book is, if not God, at least the musical equivalent to the pope. Name a group you like and have followed over the years, and there is a fair chance that Mr. Hutchings was there to start it, or at least influence the starting of it. He is in one way or another responsible for a very large number of the records in my collection, and yes, we are certainly talking three figures, here.’

West Coast Cat (Rambo) is done being the SFWA President and has enough time for a bit of reviewing again! Here’s her thoughts on Richard Kadrey’s The Grand Dark, which she describes as ‘…a pessimistic book, whose tone and texture are well-wrought, like turning the pages of the portfolio of a photographer who’s caught in black and white and endless shades of grey the decay of a city, perhaps a civilization.’

Sweltering in finally-summery Chicago weather, Jennifer found a recipe for a creamy, savory, cold gazpacho that beautifully augments cheese, crackers, wine, and fruit on one of those too-hot-to-cook days.

Robert takes us on an extended adventure — or a series of adventures — in outer space, with the crew of Cowboy Bebop Remix: ‘Given my delight with Cowboy Bebop: The Movie, it’s probably no surprise that I decided to go whole-hog and plump down for the complete TV series. As it turns out, Cowboy Bebop Remix is something of a mixed bag.’

Mister Cat who’s trying to avoid the summer heat if he can has a review of Jason Latour’s Spider-Gwen: Most Wanted which he thought was most entertaining: ‘Both DC and Marvel some decades ago decided that they’d expand their universes from just this one to a multiverse in which almost anything could happen. And that’s how we came to have the quite excellent animated Spider-Man: Into the Spider-Verse film, of which I said that ‘I eagerly await the the Spider-Man Multiverse sequel, as there’s unlimited possibilities for them to play around with.’ Well one of the secondary but very important characters in that film is Spider-Gwen.’

Debbie says of Steeleye Span in Concert that ‘No matter how many times you’ve listened to your old Steeleye Span recordings, you’ve never heard these songs like this before unless you were lucky enough to see the performances from which the songs on this CD were taken. If you love this band and especially if you were not able to see them perform live, go out and get a copy!’

Gary here. We’re not usually into electronic music here, but this new video for British composer and musician Anna Meredith’s single ‘Paramour’ is one of the most creative videos we’ve seen in a long while. (And to be fair, she’s also integrating analog and acoustic instruments into her upcoming album Fibs.) It was shot in one take with the camera mounted on a model train as the musicians play the skittery piece with its 176-beats-per-minute tempo.

Irene has a look at four albums from the Albion Band, a band created by this artist: ‘The tangled vine that is the family tree of English folk-rock music has several long stems which wind through it, touching many other stems and branching wildly. One of these is Ashley Hutchings. ’

Michael looks at What We Did On Our Saturday, the latest from a venerable English band: ‘Saturday, August 12 2017 to be precise. The final evening of Fairport’s Cropredy festival in their 50th year. It was always going to be a special occasion, and the likelihood of a recording was strong, after releases of similar previous anniversaries. The pun of the title, referring back to the band’s 1969 ‘What We Did On Our Holidays’ album, is carried over to the design of this new set, echoing the blackboard drawing of a now different and older grouping of band and friends.’

Scott has a look at a recording from the founder of Malicorne: ‘Gabriel Yacoub began his career singing and playing guitar in Alan Stivell’s band, before going on to form the legendary French Renaissance rock band Malicorne. Malicorne’s compilation CD Légende: Deuxieme Epoque exceeds the quality of any of the similar compilations from their English contemporaries Steeleye Span, and is on a comparable level with the best output from Fairport Convention. Malicorne split up twenty years ago, and I hadn’t heard any of Yacoub’s subsequent solo material until I recently got the chance to listen to 2002’s The Simple Things We Said. This album combines new songs with reworked versions of some older songs, with the specific intent of cracking the American world music market.’

And, if you’ve been paying attention, our What Not for this week should come as no surprise: It’s Spider-Gwen, in the flesh (so to speak): ‘Once in a while, I get a deep craving for a specific character. The latest I’ve gotten interested in is Spider-Gwen, the spider-being in an alternate universe where Peter Parker didn’t get bitten by that radioactive spider and she did. Spider-Gwen is Gwen Stacy, a high schooler as the narrative starts out and frankly a lot less angst ridden than the classic Petter Parker is.’

Every folk and rock band since the early Sixties has been for the most part has willingly been allowing the recording of their music at their live performances. The savvy ones allowed for taping off the sound board. Our music this edition to take your leave by is ‘Girl from the North Country’ by the Waterboys in Lund, Sweden recorded  on the eleventh of December thirty years ago. It’s a sweet piece of music I’d say.

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A Kinrowan Estate story: Twa Corbies

Oh, come on in and join us. Mackenzie and I were admiring the repair job our resident bookseller and binder did on one of the older Estate journals as I had need of the information on the proper apples for making a good cyder that is in it. Yes, that’s an illustration of a raven sitting in the rafters in the Pub. Good one, ain’t it? And indeed the gentleman talking to the raven looks all too familiar.

We’ve had written records ‘ere of ravens, hooded rooks, and other corvids around the Estate offices as long as this ancient pile of stone, wood, and brick has been standing. No doubt in me mind they were here soon after the first highwayman was hanged here so many centuries ago. Yes indeed, from the kind of make-shift gallows all too commonly found in the oaks that are still in our courtyard. That the ravens were feasting on the corpses is quite certain.

Certainly there’s no doubt that they were making their raucous sounds when the very first Jack was here: or so he claims, in the Archives as told there by someone who calls himself simply The Old Man. As The Old Man in the journal entries tells it, Jack escaped the sure grasp of Death Herself and Her Ravens. (Never mind the poor bugger whom that same Jack tricked into taking into taking his place on the gallows! I never said the Jacks were nice fellows, did I?)

What’s changed since those times is that somehow the ravens came to be inside the building instead of outside. But then, the pickings in the oak trees have dwindled to acorns in these modern times, and a raven’s got to eat, don’t he? They don’t seem to mind the pub lunches here. After all, they’re birds of wisdom!

As The Old Man tells it, he himself brought the first pair of ravens with him when he decided this was a more than adequate place to sit out the harsh Winter. Some of the musicians here thought he had stolen them from The Tower and that Albion Itself was now in dire threat. After a few tense days, he convinced them that these ravens were Nordic in origin and Albion was in no danger. At least not from him. Or at least not right now. Or at least it was no one’s business while the snow flew and he wanted a quiet drink. Convincing old gent, and the ravens themselves staring from his shoulders didn’t hurt the argument none.

Big bloody birds they were too! Have you heard a storyteller tell the story of Odin and His Ravens? How they sit on his shoulders cawing something into his ears? How they know everything that has happened, is happening, and will happen? These birds, according to an entry by our Librarian of the time, could well have been them. It sure as ‘ell spooked the bleedin’ fiddlers from the Shetland Islands, who knew both the tunes and stories of their Nordic ancestors. I certainly ‘ave found them spooky enough late at night as they gaze down at you from the rafters overhead … it’s right unnerving to stare into a raven’s eyes. You can’t help wondering why they’re staring at yours, like.

Though someone who looks like The Old Man has been ‘ere off and on down the centuries (and no, I do not know it’s the same gentlemen), the ravens are always here. One pair, watching us, and occasionally stealing food and other things as they see fit. Who’s to tell them they can’t? Not me!

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What’s New for 14th of July: Writings Based on Music, A New Mythology, Japanese Photography, Cider, Supervillains, Nordic Music from the Midwest, Aaron Copland, and other goodies

Whenever one does extraordinary things, someone is bound to try to repeat them for themselves. It’s the way of the world. ― Catherynne M. Valente’s The Orphan’s Tale: In The Night Garden

I’m listening to The Haunting of Tram Car 015 by P. Djèlí Clark, a supernatural mystery set in an alternate early twentieth century Cairo where the djinn are very much real. It’s a novella and it’ll take but a few hours to finish, perfect as I’ve the Library to myself on this fine summer day as I put the final touches on this Edition as nearly everyone not working elsewhere on the Estate is outside enjoying themselves.

I’ve been enjoying a light meal of iced chai, Indonesian spiced cold noodles with diced veggies and cheese. It made for a yummy summer feast on this hot summer day. After that I’m  turning to my iPad where I’ve got WordPress loaded with this Edition ready for the reviews up in draft ready to be edited and blurbed. H’h, I see placeholders for a number of Folkmanis puppet reviews for future editions, and is that, yes, damn it is. So let’s see what I’m using this Edition…

Chuck has a book for you that’s very popular to take out from the Library here at Kinrowan Estate: ‘Ciaran Carson is an Irish poet and musician, who has, in Last Night’s Fun, put together a series of writings, each inspired by a traditional tune. In most cases, these are short essays. For others, he has written poetry or put together sets of quotations. Occasionally the subjects in consecutive chapters are directly related, but that is most likely happenstance.’

Gary has a truly epic novel for us: ‘The world is groping for a new mythology, one that makes sense in a world that has seen nuclear devastation and sent humans to the moon; a world that encompasses both communications satellites and children starving to death in the midst of plenty. Perhaps the new mythology will be found in the multiple collisions of cultures, histories, arts and religions; maybe it will be birthed through the agency of pop culture, which has supplanted classical music and art. Or so Salman Rushdie seems to be saying in his sprawling, entertaining and challenging novel, The Ground Beneath Her Feet.’

Robert brings us something out of the ordinary, an anthology of the work of Japanese photographer Eikoh Hosoe: ‘“Take art as your weapon and use it to destroy the present and create the future.” This was the motto of a group of artists in post-War Japan who called themselves the Democrats, working in various mediums and allied in their search for new subject matter and new approaches as artists in the new Japan.’

Denise decided to go all-in with the post-Solstice season and dive into a can of Wyndridge Farm’s Crafty Cider. ‘I had my first sip right out of the can, then poured it into a glass and tried it, and then plopped an ice cube in because I am an animal.’ What’d she think? Only one way to find out…

She then decided to munch on some Noble Jerky. The Chipotle flavor got a thumbs up from our friendly neighborhood Hufflepuff: ‘…this jerky just may fool your more carnivorous friends.’ If you’re still trying to wrap your head around plant-based jerky, best to head over to read what Denise has to say. Better than waiting in line for an Impossible Burger.

Robert was fairly enthusiastic about a Spider-Man ‘reboot’: ‘So I had this coupon from Best Buy that allowed me to pick up a copy of The Amazing Spider-Man for half price. Another one of those films I’d heard of but didn’t really know much about, except that 1) it’s about Spider-Man, a character who has started to intrigue me, and 2) superhero.’

A superhero (supervillain?) series that’s well worth the time: Robert starts it off with a look as two collections of Gail Simone’s Secret Six: ‘Gail Simone, with her crew of D-list villains turned super-sort-of-heroes, has hit on a winning series — she’s turning out some of the best multi-layered, post-Dark Knight adventure stories going, with enough plot twists and quirky — and sometimes downright twisted — psychology to keep anyone happy.’

And Robert did go back to the beginning of this series, with a look at Secret Six: Villains United: ‘I mentioned at the end of my review of two of Gail Simone’s Secret Six collections that I was “going to lay hands on a copy of Villains United — I want the back story on this bunch.” Well, I did it.’

Mister Kitty, errr, Cat looks at Andrea Hoag, Loretta Kelly and Charlie Pilzer’s Hambo in the Barn: ‘Back in the twentieth century, a lot of Scandinavians relocated from Sweden and the surrounding countries to the upper Midwest where they became farmers and shopkeepers for the most part.  Naturally they brought both their instruments and their music with them. Not surprisingly, this music has persisted to this day which is why this lovely CD exists.’

Cat also looks at Live from Here, the show formerly known as A Prairie Home Companion, hosted by Chris Thile: ‘Having sort of followed A Prairie Home Companion and the dreadful and frankly disgusting behaviour of Garrison Keillor, the very long time host and creator of APHC  before Chris Thile, Americana musician par excellence, took over. I listened to him in the early months of his hosting but it didn’t impress me as it felt too much that Kellior was haunting it from offstage.’ Now go read his review to see why he’ll be listening to this show!

Some composers invoke Summer for me and Aaron Copland is one of them, so let’s look at what Gary has to say about A Copland Celebration: ‘To mark what would have been Aaron Copland’s 100th birthday in 2000, Sony Classical disgorged a cornucopia of Copland works. This three volume, six-CD set gives a good overview of the career of this quintessential American composer. It includes the best-known works — chamber, orchestral and choral — as well as a smattering of some of Copland’s lesser-known works, and some alternate versions and rarities previously unreleased on CD; and even a few never before released at all.’

Jennifer looks at a recording from a member of De Dannan: ‘Fierce Traditional is the long anticipated new solo album from Frankie Gavin, and it sees him paring the sound right down, getting back to the essence of the music. With the usual stalwart suspects in the studio, long term partner Alec Finn, piano/banjo extraordinaire Brian McGrath and brother Sean Gavin, this album is all about the tunes, pure and simple.

For our What Not this week, Robert pulls a review out of the past and puts it on his hand. What? you say. Well, just take a look: ‘Well, I finally got my first Folkmanis puppet to review, and appropriately enough, it’s the Little Hedgehog — and let me tell you, he’s a real charmer.’ So pop on over to get the details on Folkmanis’ Little Hedgehog.

So what fits a sunny day when no one wants to anything more strenuous than gossiping, drinking a fine ale,  eating whatever is offered up to them, and telling stories? Let’s see what I can find in our sound and video archives that might be suitable…

So about a Story? ‘The Girl in the Garden’ is from the Sirens album by S.J. Tucker and it’s her telling of the girl at the centre of the Story being told by Catherynne Valente in The Orphan’s Tale which is is told in the the rest volumes of In the Night Garden and In the Cities of Coin and Spice. These are not the male dominated stories of olden fantasy but much more balanced in their telling.

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What’s New for the 7th of July: A Magical Family, Historical SF, Chocolate, The Cat In the Hat, Music, Traditional and Not, and other neat stuff

“Look,” said Janet, irritated, “if the thing you liked best to do in the world was read, and somebody offered to pay you room and board and give you a liberal arts degree if you would just read for four years, wouldn’t you do it?” ― Pamela Dean’s Tam Lin

It’s been raining quite nastily over all of Britain for nearly a week now so everyone who doesn’t need to venture outside has avoided doing so. Indeed it’s been cold enough that we’ve turned the heating system back on in Kinrowan Hall and even been keeping the fireplaces in the Pub and elsewhere banked nicely. Some folks are antsy but most are taking it as a welcome break as they know the rest of this warm weather season will be busy enough.

Oh those hand pies in the warming tray on the Pub bar? In our hearts, we all want to hear those three little words: ‘pie for breakfast’. Well hand pies, anyways. Mrs. Ware and our ever-so-skilled Kitchen staff are keenly aware that a working Estate doesn’t mean staff can always take the time out of their busy schedules to sit down and eat a meal, hence breakfast hand pies. Ham, egg and cheddar; apple and yet more cheddar; sausage, egg and cheese — something to please any hearty appetite, no matter what time of day. So she prepared those for the Pub staff to munch on all day long.

This edition has some interesting things for your to consider reading or listening to, or, well, you’ll find out. Might even me something worth drinking…

Our Publisher Cat says that Charles de Lint’s The Mystery of  Graceis a perfect introduction to de Lint, as it doesn’t requite you to have read anything by him at all, but gives you a good feel for what he is like as a writer, as it has well-crafted characters, believable settings, and a story that will hold your interest. And it is a novel that you will read again to get some of the nuances that get missed in the first reading.’

Krestrell looks at a something very special, the stories of a family imbued with magic: ‘Aiken wrote the Armitage family stories over the entire span of her career, but The Serial Garden, published by Big Mouth House (Small Beer Press’s new imprint for readers of all ages), is the first time all the stories have been collected into one volume. There are twenty-four stories, including four stories never published before. ’

Mia looks at another Charles de Lint novel: ‘Seven Wild Sisters advertises itself as a modern fairy tale. Including the seven sisters, it certainly has all the trappings: an old woman who may be a witch, an enchanted forest, a stolen princess. But Sisters is not just borrowing the clothes of fairy tale. It sings with the true voice of fairy tale: capricious, wild, and not entirely safe, but rich and enchanting.’

Warner says ’The Violent Century is a historical sci fi novel by Israeli author Lavie Tidhar. Featuring a wide array of preexisting kudos from the likes of Charles Stross and James Ellroy, this is a volume that will make a reader take note. That said, it is a near-superhero tale, which will make some readers raise an eyebrow, and the overall storytelling is in a style not often used, which might help or harm it depending upon a reader’s tastes.’

Die-hard dark chocolate lover Denise tries Marabou’s Schweizer Nöt milk chocolate, and enjoyed it. Dogs and cats, living together, mass hysteria! ‘This chocolate is flavorful and packs a lot of enjoyment in each wee square.’ Next thing you know, she’ll be praising white chocolate…well, perhaps not. But read her review of this bar to see why she’s making an exception to her usual nosh!

Denise also dives into a packet of Lakritsfabriken Swedish Premium Sweet Liquorice, and these little tidbits won her over. (No surprise there; she’s our resident black licorice ‘expert’…) ‘Tiny bits of heaven is what this is.’ Her review lays out why she’s a fan, so check it out.

Rebecca mildly laments in this review from some years past that ‘I actually promised this review to Maria and Grey for last week, you know. Oh, don’t look at me like that. I did have it in on time… sort of. You see, when I volunteered to review the movie The Cat in the Hat, I realized that I didn’t actually have a copy of the book. Oh, horrors! Well, thought I, this is a perfect excuse to pick it up, and to pick up Cattus Petasatus as well. So I hopped on to Amazon and ordered them up. Unfortunately, Finagle’s Law holds sway here at the Green Man offices as much as anywhere else in the Universe, and the rush-delivery package took an extra three days to arrive. By the time it got here, I had already shrugged and turned in an actually rather pleased review of the movie. However, when I finally read the book, I threw my hands up in the air, cursed in Latin for several minutes (Mater glis erat et olens sabucis pater! Foetorem extremae latrinae!), and ran for Mia, to ask her if I could possibly have that review back, thanks very much…’

Gary was delighted with this feast of music: ‘What started as a three-day music and art festival in the farmlands of upstate New York in July 1969 became one of the touchstones of a generation and an era. This 25th Anniversary “director’s cut” edition of the movie that documented the phenomenon that was Woodstock captures the event in all its sprawling chaos and unlikelihood.’

Lars looks at a recording from the Kathryn Tickell Band: ‘Air Dancing is an album full of great playing, both from the individuals and from the group as a whole. Its well produced, while at the same time the music on it has kept it freshness and shows a little roughness in its attitude. There is a nice balance between the traditional way of playing and a more modern approach to the music. It is firmly rooted in tradition, the way that tradition was portrayed on the very early Tickell albums from the 1980s, but it does not stay entirely within that tradition, but takes it further and widens the possibilities.’

Robert takes a look at what many have called Capercaillie’s ‘crossover’ album: ‘To the Moon was my first exposure to Capercaillie, so of course, it was what’s generally considered their ‘crossover’ album. This is by no means a negative, or even something that’s very obvious: it’s more apparent in the rhythm patterns, the instrumentation (sorry, but no one is going to persuade me that the bouzouki is a traditional Scottish instrument), and the general treatment.’

Robert then takes a turn to territory outside our usual haunts with an unabashedly New Age offering: ‘If you’re going to tackle romance in art — any art, but especially, I think, music — you have to be good at it, or else you wind up with something fit only for hormonal teenagers. Cusco is good at it, and in Apurimac II they are not only good, they are spectacular. A German group who draw on the Inca pan-pipes for their basic sound, they have, according to the CD label, “returned to Ancient America.”‘

Jen’s doing research for a new spy novel series by watching tons of spy-lite movies. This week is the estrogen version as she reports on Ocean’s 8, Spy, and The Spy Who Dumped Me. Drop by and comment if you know any great funny spy movies she may have missed!

So what shall we listen to on this rainy day? Let’s see what the Infinite Jukebox has to offer… Oh that’s nice, it’s ‘The Ginger Grouse Jigs’ by Skerryvore from the Shetland Folk Festival in 2013. And yes I’ve used this music before but it’s worth hearing again as it’s quite delightful indeed.

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A Travels Abroad story: A Theatre Company

Overheard in the Green Room one night…

There, my friend. I am not good company tonight, but if you can stand the long face, I’ll buy the rounds, all right? Here, Reynard — a pint for this compassionate one, the poor bastard…

No, sure it will be all right. Surely. It is just that…you know they say that the world is a stage, yes? Vesti la giubba, vesti la giubba! The sad fruit of hate, the agonies of grief, the cries of rage, the bitter laughter. We breathe the air of this lonely world along with everyone else, and we hold up a mirror — but which is the reflection?

The stage and the world. As Signor Shakespeare said — are they not the same thing? We think, no! they are not, surely they cannot be . . . yet disaster strikes in a mockery of our mockeries, like mirrors reflecting mirrors over and over again, until you cannot tell where life starts and then art continues on, or perhaps it’s the other way around. Which is art? Which is life? Reynard, give me another? No, it’s all right, you know I can hold my drink, I’ve been drinking since before you were whelped! Another for you, my friend?

Ah, don’t look so worried, you. Surely it will be all right. Our company…we follow the grand tradition, the great art, yes . . . we are one of the few companies left of the Commedia dell’Arte, we are! Each performance different, the story the same, but everything fresh, each night new . . . We each have our roles, our specialty, each of us has studied long and hard.

Yes, I am Arlecchino, sometimes I am Truffeldino. Someday when I am a bit older I will master Pedrolino as well, or perhaps he will master me — but Arlecchino, he is my favorite and always has been. Troublemaker, servant, go-between, clever boots . . . that’s me! Your servant, my master!

Ah, my master. Well, he is our director, he is a great clown, a subtle actor, a genius of improvisation! And a good businessman as well; he owns our company. Ah, my friend, I am worried. We came to this great city, was it years ago now? Surely not . . . but now, they shout for us as the kings and queens of the stage!

Tragedy and comedy, both the mirror image of the other… He has a terrible temper, but he is honest, my master is, you can trust him.

She is beautiful, you know, my master’s wife. She is much admired. Much admired. She is sometimes my Columbina, sometimes she is Isabella. She is very clever as Columbina, her improvisations are very good.

Look at the time. I will have to be at the theatre soon. Reynard, one last one for the night. Perhaps just a bit of that whiskey. A sniff of water.

Yes, I am worried. It is this damned city, it turns everything around. Do we become our roles, or do they become us?

But surely it will be all right.

Come down later to see the performance tonight, the? For some reason, I’m actually dreading tonight, I don’t know why. I will feel better if you are there in the audience, my friend. I must go, for, as they say, the show must go on, no matter how we feel, the?

Ridi, Pagliaccio!

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What’s New for the 30th of June: Composer and Pianist Abdullah Ibrahim, A Bonnie Bunch of Steeleye Span, Another Spider-Man Film, Ghirardelli’s Intense Dark Hazelnut Heaven bar, Online Crafters Ban Trump as a Conversation Subject, A Lúnasa Recording, A Yolen Fantasy and Other Delights

No one is making me say this. No one is making me tell this story. Nobody’s ever been much good at making me say anything I hadn’t already made up my mind to say.  — Elizabeth Bear

I’ve returned from the short concert tour that I and my wife Catherine took in the Nordic countries. It was but five dates, which made it pleasant indeed, and all were small venue concerts, barely fifty attendees each,which made it even more more pleasant, as we knew most who attended from our previous concerts in those cities. We spent three to five days in a city so it was a leisurely time we had there.

If you want a really good look at a certain well-known conductor of the concert scene in the nineteenth century Paris, go read Evenings with Orchestra by Hector Berlioz. It’s an highly amusing look at that scene and he certainly is brutally blunt at times too. I took it with me this trip for my reading material.

Now let’s see what we’ve got this Edition…

Cat has a look at Charles de Lint’s Forests of The Heart. It says that we should ‘Have another drink and just listen to the music’. The novel  has some astounding descriptions of Irish music sessions it, so do check it. The novel itself is about far more than Irish music and his review tell you why you should be reading it.

Deborah says ‘ (Jane) Yolen initially compiled Not One Damsel in Distress for her daughter and three granddaughters, as she wished to provide for her girls that which she had not been able to access — stories where girls are the heroes. Not heroines or sheroes but true heroes, in every sense of the word. Stories where it is the girls who are the knights and the serpent slayers and the pirates. As Yolen writes in the open letter to her girls at the beginning of the collection, “This book is for you because in it are folktales about heroes — regular sword-wielding, spear-throwing, villain-stomping, rescuing-type heroes who also happen to be females.”‘

Kate has a look-see at Jethro Tull: A History of the Band, 1968 – 2001: ‘Scott Allen Nollen has proven his devotion as a Tull fan in the countless miles travelled and the hours passed collecting details and interviewing band members and other associates. He has included nostalgic pictures of the band, some of which were borrowed from Ian Anderson, the often frenzied flautist who, despite some controversy, became the Fagin-like front man for the band. After ten long years of research, here is a comprehensive and entertaining story of the much misunderstood Jethro Tull. The authenticity is underlined by the thoughtful and honest foreword written by Ian Anderson himself.’

Warner says happily: ‘The Last Tsar’s Dragons is an interesting little historical fantasy written by Jane Yolen and Adam Stemple. Dealing with revolutionary Russia, this little volume represents a delightful amd multilayered example of the historical fantasy.’

Denise dives into Ghirardelli’s Intense Dark Hazelnut Heaven bar, and she’s a fan. ‘ The website says this bar is perfect for sharing, but screw that. It’s too yummy; before you know it, it’s gone.’ Read her review to see exactly why she’s eager to devour this chocolate!

Elizabeth didn’t like the Spider-Man film which we reviewed here but she loved Spider-Man 2: ‘Just about every aspect of this movie is a step-up from the original. First off, the acting is top-notch. Tobey Maguire as Peter Parker/Spider-Man, James Franco as villain-in-training Harry Osborn, and Rosemary Harris as moral compass Aunt May are all back in fine form, and with meatier roles, too. J.K. Simmons had me rolling in the aisles as J. Jonah Jameson, who now has more opportunities to gripe, cheat, and chew on his cigar with ruthless vigor. And — finally! — the filmmakers have seen fit to actually recognize that Kirsten Dunst possesses a remarkable acting talent.’

Cat (the Cat also known as ‘The Chief’) has a look at Warren Ellis’ Global Frequency, a comic series that starts to seem frighteningly real: ‘Global Frequency is a organisation devoted to combating those incidents that are too extreme, too weird, or just too dangerous for the usual first responders to handle. Funded by the mysterious Amanda Zero, it consists of exactly one thousand and one agents, all of whom are specialists in something, say, for example, bioweapons or taking out snipers.’

The Oysterband are certainly a folk rock band but Ed has a review of their very early years when they weren’t: ‘I stumbled onto the Oysterband several years back via a copy of Little Rock to Leipzig, received as a premium during a college radio station’s fund drive. This was blind good luck. The two CDs I had originally wanted were gone, so I picked this one based on its “folk-rock” label. I haven’t stopped listening to this band and now own ten of their CDs. As a devoted and possibly obsessed fan, when the chance came to review some of their earliest and long out-of-print albums, I jumped. I now feel blessed to have acquired this piece of their history. In short, these LPs prove that the Oysters were always good, but have nevertheless gotten much better.

Gary reviews a new release from the living legend, South African composer and pianist Abdullah Ibrahim. Of The Balance, his first new album in four years, Gary says, ‘It’s a treat from top to bottom’.

I’ve got a look at  A Parcel of Steeleye Span: ‘This triple disc set contains the entirety of their first five albums for Chrysalis, from 1972’s Below The Salt to 1975’s All Around My Hat with Parcel of RoguesCommoners Crown, and Now We Are Six being the recordings in between. This completely remastered collection has 46 tracks in all, including a number of very tasty bonus tracks.’

Paul, who’s got a new baby as of a few days ago,  has a review of a Lúnasa recording : , (pronounced Shay), is Gaelic for ‘six’, and as well as the obvious meaning, is a lovely great mouthful of a title. For those of you who may be new to Lúnasa, this is a four-piece (Cillian Vallely joined a number of years back on pipes and low whistles) traditional Irish band. Just tunes. Great, great tunes. Fiddle, whistles, flutes, upright bass, pipes, guitar, bodhran, a little piano and trumpet even… The variety is wide but never overwhelming. It’s one of the things that have made Lúnasa what they are today: the ability to undertstand just exactly what a tune needs, without ever overcomplicating matters.’

Our What Not today deals with crafts, social media, and freedom of speech. Or, to be more specific, what one can refuse to allow on a website. The social crafting site Ravelry just banned pro-Trump posts; ‘We cannot provide a space that is inclusive of all and also allow support for open white supremacy. Support of the Trump administration is undeniably support for white supremacy.’ They’re not banning supporters, nor are the endorsing any political party. They’re just dis-allowing hate.

But crafting is so soft and fluffy, right? Hah. Fiber-y types have always been more than a little revolutionary. There’s yarn-bombing, irreverent and subversive cross-stitch, ‘stitch and bitch’ events, and the ‘Pussy Hat’ movement, to name a few current bits of craftiness. Why? Because as with all other forms of art, fiber artists deal with their own forms of censorship, most notably with regards to what can and can’t be shown, according to whatever pearl-clutcher gets bent out of shape. So why not shout out using what you’ve got on hand? In taking a stand, Ravelry uses what they’ve got on hand to deliver a message against hate and racism. And I’m damn proud to be one of their members.

Our music to take our leave this time is some Rock and Roll as I’m in the mood for it. Yes I like that music — of a certain vintage that is.  It’s by Credence Clearwater Revival and it’s their ’Bad Moon Rising’ from their Madison Square Garden show on the thirteenth of May forty nine years ago.

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A Kinrowan Estate story: Did You Notice…?

Just past Midsummer, and life around the Kinrowan Estate offices has started getting a little weird. Oh, all right, a little weirder. I’m reporting in from the Estate building on a beautiful warm day. I’ve been noticing that the young plants in the gardens and window boxes have started hitting their stride and the baskets outside the doors are approaching full speed on the floral display. But there’s other stuff going on. The Midsummer Solstice is our namesake’s time, sure, mischievous nature and all, but this is ridiculous.

Things have been going missing a little more often; one puts something down and it disappears — a week later, one finds it in a totally different room than the room from which it went missing. Poltergeists? The early onset of senile dementia? One of The Cats has developed opposable thumbs? Hmmmm.

Inanimate objects — computers, sound equipment, bicycles, you name it — have started developing what might be called personalities, or perhaps a migration path. Surely that computer desktop was different yesterday when you put it to sleep, but you can’t quite think how. One of Reynard’s taps has gotten cranky (okay, so that’s not all that unusual, but throw it in anyway) down in the Green Man Pub, and the musicians in the Neverending Session have recently started complaining of strings that won’t stay in tune, cracks in previously entirely stable reeds (all right, pipers’ complaints can’t be called unusual either), and rosin going missing.

And don’t get me started on the kitchen staff complaints.

Significantly, there’ve been some magnificent displays put on by lightning bugs in the gardens the last few evenings, and the cats have been very alert indeed.

I suppose you could make a case for overflow of life-force, or biorhythms going off kilter, or just that the midsummer energy has gotten into us all (and the building). But I’m plumping for a slight rash of fairies.

Mind you, not the tall, Seelie noble-looking fairy or elf of literary and celluloid fame, but the average, household, put-the-milk-out-in-a-saucer-so-we-don’t-end-up-cursed-Mildred kind of fairy, common as measles.

I can’t be the only one who has suspicions. Someone has risked the wrath of old Augustus, our concertina-playing gardener, by taking clippings off the young morning glory vines on the brick wall outside the kitchen garden. I even noticed a new horseshoe hanging up over the door of Gus’s shed near the old stables the other day; I expect not so much for its luck, but for its iron.

And now I’m wondering if it wasn’t Gus who’s been cleaning up the twigs under the rowan copse on the east side of the grounds.

Mind, one wouldn’t want to rid oneself totally of fairies. Besides the fact that they can be just as capriciously generous and benign as they can be suddenly irritable and malign, there’s the wonder factor; life without them might be a bit too grey and predictable. Anyway, when odds and sods go missing, they make excellent scapegoats.

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What’s New for the 23rd of June: The Very First Spider-Man Film, Four Fantasies, Bees, Mouse Guard short stories, A Spanish Christmas sweet fit for year round, Dr. John Live and Some Other Matters

You’re nobody’s doorway but your own, and the only one who gets to tell you how your story ends is you. ― Seanan McGuire’s Every Heart a Doorway

Come in … let me turn down the music. Yes that’s Dr. John, the New Orleans musician. He’s been a favourite of mind for some forty years now. We’ll close with some music by him this time.

You’re looking for Iain, our Librarian? Well he’s off again on a vacation trip, errr, I mean another short concert tour with his wife, violinist and vocalist Catherine, in the Nordic nations this time. While he’s gone, Gus is having the Library Apprentices, the Several Annies, help him with much needed gardening work, so I’m writing up this edition without their usual assistance. That also means The Library is looking after Itself in his absence, something it’s quite capable of doing.

Now let’s see what we’ve got for you this Edition. The novels I picked are all ones that I’ve read many a time and are favourites of staffers and visitors alike; the music is choices that most likely you’ve not encountered before but which are well worth hearing. And Cat R.  has something sweet for you. Now let’s get started.

An Ian Macdonald novel garners this comment from Grey: ‘Today, I picked up King of Morning, Queen of Day again just to refresh my memory before writing this review. After all, it doesn’t do to refer to a book’s main character as Jennifer if her name is actually Jessica. But my quick brush-up turned into a day-long marathon of fully-engaged, all-out reading. I’ve been on the edge of my seat, I’ve been moved to tears, I’ve laughed, I’ve marked passages that I want to quote.’

I know it’s not Autumn but a fine version of the Tam Lin story is reviewed by Richard as he looks at a Pamela Dean novel: ‘An early part of Terri Windling’s Fairy Tale series, Tam Lin is by far the most ambitious project on the line. The story of Tam Lin is one of the better known ones to escape folklore for the fringes of the mainstream; you’ll find references scuttling about everywhere from old Fairport Convention discs to Christopher Stasheff novels. There’s danger inherent in mucking about with a story that a great many people know and love in its original form; a single misstep and the hard-core devotees of the classic start howling for blood. Moreover, Dean is not content simply to take the ballad of Tam Lin and transplant it bodily into another setting.’

He also has a look at a difficult but rewarding fantasy: ‘Lavondyss is perhaps the most problematic of Robert Holdstock’s Ryhope Wood books, the least accessible and at the same time the richest. It also plays the most games with time, narrative flow and character identity, and as such is either going to delight or frustrate the reader far more than an ordinary tale of a young girl lost in the wood has any right to.’

Robert has a treat for us: ‘Ellen Kushner’s first novel was Swordspoint, a romantic fantasy set in a universe strongly reminiscent of Jacobean and Restoration London, with admixtures of the Elizabethan and Georgian eras – life is bigger than life, intrigue is rampant, the City, which is the main locus of the action, is a lively, vital part of a story that ranges from the crime-ridden Riverside to the artistocratic estates on the Hill. The only magic involved is Kushner’s storytelling. The Fall of the Kings is set sixty years after the events in the first novel, and with Delia Sherman as collaborator Kushner has broadened and enriched the context and created a story that still rings with the bustle of a vibrant city and adds an element of darker, more mysterious past to a time bathed in reason.’

It’s hot weather, so let’s have something sweet to cool our taste buds. Sanchis Mira Turron de Alicante gets reviewed by Cat R: ‘This candy is as a Christmas delicacy in Spain, a dense honey and almond brittle with a generous helping of the latter (the label says at least 60% almond.) The company, based in Alicante, Spain, is well-established, having been turning out the product along with other sweet treats since 1863 and this candy will definitely have a nostalgic appeal for some folks with a Hispanic heritage.’

Long before the current Marvel Cinematic Universe came into existence, there were Marvel films and so therefore we have the very first Spider-Man film nearly a generation ago. Michael ended his review in this manner: ‘Overall, I loved Spider Man. Where it’s good, it’s very very good. Where it falls down, it doesn’t so much disappoint as it fails to match the rest of the movie. As far as pure story goes, it’s primal Spider-Man, essence of character boiled down for a new audience, and that’s what matters. Go see this and have some good old-fashioned superheroic fun.’ Now go read his detailed review to see how he got to that conclusion.

Robert comments that ‘Given the popularity and critical acclaim of David Peterson’s Mouse Guard series (as witness our own very positive review of the first book, Mouse Guard: Fall 1152), it was almost inevitable that there would be spin-offs. And indeed, Peterson has brought us one himself, with the aid of a number of collaborators: Mouse Guard: Legends of the Guard. So will you like it? Ahhh you’ll need to read his review to see if that might be so!

Our Editor Cat found a concert recording, John Fogerty’s The Long Road Home, to be a keeper:Though Creedence Clearwater Revival was one of the best bands of the Sixties, I’m more fond of the recordings of the post-CCR career of vocalist John Fogerty. And his best recordings are by far the concert recordings, both the legit ones like this release and of course the many bootlegs done as soundboard recordings.’

Gary has a recording for us that sounds like a lot of fun: ‘Waltzing in the Trees is a delightful record that brings lively contra dance music into your home. Amarillis is a Pennsylvania-based trio: Maro Avakian on piano, Donna Isaac on fiddle and Allison Thompson on accordion and concertina. They play a mixture of traditional and contemporary Irish, Scottish, English and North American jigs, reels and slip-jigs in medleys or sets. Of course, no contra dance is complete without a few waltzes now and then, and this collection has several good examples.

Gary also reviews a new release. The Low and Low is by Locust Honey, and it’s their third. ‘Their first two were under a longer monicker, Locust Honey String Band, and the name change is instructive,’ he says.

Creole Moon gets an enthusiastic review by Patrick: ‘If somebody tells you to pick up the latest album by Malcolm John Rebennack, you’ll probably say, “Huh? Who dat?” But if somebody says, “Dr. John,” then it’s a pretty sure bet you’ll know just what’s being prescribed: a dose of good ole Creole medicine for the soul.’

Our What Not concerns bees. We have a lot of bee hives here, several hundred at least, and there’ve most likely been hives here for a thousand years. Every culture has its folklore about bees and the Irish are no exception. Gus, our Estate Head Gardener and our primary beekeeper, passed on this article to me, Eimear Chaomhánach’s ‘The Bee, its Keeper and Produce, in Irish and Other Folk Traditions’. If you’re interested in folklore of these fascinating creatures, this is a must read for you.

I saw Malcolm John Rebennack Jr. better known as Dr. John some fifteen years ago in New Orleans when Ingrid and I took a vacation there. A New Orleans native, his music combined combined the blues, a dash of pop, quite a bit of jazz, more than some boogie-woogie and even rock and roll, all in a theatrical voodoo flavoured show which was reflected in the larger than life personality of the Night Tripper. He was already in somewhat ill health when we saw him, and he passed recently at the age of seventy seven.

So let’s honour him and his considerable talent with ‘Walk on Gilded Splinters’ recorded at JVC Capital Radio Jazz Parade in 1990. It first appeared as the closing track of his debut album Gris-Gris  back in 1968, credited to Dr. John the Night Tripper.

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A Kinrowan Estate story: Firewood

Though we have long since adopted new technologies here at the Kinrowan Estate for providing heat, including electric radiators from low head hydro on the river that runs through our lands, and deep thermal power pumps (expensive but worth it), nothing beats a roaring fire for cheering up us during the long winter here.

So I and the Estate lads, using cross-cut saws and axes, harvest roughly twenty cords of wood every year. Some is from limbs and whole trees that winter winds and snow bring down. Those are mostly conifers which have brittle branches and shallow roots. They smell good and crackle quite lovely when burning.

We’ve been growing trees specifically for firewood for centuries now, so there’s always plenty of oak, maple, ash, and (culled from the orchards) apple. Most of it gets harvested during the winter when the ground is frozen hard and the stuff keeps the horse drawn sleighs from damaging the fields and woods that we transverse in bringing the wood back to the curing buildings.

Curing the wood is required as all freshly cut wood has a high moisture content which must be reduced by stacking it in a dry but well ventilated space. One year is good, two years is ideal. And of course, we must plant new trees to replace those we harvested, which many decades from now will be harvested by the Head Estate Gardener of that time.

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What’s New for the 16th of June: Folkmanis’ Rat in a Tin Can, Patricia A. McKillip’s Solstice Wood, Sam Adams Seasonal Ale, A Dance & Concert by Blato Zlato, A Futuristic Riff off Holmes, Clash’s ‘London Calling’ and Other Neat Matters

Remember what they said? Some of it was true. — Clash’s ‘London Calling’

I’ve been madly, deeply this past fortnight into the various permutations of Clash, which in turn became Big Audio Dynamite and the Carbon/Silicon duo spin-off, not to mention the solo act of Joe Strummer, not to overlook his brilliant work with The Mescaleros. It’s fascinating to listening to the musical evolution of a group of musicians. The Infinite Jukebox, our media server, contains a lot of their music and it certainly was fascinating to see how these musicians handled diverse forms of music.

Now lets turn to this edition…

David has a few words to say about a book on his favourite band: ‘In the year 2000, a series of books was published under the imprint “Kill Your Idols.” They were published in a neat little format, black covers with a b&w photo of the subject and his name as the title. Neil YoungTom WaitsElvis CostelloLeonard Cohen and The Clash. The only band that matters is the only band that got a book! David Quantick, a writer whose work has appeared in SpinNME and Q magazines, is a good choice for authoring a book about the Clash. He is a fan, but he understands their weaknesses, as well as their strengths.’

Kelly looks at a fascinating work of obsession, err, love called The Encyclopedia of Fantastic Victoriana: ‘To the casual reader or observer, it sometimes may seem that the twentieth century was the time of real blossoming in terms of the Fantastic in literature: after all, that’s when science fiction really came into its own, and when a certain Don of Oxford penned a tale about hobbits and gold rings. But the more rigorous student of the Fantastic knows that Fantasy, as well as those tropes that eventually spun away to become science fiction, are far older than just a hundred years. The literature of the fantastic stretches back as far as Homer, after all, and likely even before that.’

Robert looks at a favorite novel of mine: ‘It seems somewhat odd, on reflection, to realize that in a genre that so often uses magic as a metaphor and/or device, so few writers actually evoke the qualities of magic in their writing. That observation is prompted by Patricia A. McKillip’s Solstice Wood. McKillip has always been a writer whose books can themselves be called “magical,” and it’s even more interesting to realize that she seldom uses magic as a thing of incantations and dire workings or as anything special in itself: it just is, a context rather than an event, and perhaps that’s the way it should be.’

Warner has a novel for us that’s not quite what it appears to be: ‘The Hound of Justice by Claire O’dell has little to do with Sherlock Holmes, and nothing to do with The Hound of the Baskervilles. Truth be told, it has more in common with the BBC series Sherlock than the literary source. The leads are called friends. But Watson shows no real positive emotion for Holmes, and the familiar investigator shows little sign of caring for their friends in turn.’

Richard has a look at yet another band that fused trad music and a rockier music: ‘No tale of Shane McGowan and the Pogues would be complete without mention of the man’s teeth — just like the Rolling Stones’ tongue logo, the Pogues were exemplified by the rotting and misshapen tangle of teeth that exploded in every direction out of Shane McGowan’s mouth. From their first appearance on the cover of the Pogues’ debut EP, “Poguetry in Motion,” the fortunes of those teeth mirrored those of the man himself, and the decline and fall of both are amply documented in the Sundance Channel’s documentary, If I Should Fall from Grace – the Shane McGowan Story.’

Denise is jumping the gun by reviewing a summer brew before Solstice. But we’ll give her a pass just this once. Especially since the new recipe for Samuel Adams Seasonal Summer Ale sounds like a good ‘un. ‘To be honest, I never cared for SA’s usual take on this brew; it felt too spicy and robust for a warm weather brew. But this? This is groovy, baby.’

Cat has some comments on a very non-traditional rendering of the music of Charles de Lint, Zahatar’s The Little Country: ‘Zahatar is more akin to a classical music ensemble than it is to a folk group, and their arrangements of de Lint’s The Little Country compositions very much reflect that. It’s a lively but dignified approach to his songs, more closely akin to what you’d hear if you were listening to any classical music ensemble than to, say, a contradance band.’

Blind Faith were an English blues band made up of Eric Clapton, Ginger Baker, Steve Winwood and Ric Grech. The band released their only studio album, Blind Faith, in August 1969. (There’s also Live Cream & Live Cream, Volume II.) Craig says about the deluxe version of Blind Faith that: ‘For collectors and rabid fans of the artists, this deluxe edition is probably worth the extra cash, given the expanded and informative liner notes and the extra 90 minutes of music.’

The Guardian said of Kathryn Tickell, the great Northumbrian piper and fiddler, that her live show features ‘… tunes played at times hauntingly with fingers blurring as they flick up and down the chanter or over the fiddle neck. Each set of tunes is separated by stories about friends and places all told quietly, ramblingly and with a gentle wryness. Her act is gripping, funny and moving.’  Ed  certainly agrees, as his review of her Debateable Lands is quite glowing.

‘Whenever I hear live Balkan music, I find myself wondering, “Why do I ever listen to anything else?” ‘ says Gary. He got an earful of it at a dance/concert by Blato Zlato, the New Orleans-based Bulgarian group that’s about to release their second full-length CD.

Our What Not this week is another treat from Folkmanis. Says Robert: ‘I seem to have another Folkmanis puppet lurking around, this one the Rat In a Tin Can. The Folkmanis website describes him as being ready for a playful picnic (note the napkin in one paw). However, it seemed to me that he might just as easily be a waiter in an upscale rat restaurant: his black-and-white pattern might almost be taken for formal wear.’

Our musical coda quite naturally is ’London Calling’ which was recorded off the soundboard at Edenhall, Amsterdam on the ninth of July thirty eight years ago. Damn, I’m suddenly feeling old.

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A Kinrowan Estate story: Tea & Scones

I’ve been listening to some album that Reynard thought I’d find interesting. She was singing some Irishy sounding dirge, low and quite depressing, just perfect given the rainy, cool weather that came upon the Estate over the night. Even Gus, who never grumbles, was unhappy as there’s always work to done around the Estate, especially as Summer is nigh upon us. And one can’t work the gardens in the rain, let alone paint or do other always needed outside maintenance.

It being the weather that I just described, I decided to treat myself to some seriously great tea. What I decided to brew up was a tea that Ingrid, Reynard’s wife who is the Estate Buyer along with being our Steward, had bought a quarter kilo as a birthday gift for me — an organic Darjeeling first flush that I would have most of the time if I could, but at a two hundred pounds a kilogram, it was too costly for everyday drinking.

I made a pot of this tea, poured a mug with just a splash of cream delivered this morning to us from the Riverrun Farm up the coast, and plated up two of the just baked scones with Border strawberry jam. Those are the strawberries that being Fey start red and turn white as bone as they ripen. I retreated to my office, went back to that Irish album, and proceeded to ignore any demands on my time for the few next hours as I watched the rain beat against the windows.

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What’s New for the 9th of June: A Whiskey Review Site, The Birth of British Folk Rock, Charles de Lint digital editions, Grateful Dead live music, A Great Supernatural Novel From Robert McCammon, Rocket Raccoon & Groot and Other Rather Charming Things

I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don’t think about these things when I’m writing. I’m just thinking about telling a story and developing my characters. — ‘A Conversation With Roger Zelazny’ in Science Fiction, Volume 1, #2, June 1978

We’ve had warm weather since mid-April. Now Ingrid, the Estate Steward who’s my lovely wife, tells me that the Gus the Estate Head Gardener in his Sleeping Hedgehog article this month says there’ve been times this month in past centuries which saw the temperature truly struggling to get to ten degrees for weeks on end.  I’ll definitely take the pleasant twenty-three degrees we’ve got this afternoon! I’ve got all of the Pub windows open to air this basement space out and, it being exceptionally nice, there’s not a soul here on this pleasant afternoon. Perfect for letting me work on this edition.

I’m in a Grateful Dead mood so that’s what you’ll be hearing here this afternoon. Mind you nothing past the late Seventies usually as that’s the period I like part as that’s when Keith and Donna Jean Godchaux were still part of the band. It’s pleasant music that reminds me of my busking days in Europe before I met Ingrid and we settled down here.

So we’ve got our usual mix of new material and the very best from the decades of Archives that accumalated over from the myriad periodicals we’ve published down the years such as Roots & Branches, Folk Roots, Mostly Folk, Sleeping Hedgehog and so forth. Now let’s get started…

I’d like to announce that Triskell Press has released a digital edition of Charles de Lint’s Yarrow: An Autumn Tale, which Grey delightfully notes is ‘set in de Lint’s Ottawa, the one he first envisioned for his novel Moonheart, and expanded in its sequel, Spiritwalk. Those readers who have fallen in love with the wonderful Tamson House of these two novels will be delighted to note its brief appearance in Yarrow as well. However, the characters in Yarrow are part of different story than the residents of Tamson House and their associates, and Yarrow is a stand-alone novel.’

Fairport Convention and Steeleye Span always seem to evoke the best in British folk rock music for me, so it’s fitting that Lars has a review of Brian Hinton and Geoff Wall’s biography of Ashley Hutchings: The Guv’nor & the Rise of Folk Rock as he helped birth both of those groups: ‘To some of us the subject of this book is, if not God, at least the musical equivalent to the pope. Name a group you like and have followed over the years, and there is a fair chance that Mr. Hutchings was there to start it, or at least influence the starting of it. He is in one way or another responsible for a very large number of the records in my collection, and yes, we are certainly talking three figures, here.’

Desiring an engaging and lengthy fantasy for your Summer reading? Robert has the work for you: ‘I was surprised some while back to discover that Patricia A. McKillip’s Riddle-Master Trilogy was marketed as young-adult fantasy when it was first published. I don’t think I’m particularly backward in terms of understanding what I read, and I was in my thirties when I first read the books (which have earned an unchallengeable place on my “reread frequently” list), and I knew there were things I was missing. Even in a recent re-reading, the trilogy is a complex, subtle and evocative story that lends itself to much deeper examination than one might expect.

Warner says ‘The Listener is Robert McCammon’s take on a depression-era supernatural thriller. And it does all of these things brilliantly, illustrating the time. And the desperation that would create as well as the tension of a particularly dark situation and the side effects, both fortunate and unfortunate, that certain supernatural elements can add. Read his full review to see he says that this is ‘one of the best supernatural suspense novels’ he’s read.

David looks at Festival Express which certainly was a long, strange trip: ‘It opens with a faded map of north Ontario, Kapuskasing dead centre. Then the camera pulls back and from the middle of the screen comes a train — an old Canadian National engine — and tracks, lots of tracks. This is a movie about that train and the people who rode on it, and the places it stopped, and what happened one week in 1970 when this train went from Toronto to Calgary . . . with a cargo of rock’n’rollers and all their paraphernalia. What a summer.’

Our food and drink section this time is just  a recommendation of a whiskey tasting blogspot which is described this way: ‘SmokyBeast is penned by a whisky-loving wife and husband team in New York City. We sit down every Sunday night after our daughter goes to bed, and crack open a well-earned reward: a bottle of dark, smoky, and delicious whisky. Here are some of our favorites, and some lessons we’ve learned along the way.’ Need I say more? I think not.

It’s not a graphic novel but it’s definitely of a graphic nature as Charles looks at Charles Vess’ Drawing Down the Moon: The Art of Charles Vess. Now as his detailed review’s as much about the friendship that grew between them, I’ll let you read this charming tale of friendship and art without further ado. Oh and the book itself is simply stunning — truly an art gallery in a book form!

Grateful Dead’s So Many Roads (1965-1995) catches the ear of Brendan: ‘So often dismissed as a anachronistic hippie band that would somehow never die, the Grateful Dead actually formed a keystone of sorts between the traditional forms of American roots music and the rock music of the ’60s. Looking past the psychedelic trappings and bizarre skeleton images, one can easily see that foundations of the Dead’s music consist mainly of the American Musical Triumvirate: jazz, blues, and country, with of course a healthy dose of rock and roll to keep things interesting.’

Charles rightfully notes in the lead to his Together Through Life review that: ‘There’s a funny thing that happens whenever Dylan releases an album that the critics like (I think it averages out at one every three releases). When they fall all over themselves praising an album, as they did 2006’s Modern Times, you know it doesn’t matter what the next album is like, they’re not going to like it.’

One of the most amazing things we were sent to review was the Folk Music in Sweden series, all twenty-five discs. Yeah, you read me right, twenty-five discs of Swedish trad music. Lars got the honour of reviewing this set from Swedish label Caprice and he has a word to the wise at the end of his most excellent review: ‘Well, a summary of this project would be: A very ambitious project which helps to preserve the musical traditions from Sweden for future generations, and give them access to some of the treasures that are hidden in various vaults in Stockholm. But beware, do not try to taste it all in one go. Remember the old advice about how to eat an elephant. You do it bit by bit.’

Johnny Clegg & Savuka‘s Live and More DVD gets these sage words from Scott: ‘As good as the concert performance on this DVD is, and as good as the live concert I saw from Clegg’s recent American tour was, those shows are forced to compete with the memory of a night whose legend grows with each retelling. Somehow, I get the feeling that anybody who caught Johnny Clegg & Savuka during 1990, when they were quite likely the best live act on the planet, will respond to this DVD similarly.’

Our What Not this week is a collectible from Guardians of the Galaxy, namely a figurine of Rocket Raccoon and Groot. Says Cat: ‘Accurate representations of Rocket Raccoon, best known from the two Guardians of the Galaxy films are difficult to find without spending a lot of cash on the accurate one-sixth scale models costing in the hundreds of dollars. I wanted one such figure largely because I thought that Rocket and Groot were the most interesting characters in those films.’

It’s full Summer here, so I think some Grateful Dead music would be in order. Oh don’t sneer, they were the quintessential summer band for several generations of both European and North American summer concert goers. So let’s give a listen to their ‘The Music Never Stopped’ recorded quite appropriately at near Summer Solstice in Passaic, NJ forty three years ago. It’s a remarkably great soundboard recording, but that’s another thing they did well.

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A Kinrowan Estate story: How the Troll Came To Be

Dear Anna,

There are everything from ashrays (sea ghosts) to wulvers, a sort of werewolf but, alas, no trolls in Scotland. There is however now a splendidly ugly and rather large troll under the bridge over the river below the Mill Pond. How it got there is a story worth knowing, which is why I’m telling you in this letter.

Several years ago, we had a potter in residence here, Justina, for an entire winter, during which she built a most magnificent kiln of a rather frightening size as she was interested in creating life-sized men, women, and other creatures. Most are now in museums and private collections around the world but we kept several including the one of Robert Graves that lives in the Reading Room named after him. More than one visitor has been startled by it late at night while doing research, as it seems to shift location by itself when they’re not looking. Or someone has an odd sense of what’s funny. Whoever is responsible is very fast, and quite strong!

But nothing she did was on the scale of what was contemplated by the Several Annie from Norway who decided the area under the Mill Pond bridge needed a troll. A full-sized troll to be precise, which meant it had to be created in sections, given it would be fourteen feet tall and ten feet across its shoulders. So I had the Steward contact Justina and ask her if she’d like to be here for an extended winter contract. Not surprisingly, she was delighted.

She arrived in late October and set up a studio in the cottage she used years back. The Troll Under the Bridge project she figured would take ’till Candlemas at least. (I think she was looking forward to a long winter of conversations, music, contradances, good food, and reading.) Though she could’ve lived in the cottage, she asked if she could have one of the third floor rooms and the Steward agreed, with a note of amusement in his voice.

Iain lost his entire current crop of Several Annies for a full fortnight while they met with Justina to brainstorm this project. We had the clay needed on the Estate but a considerable amount of other supplies were needed that caused the Steward to become a whiter shade of pale, as a fourteen-foot troll is best constructed of solid weatherproof pieces and that required an even bigger kiln. Justina’s stay would likely be through Beltaine at least. She openly admitted that this was going to be a tricky project with likely several spectacular failures before she and her crew got it right, as she had an idea for it that would make it look truly living.

Ahhh, that was a knock on the door … I see I’m needed in the apiary right now as the lads are moving the hives out to the gardens for the growing season and I need to check over their preparations. I’ll finish the story in the next letter.

With affection. Gus

PS: You’ll find the books on the history of ravens in our folklore you wanted enclosed with this letter. As always, Iain grumbled when I checked them out so please be careful with them!

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What’s New for the 2nd of June: Killer Robots, Dirty Rice, Gifted Children, Aaron Copland and other neat stuff

Bees do have a smell, you know, and if they don’t they should, for their feet are dusted with spices from a million flowers. ― Ray Bradbury’s Dandelion Wine

It’s warm enough out that we’re having a contradance this evening on the terrace outside the Green Man Pub. And the band here is rather special I think. They named themselves Snow on the Mountain after a plant that has green and white leaves that’s up as soon as the first Spring warmth arrives. They hail, they say, from Big Foot County though I can’t find such a place in any gazetteer that we had, but that matters not. Voice, Appalachian dulcimer, fiddle and concertina are their instruments which makes for a very sweet sound.

Their music is a happy merging of Celtic and Bluegrass, something that might’ve been Appalachian Trad, oh, and more than a bit of Tex-Mex, so if you’ve heard  and enjoyed The Mollys or Calexico, you’ll definitely like them. We’ve got them here for contradances and a performance as well. 

Of course we have lots of interesting reviews this time, including with a look at a most unusual space opera from Elizabeth Bear, an album of great American folk songs, a recipe for dirty rice that sounds ymmmy, music from Iron Horse and I see an interesting What Not as well. So let’s get started…

Cat has a look at a new novel by Elizabeth Bear, Ancestral Night: ‘ Haina, Singer and Connla, plus the cats Mephistopheles and Bushyasta, are the inhabitants of the boat without a name. Oh, it has a registration number but not a name. Haina considers them a family. Not sure what the cats think the five of them are, and since Bushyasta is named after the Zoroastrian demon of Sloth I’m not sure she’s awake long enough to care.’

Gary reviews All Systems Red, the first book in Martha Wells’ series “The Murderbot Diaries.” ‘It’s a highly entertaining series of novellas set in a distant semi-dystopian future in which bots and borgs and other kinds of artificially intelligent constructs do the dirty work for humans.’

Warner starts off his look at a decade old novel this way: ‘Running With the Demon is an urban fantasy or dark fantasy novel by Terry Brooks. It also represents an example of the start of a series for him as it would go on to be the first in the short Word and the Void series.’ Now go read his insightful review for the details on this novel.

Jen gets nostalgic again, this time for dirty rice, that ishy-squishy mélange of sweet rice, savory spices, earthy chicken livers, and lots and lots of butter. As usual, this is not food for the cholesterol-conscious. If the butter and livers don’t getcha, the carby rice will. But what a way to go!

Robert brings us the first collection in a series that looks very interesting, Joshua Dysart’s Harbinger: ‘Peter Stanchek is gifted, and not necessarily in a good way: he’s able to make people do what he tells them, among other things, but there’s a downside to that: he’s a kid, one who has good impulses — as witness the energy he expends on caring for his best friend, Joe Irons, who’s a borderline schizophrenic, usually on the other side of the border — but being a kid, Peter’s judgment isn’t always rock solid, so he winds up using his powers to hold up pharmacies for meds for Joe.’

Some composers invoke Summer for me and Aaron Copland is one of them, so let’s look at what Gary has to say about A Copland Celebration: ‘To mark what would have been Aaron Copland’s 100th birthday in 2000, Sony Classical disgorged a cornucopia of Copland works. This three volume, six-CD set gives a good overview of the career of this quintessential American composer. It includes the best-known works — chamber, orchestral and choral — as well as a smattering of some of Copland’s lesser-known works, and some alternate versions and rarities previously unreleased on CD; and even a few never before released at all.’

Gary reviews an unusual release called Lost River from a trio comprising trombone, guitar and drums plus electronica. ‘The album’s 10 tracks, mostly in the five- to six-minute range, explore watery themes through mostly spontaneous improvisation,’ he says. ‘I find it for the most part utterly fascinating, alternately calming and joy-inducing through its wildly creative exploration of sounds and textures.’

Of the new CD Out of Sight by Jake Xerxes Fussell, Gary says, ‘This is a finely wrought album of great American folk songs of the sort that might be lost if not for the likes of Mr. Fussell.’

Robert has a real treat for us: ‘Philip Glass is not only arguably the best-known contemporary American composer, and one of the most prolific, he is also one of the most versatile. He’s done operas, film soundtracks, orchestral works for the Philip Glass Ensemble, and chamber music. Wendy Sutter is one of those musical wonders (she made her solo debut with the Seattle Symphony at age 16) who has a wide background and a strong connection with contemporary music: she’s worked with Tan Dun, the White Oak Ensemble, is a member of Bang on a Can, and premiered Glass’ Cello Concerto in the U.S. Songs and Poems for Solo Cello were composed for Sutter and represent a collaborative effort: they were premiered after a year of the two working on them together.’

Cat has our What Not for this week — they’re not exactly action figures, but close enough: Quantum Mechanix’s Pinky & The Brain Q-Fig Toons Figures: ‘Pinky and The Brain are two laboratory mice that were enhanced to be smart but only one ended up being a genius and one ended up, well, not insane as the intro to the show puts it, but definitely odd and hyperkinetic to boot.’

Now let’s see what I can find on the Infinite Jukebox for some summery music to see us off. Ahhh that’ll do: ‘The 8-Step Waltz’ by the Scottish band Iron Horse is a spiritedly piece of music guaranteed to just make you feel good. And I’m certain that I’ve heard Snow on the Mountain perform it.

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A Kinrowan Estate story: Herne


His voice was like moss on the bark of an ancient tree… deep and smooth, making you expect velvet. And then you touch the bark and it is cold, cold and with a hardness like stone under it.

I first heard it in the small courtyard off the Long Hall, where sometimes people go to get out of the heat of the hall fires, and rest their ears from the storytelling. I’d been sent out with a tray and a bottle of one of the oldest whiskeys, and told to deliver it to whoever I found there. I didn’t think too much of that — you get orders like that all the time from Reynard — so I went right out to the one table with people sitting at it.

He was a shadow darker than the shadows of the walls, sitting in the twilight; light from the windows gleamed on the glass in his hand, the metal at belt and wrist and knee, the gleam of his eyes — like cold sparks struck from a flint. Calm radiated off him like cold from a stone, too. Coming near to him was like wading into heart-high water. You felt yourself slowed and surrounded.

That surprised me, that he breathed out such a vast, calming peace. If you’ve heard his train whooping through the nights, men and horns and hounds howling all alike under the moon, you’d never expect their Lord to be so… quiet. There’s a solace in his company, and in that deep, sweet voice. At least when you catch him a quiet moment, drinking in the moonlight with a lady.

She was sitting on a cushion, her head against his knee, her pale hair flowing like starlight over them both. Their voices were low and easy as they spoke, with the rhythm of long years’ intimacy between them; like the voices of your parents through the walls in the middle of the night – you hear just a moment of their conversation as you burrow into your pillow, inexplicable and remote and far, far older than anything you know — but the sound means all is well in the world, and you go back to sleep comforted. That was what they sounded like.

I don’t know who she was, though her face had every beauty you could ever imagine in a woman. I didn’t know who he was, until he shifted into the light from the Hall window. Then, what I had thought were vine-shadows on the wall behind him were plain to see — the great branching antlers, like amber and ivory and iron in the dim light. And I just stood there, staring like I’d never seen any of our older, stranger guests before, like a booby. But when the Lord of the Hunt is looking into your eyes, it’s damned hard to remember you’re only there to deliver his bar order and not to be judged eternally . . .

You’ll get a better judgment, of course, if you do remember to give the Lord his order. I can testify to that, because when I finally got my wits together enough to put the tray down and display the label, he smiled and thanked me in that deep voice.

I don’t know why anything ever flees from him, with that voice . . . I could have stood there, drowning in it, forever. Which I guess he knew, because he dismissed me very kindly, so I could remember I still had a body and walk away. But the singers in the Long Hall sounded like crows when I went through, after the dark voice in the dark courtyard.

They still do.

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What’s New for the 26th of May: Music from Down Under, A History of Ice Cream, Supernatural Westerns, Game of Thrones, the Great Machine, and other goodies

If the real world were a book, it would never find a publisher. Over-long, detailed to the point of distraction – and ultimately without a major resolution. — Jasper Fforde’s Something Rotten

It’s been an indoor period for almost everyone here as we’ve had an extended weather front consisting mostly of rather feisty thunderstorms making it unsafe to be outside. That they’ve occasionally mixed with hail has added to the unpleasantness of the weather as Gus, our Estate Gardener and his Staff, have needed to erect protection over our tender growing crops to keep them from being utterly destroyed. That required all available staff to help out as it was a job that needed doing before the storms got here.

Now other needed tasks such as cooking and the usual upkeep chores, everyone’s taking this unexpected downtime to relax and is just doing as little as possible. So the Pub which I manage is rather busy and Iain, our Librarian, says his corner of Kinrowan Hall has been unusually humming for late Spring.

Now let’s see what our reviewers have for you this time. I see a review of the final season of A Games of Thrones, and some choice music reviews as well. Shall we get started?

Michael looks at The Eyre Affair, the first of the Jasper Fforde Thursday Next novels: ‘[He] has created a truly unique, fascinating new world, filled with over-the-top characters and an unforgettable atmosphere.  This is the sort of book Douglas Adams and Terry Pratchett might have created if they’d ground up Dickens and Lewis Carroll for some highly unorthodox cigars, and gotten schnackered one fine weekend.  The humor is unconventional, the literary tributes unmistakable, and the plot highly original.  This is a world where people go to Richard III in the same way they might see the Rocky Horror Picture Show in the real world, right down to the audience participation.  This is a world where just about anything can happen, and seems rather likely to happen anyway.  Time-traveling literary detectives, extinct species brought back as pets, a villain worthy of any hero, and enough twists to keep even the most scholarly of English majors bemused.’

A Book of Tongues by Gemma Files got this note from Richard: ‘Generally speaking, the supernatural western rests roughly at the heart of Joe Lansdale’s run on Jonah Hex. You can shift it a little toward Briscoe County here, a little toward the Deadlands RPG there, but really, the metaphor’s pretty solidly set. Until, of course, something comes along like Gemma Files’ A Book of Tongues, which takes the traditional supernatural western, sizes it up, and then calmly shoots it in the back of the head.’

And speaking of supernatural Westerns, Robert has a look at Mike Resnick’s The Doctor and the Kid: ‘Subtitled “A Weird West Tale,” Mike Resnick’s The Doctor and the Kid is an installment in his stories of the Weird West — an alternate universe in which the westward expansion of the United States has been halted at the Mississippi River by the magic of Indian medicine men. That doesn’t stop a few intrepid souls from making the journey to what would become the American West. (Well, in our universe, at least.)’

Robert brings us a view of religion somewhat different than what we’re used to: ‘Vine Deloria, Jr., is a well-known American Indian scholar and activist; having been in the forefront of bringing attention to the injustices suffered by Native Americans, he has been an eloquent spokesman, not only on their behalf, for a widening of our cultural viewpoint. God Is Red remains a crucial volume for anyone interested in the study of religion.’

Denise looks at Game of Thrones Season 8, and is full of conflicting emotions. ‘…much like any other survivor of King’s Landing, I try my best to sift through the wreckage and come up with bits and pieces that were unscathed by the destruction. I’ve found a very nice pile of moments. It’ll have to be enough.’

It being nigh unto summer here that means lots of fresh hand churned ice cream soon with various fruits, especially those Borderland strawberries that start out red and turn white. So it’s apt that Richard has this book for us: ‘Admittedly, most consumers of ice cream wouldn’t care if the first ice cream cone sprang, fully formed, from the forehead of Zeus, but for those who are actually curious about where their double-dip hot fudge sundaes originated – and who don’t want to read a tome the size of a cinderblock – there’s Ivan Day’s slender Ice Cream.’


Robert was very enthusiastic about the first three collected volumes of Brian K. Vaughan’s Ex Machina: ‘I was impressed enough with the first collected volume of Brian K. Vaughan’s Saga that when I spotted Ex Machina at my local comics store, I grabbed it. I wasn’t disappointed.’ You can start the adventures of Mitchell Hundred here.

Fairport Convention has had many a boxset in its over fifty-year existence and David looks at one of them, Fairport unConventional: ‘Eleven lead singers, eleven lead guitarists, six fiddlers, seven drummers, five keyboard players, two bass players, four CDs, one 172 page book, a Family Tree from Pete Frame, a poster by Koen Hottentot, a history of Cropredy, some interesting loose papers and ads, a postcard for a 5th CD and a program from Martin Carthy’s birthday celebration! Whew! Does Free Reed know how to throw a party? Until further notice this box is the anthology of the year! Don’t miss it!

Gary tells us about a new recording from a new singer, the banjo-playing Kelly Hunt. ‘The songs on Even the Sparrow are remarkably well-honed for a debut release, as are Kelly Hunt’s playing and singing.’

Gary also peers into some gothic Finnish Americana on Sings by the outsider artist H.C. Slim. ‘Slim creates eerie, dark Americana-style music from his home deep in the countryside of eastern Finland.’

Robert has some reservations about the album that was considered to be Icehouse’s best: ‘Released in 1987, Man of Colours is generally considered to be Icehouse’s best album, and was their most commercially successful. I found it most interesting that not a single cut from this one was included in Great Southern Land, generally taken to be a “best of” compilation.’

Our What Not is a longstanding question we ask folks, to wit what’s your favorite work by Tolkien. Once again, Tolkien’s one volume affair proves popular as Jasper Fforde says ‘it’s The Hobbit, because it’s the only one I’ve read – I liked it a great deal but was never really into spells, wizards and trolls, so never took it any further.’ it’s worth noting that The Hobbit, despite having a reputation as a children’s book is far and away more popular than  The Lord of The Rings among the staff, particularly according to Iain Mackenzie, the Estate Librarian, as it’s read mostly in the Winter and  there’s a reading group for it that’s been around as long as the book has been around.

Now let’s have some music to finish out this edition. It’s Northumbrian piper and fiddler Kathryn Tickell performing   ‘The Pipes Lament’, a tune written by her,  which was recorded at the Shoreditch Church, London on the 15th nearly nine years ago, should do nicely. Tickell, by the way, connects indirectly to Charles de Lint’s The Little Country novel as smallpiper Janey Little in the novel lists Northumbrian Bill Pigg as one of her inspirations to become a musician, something that Tickell also claims.

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What’s New for the 19th of May: Pickled Eggs, Brideshead Revisited, Maxx and Bad Apple, A Scree on Author Politics and Other Matters

I’m a leftist. I don’t argue with anyone unless they agree with me.— Steven Brust, author of Vallistathe fifteenth and latest novel in the Taltos Cycle whose lead-off novel, Jheregis reviewed in our book review section. 

We do have conferences held here from time to time at this Scottish Estate, mostly during the warmer months when the clusters of yurts, built first in the Fifties and added later on, are more comfortable — there’s room for some sixty folk to be accommodated here at one time. It’s a steady and rather lucrative source of revenue for the Estate. And yes, we do get the odd political gathering such as Women in Black, but they must keep with our decidedly left of centre political leanings or go elsewhere.

The same applies to our Library here. You’ll find the complete collections of the works of Ursula Le Guin, Elizabeth Hand and Catherynne Valente, but if you’re looking someone like Larry Correia, the leader of the Sad Puppies movement, who’s definitely not someone we’d host here, you won’t find his books here. Don’t like our politics, well we aren’t going to buy your books. Our Library, our rules.  And given how badly those authors publicly treat authors we like, is it any wonder that they we don’t give them space here?

So you’ll find me reading Seanan MacGuire’s The Girl in the Green Silk Gown which is a superb ghost story, or listening while I work in the Library late in the evening wrestling with the Indexes when there’s few patrons here, as they’re  most likely to be found in our Pub, to Elizabeth Bear’s Ancestral Night which is fantastically narrated by Nneka Okoye.

Now let’s see what we’ve got for you this time.

Running back and forth on errands isn’t conducive to reading a book, so Denise gave a listen to Anansi Boys on the Playaway. And she was smitten. ‘The icing on the cake was their selection of Lenny Henry as narrator. I’ve been a huge fan of his ever since I stumbled on an episode of Chef many years back. … The ten hours of audio sailed by, thanks to Gaiman’s and Henry’s storytelling skills.’

Kathleen has a few choice words to says about an unusual collaboration, to wit Good Omens: ‘Neil Gaiman (Caroline) and Terry Pratchett (Thud, Where’s My Cow?) are world class fantasists and giants of popular literature. But back in 1990, when they were, in their own description, “not yet Neil Gaiman and just barely Terry Pratchett” (Locus, February 2006), they wrote a book together. They did it for fun, thinking it would be amusing. And it is. However, since they were themselves (even if they didn’t quite know it at the time), it is much more than that. Over the years it has grown in audience and import, and now — mirabile dictu! — it has been reissued.’

Robert has a review of Brokedown Palace by Stephen Brust: ‘This is a novel, with all the elements that make a novel what it is. I’ve said before that I think Brust is one of the master stylists working in fantasy today, and this one only confirms that opinion. Even though Brust is describing fantastic things, his mode is realist narrative, and a very clean and spare narrative it is, although more poetic than most of his work. While his characteristically sardonic humor and his flair for irony are readily apparent, there is a magical feel to it, in the sense of things that cannot be, and perhaps should not be, explained.’

He also takes us back to the beginning of Brust’s Taltos Cycle: ‘Jhereg is the first book in Steven Brust’s Taltos Cycle, the story of Vlad Taltos, human, as opposed to Dragaeran (also “Easterner”, the East being inhabited by humans), crime boss, assassin. Note: That’s first in order publication, not first chronologically — but more on that later.’

Liz looks at Brideshead Revisited, 25th Anniversary Collector’s Edition: ‘The very rich are different from you and me,” wrote F. Scott Fitzgerald. A great part of your reaction to this DVD will depend on whether you find the doings of the very rich fascinating or a big yawn. When I saw Brideshead 20 years ago, I wrote it off as an incredibly slow moving, soggily nostalgic depiction of upper-class twits and their endangered way of life. Well, I was wrong. From the vantage point of 20 years later, I realize that it was actually about upper-class twits approaching spiritual enlightenment at the deliberate speed at which paint dries.’

Jen has a savoury-gasm over her first pickled egg and attempts a recipe, so that you may replicate her experience in the privacy of your own home.

Robert has some thoughts on Joe R. Lansdale’s Pigeons from Hell: ‘Pigeons from Hell is an adaptation by Joe R. Lansdale of a story by Robert E. Howard, with art by Nathan Fox and color by Dave Stewart. Lansdale is at pains to point out, in his “Notes from the Writer,” that it is really an “adaptation” — updated, exploring some new facets of Howard’s story, and not to be confused with the original, all of which leads me to treat it as its own creature.’ Just click on the link to see how this creature fared in Robert’s opinion.

Dave has a look at a box set,  The Time Has Come: 1967-1973, by another band that evokes Autumn for me: ‘By my recollection it was The Pentangle when they started. And then they lost the definitive article and were just Pentangle. Whatever they called themselves, they were like fish out of water at the time. My friends didn’t listen to them at all. We were all more into The Who, The Rolling Stones, Jimi Hendrix. The loud stuff. The flashy stuff. But now, years later, I find myself listening to this mix of jazz, folk, blues, and traditional music far more than I listen to those other bands.’

Deborah offers up the best look ever at Fairport Convention’s Liege and Lief: ‘1969 saw the release of two albums that gave me a case of musical whiplash: Pentangle’s Basket of Light and Fairport Convention’s Liege & Lief. (If memory serves, the third leg in that triad of bands, Steeleye Span, was still a year away from formation.)’ Go ahead and savour every word of this fascinating remembrance of things long past.

Michael say a few words about the next recording: ‘It would be easy to say that a collaboration between Steeleye Span and Terry Pratchett was always inevitable, given their respective histories and their proclaimed admiration of each other’s work. It may be an example of retrospective inevitability now that it has actually happened in the form of the Wintersmith CD, however. In any case, the end result is one that is overwhelmingly a credit to all concerned; worthy of the names involved and their reputations.’

Richard has high praise indeed for a Maddy Prior album; ‘Flesh & Blood is one of the finest CDs I’ve heard in years. Prior’s voice, always angelic, has never sounded better; and, with the able help of Nick Holland and Troy Donockley, she has picked material that does her vocal talents justice. Indeed, the collection is so captivating that I’ve had to take it out of my work rotation; after all, I don’t get paid to stand around and gawk dreamily to music.’

Our usual What Not can be a puppet or a tarot deck, but this time Reynard has a review of two action figures that inhabit his office space behind the Green Man Pub: ‘Well back in 2003, Stronghold Group released two characters based on the sort of people that inhabited the CBGB club, one being Maxx, a singer, and the the other being, Bad Apple, who is less clearly defined though he too could be a musician, a fan, and even perhaps  bouncer. One site claimed these are ‘extreme look-alikes of Sid Vicious and Johnny Rotten’ but the manufacturer doesn’t say who they based on.’ Read his full review for a look at two fascinating characters!

So let’s see what if I can find on the Infinite Jukebox for some Celtic music to see is out on this pleasant May Day. Hmmm..  ‘Newmarket Polkas’ by  Patrick Street is a splendid piece of music indeed to see us off on I’d say. It was recorded at the Watergate Theatre, Kilkenny on the 30th of April, fourteen years ago.

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A Kinrowan Estate story: Thank You! ( A Letter to Anna)

Dear Anna,

Katrina and I enjoyed our visit in Stockholm with you over the last fortnight. We hadn’t enjoyed the wonders of Stockholm since we were there nearly a decade back as it’s hard to get away for enough time to really enjoy a vacation.

The accommodations you found for us at the Stureparkens Hotel in Gästvåning was perfect as it was, as you promised, small enough to feel cozy down to the communal kitchen! It was perfect for us to have a late night snack and featured a decent selection of rather good breakfast foods. Katrina said it really felt more like the hostels she stayed in during her student busking adventures.

She’s ecstatic about how well the Leaf & Tree concerts went for them. Your publicity efforts were stellar at filling the intimate venues they played. I’m always surprised how superb Medieval music is when played by a trio of a gamba, violin, and llefarydd, my favorite type of Welsh bagpipes! The audiences were very appreciative of their programme of all Welsh tunes followed by an extended encore of Swedish waltzes.

I’m very pleased with the coverage Angus provided for me while I was away. Takes after his grandfather rather well. Time to see if I can get Ingrid, our Steward, to raise his salary as he and his new wife have a wee bairn on the way come summer.

Until next time, Gus

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What’s New for the 12th of May: Another Thirteenth Doctor Figure, A Tanya Huff trilogy, Recordings by Molly Mason & Jay Ungar, A Conversation with Charles de Lint, Lots of Chocolate, ‘Saturday in the Park’ by Chicago and Other Tasty Matters

Chocolate. The food of the gods, as my grandma used to call it. And I totally agree. It’s the answer to prayers. Emotional relief. A form of currency. An aphrodisiac. Raw and dark. White and saccharine. Milky sweet. Mouthwatering. It’s all good; I don’t discriminate. ― K.K. Allen

The Kitchen here decided to do dishes that all had chocolate in them, such as a traditional Chinese steamed bun with dark-chocolate ganache and ginger. OK not so traditional after all. And the dark chocolate waffles served with dark chocolate ice cream and chocolate whipped cream seemed like overkill but were rather delicious.

Now I thought the twice roasted chicken with chocolate mole sauce and poblano chilies was quite wonderful. Bjorn, our Brewmaster, did a killer chocolate stout that I managed to tuck away some of for later drinking, and the Mozart Black and Sabra liqueurs made for interesting drinking as well. Particularly in coffee the next morning.

I’m sure there’s something of a food nature in this Edition though I’m not sure what, so that’s up to you to discover. (The Several Annies, our Libraian’s Apprentices, actually edited this edition.) Myself I’m off to the Kitchen as I’m feeling a bit peckish…

Not everything in this section is a book review, so what have for you first is a conversation with Charles de Lint held at the FaerieWorld Convention in 2013. You can hear the delightful conversation here. And we’ve also updated our edition devoted to him and his works with a guest appearance by MaryAnn Harris, his wife. That can be found thisaway.

Craig says that ‘Michael Streissguth’s Johnny Cash at Folsom Prison: The Making of a Masterpiece doesn’t aspire to much higher than providing indepth coverage of a seminal moment, both in the career of Johnny Cash, and in music history in general. Despite its flaws, it does this job fully and; therefore, remains a must-have for Cash aficionados and music historians.’

Irene says of a slender volume by Dorothy Sayers on a subject dear to many of us: ‘These essays, as well as a transcription of an original radio play featuring a young Peter Death Bredon Wimsey and Sherlock Holmes, are reprinted in the slim volume by The Mythopoeic Press entitled Sayers on Holmes: Essays and Fiction on Sherlock Holmes. The essays are lovely examples of canonical scholarship and show Sayers’ skill as a detective and a scholar (for what is a true research scholar but a detective) as well as her undoubted skill as an entertaining author.’

Robert has a look at a trilogy by Tanya Huff, The Smoke Trilogy, newly reissued in an omnibus edition: ‘One thing that I find marginally irritating about some of my favorite fantasy and science fiction writers is that if I don’t pay attention for a minute or two, they start a new series and then I have to catch up with them. Tanya Huff, for example, one of those protean writers who seems to be able to write in any subgenre, from “classic” fantasy to military sf to supernatural thrillers, and do it well, started a new series while I wasn’t looking. So I went back and caught up.’

Robert has a look another superhero film featuring a character who is, to say the least, unusual: ‘Another coupon, another DVD. This time it was The Amazing Spider-Man at half price. Another one of those films I’d heard of but didn’t really know much about, except that 1) it’s about Spider-Man, a character who has started to intrigue me, and 2) superhero. (Note: I haven’t started really digging into Spider-Man yet, so I’m not going to comment on the success of this as a reboot.)’

Look, more chocolate! These are just a sample of the many, many chocolate related reviews we’ve done.

Gary really seems to have enjoyed a chocolate bar made from single-origin beans by a company based in Eureka, Calif. From his review, it sounds like a multi-media experience. ‘The bar is beautifully decorated in an incised pattern that resembles Islamic geometric tesserae.’

A boozy chocolate trifle is the recipe for Jen: ‘This dessert is highly alcoholic. And huge: the finished recipe weighs about 8 pounds, not counting the heavy glass trifle bowl, without which it really isn’t worth doing. I developed it after reading, yes, way too many English novels and wondering how to make it with chocolate.’

And Robert has another tasty treat from Lindt chocolatiers: Lindt’s Excellence Dark Chocolate with Caramel and Sea Salt: ‘We are no strangers here to Lindt chocolates, and it’s generally a happy association — on our part, at least. The latest example of Lindt’s chocolates to cross my desk is a new flavor in their “Excellence” line — dark chocolate with caramel and sea salt.’

Jasmine, with a certain amount of puzzlement, says, ‘When I started reading Neil Gaiman and Dave McKean’s Comical Tragedy or Tragical Comedy of Mr. Punch, I had already entered into the story by listening to the radio play. I thought that I might gain additional insight into the family events which lurk and jump out at one in the course of the narrator’s story. What I found was exactly the same impenetrable mystery which informs the radio version.’

Brendan looks at Jay Ungar and Molly Mason’s Harvest Home: Music For All Seasons: ‘This is an amazing CD that manages not only to pay tribute to the rural style of life but the entire field of American traditional music as well. Ungar and Mason have created a unique blend of orchestral and folk music that manages to preserve the integrity of each style while enhancing each other.’

Our Editor Cat finds balm for the soul in The Quiet Room, a new release from Americana duo Jay Ungar & Molly Mason. The album, which came out of a time of personal hardship, contains both new material and some of the best of their extensive back-catalog. ‘Everything here, new and old, I hope will delight you as much as it does me,’ Cat says.

Gary looks at another album from them: ‘Jay Ungar and Molly Mason are best known for their waltz, “The Ashokan Farewell,” which became the centerpiece tune of the Ken Burns/PBS documentary about the American Civil War. They’re more than a one-trick pony, though, as they demonstrate on Relax Your Mind, in which they team up with the acoustic jazz combo Swingology. Together, they’ve recorded an album of laid-back western swing and swing-influenced dance music that hits all the right notes.’

Denise looks at a figurine inspired by the 13th Doctor, TITANS’ 6.5” ‘Twice Upon A Time’ 13th Doctor Kawaii.I love this little figurine. I figured I’d think it was cute, shrug, and tap out something that’d sound nice but not really have any true feeling one way or the other. But dang y’all. This one’s a keeper.’

‘Saturday in the Park’ is my choice this week for our music coda. It’s by Chicago, the not quite rock band. If you were around in ‘72, you no doubt heard the song playing in heavy rotation on pretty much every FM and AM radio station. The song was written by Robert Lamm and recorded by the group for their album Chicago V. It’s upbeat song, suitable for a warm day as it is today. I can’t tell you where or when it was recorded as the database for the Infinite Jukebox has absolutely nothing on it.

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What’s New for the 5th of May: It’s Spring, Beatrix Potter’s Garden, Time Travel, Candy, Jazz, and more

None of us know for sure what’s out there. That’s why we keep looking. Keep your faith. Travel hopefully. The universe will surprise you, constantly. — Thirteenth Doctor in ‘The Battle of Ranskoor Av Kolos’

Can you smell it? No, not the Turkish coffee I’m drinking, which is earthy and most excellent. That other earthy smell. That’s spring here. Windows are open, everyone’s rambling around this old estate looking at the plants coming up, and I’ve even overheard more than one couple contemplating doing the two-backed beast in Oberon’s Wood when it gets just a bit warmer.

And there’re always contradances going on here — what better way to check out a new partner? After all, G B Shaw once said ‘dancing is the vertical expression of the horizontal desire.’  So there’ll be a dance tonight in the Courtyard with Chasing Fireflies which is currently myself on concertina, Béla on violin, and a lovely smallpiper-lass named Finch. It’s a truly sweet sound and you’ll want to step lively if you’re here. 

Andrea looks at an Appalachian set tale for you: ‘Ghost Rider is the latest novel in Sharyn McCrumb’s “Ballad Series.” Ghost Riders is different from the others in the series in that there is no mystery (in the “mystery novel” sense of the word) to be solved. In the other books, the storyline goes back and forth between past and present, the stories linked sometimes obviously and sometimes tenuously. Usually in the “modern” story there is a mystery which the story in the past fleshes out or provides with a new insight. In Ghost Riders there are two separate tales from the past and a storyline set in the present. The narratives set in the past are linked by a chance meeting but still remain separate tales. One of these stories has a direct influence on the present. There are various characters, past and present, whose lives intertwine briefly in interesting and occasionally surprising ways.’

It being being Sping, Marta McDowell’s Beatrix Potter’s Gardening Life was a work much liked by Gus: ‘Like many serious gardeners, I collect books about gardens and those who created them. This one is a recent acquisition of mine that ranks among the best I’ve encountered! Subtitled ‘The plants and places that inspired the classic children’s tales’, it is just what it says it is: a look at the gardens (and botanical things) that inspired her children’s writings.’

Marian looks at a trilogy by Jane Yolen that deserves to be a classic. First up is ‘The Books of Great Alta which is the compilation of Yolen’s two books in the series,  Sister Light, Sister Dark and White Jenna. It is the story of the women of Dale, who worship Great Alta, the mother goddess and what happens to them for better or worse.’ If you’ve read these already, then do read Marian’s review of  the final volume, The One-Armed Queen, but otherwise do not as it has major spoilers about what happens in the first two novels.

Warner says ‘The Gates of Stone is Angus Macallan’s first novel, and also the first book in the “Lord of the Islands” series. A first novel is a hard sell for many; this one also promises that it is a part of a coming series. For any series, the question of engaging the reader with the world and characters from the beginning paramount.’

Robert went out to see the new Marvel Comics film, and had a mixed reaction: ‘In spite of my reservations about the Avengers films (to be honest, aside from the first one, I haven’t found them all that satisfying), I decided to see Avengers: Endgame. It’s a lot more complex than I had expected, offering a deeper examination of character and psychology than one might expect from a “comic book” movie, and I’m not sure just how successful it is.’

Happy Cinco de Mayo everyone! But if you’re full up on Tex-Mex and don’t want to look another nacho in the face, Denise is here with some beer and candy for you. First, she looks at Orchard Valley Harvest’s Sweetened Cherries in Dark Chocolate. ‘My only issue is the chocolate coating, with tends to crumble if you try to make each cherry a two-bite treat.’ But is it worth a try? Only reading her review will give you the full story.

Next is a look at McKeever & Danlee Confectionery Co.’s Liquorice Allsorts, Australian black licorice. ‘Think of this licorice as training wheel bits for the really hardcore European stuff. That said, they’re perfect with a cup of tea, or perhaps a glass of champagne if you’re feeling fancy. (Hint: I’m always feeling fancy.)’

And how about something to wash that candy down? Victory Brewing Company’s Storm King Imperial Stout, perhaps? ‘King ain’t one of those sweet stouts, people. It’s bitter, strong, and proud.’ Not sure if you’re ready to let your taste buds walk on the wild side? Then read her review for more info!

Brian K. Vaughan’s The Escapists is a graphic novel that comes with a warning from April: ‘The Escapist is an original comic creation springing from Michael Chabon’s Pulitzer Prize-winning The Amazing Adventures of Kavalier and Clay. And though it’s not at all necessary to have read that marvelous novel to enjoy The Escapists, readers should, because this graphic novel takes both its heart and inspiration from Chabon’s work.’ Read her full review to see why she liked this.

Our West Coast Cat has this to say about Rupa and the April Fish’s Growing Up: ‘It’s a complicated, layered, beautiful piece that is hopeful and fierce all at once, exercising that loving kindness and radical tenderness on the listener and challenging them to follow suit.’

Gary reviews the latest from the prolific musician Stephan Micus, a true solo effort. ‘On White Night, his 23rd solo album for ECM, Micus unleashes his visionary creativity to take his listeners on a journey through his imagined world, illuminated by the full moon and with a soundtrack out of his sublime dreams.’

For something completely different, Gary reviews a country-western record called O Bronder, Donder Yonder? ‘Forrest Van Tuyl, who performs as An American Forrest, is a young cowboy poet and horse wrangler from northeastern Oregon who slings archaic lingo around like flapjacks.’

Finally, Gary reviews Jazz Fest: The New Orleans Jazz & Heritage Festival. It’s a five-disc box set from Smithsonian Folkways, documenting 50 years of the Crescent City’s signature cultural festival. ‘I can’t imagine anybody with a speck of soul who won’t absolutely dig this beautiful box set,’ he says.

Our What Not this time is sort of about Jane Austen, who was an devoted dancer. Extended scenes set in the ballroom are intrinsic aspects of all of her novels. Alison Thompson, noted musician, dancer and writer, wrote an article called ‘The Felicities of Rapid Motion; Jane Austen in the Ballroom’ which was printed in Persuasions, Winter 2000. That’s the online journal of the Jane Austen Society of North America.

We’ve got these reviews of other works by her, Dancing Through Time subtitled Western Social Dance in Literature, 1400-1918, Lighting the Fire: Elsie J. Oxenham, The Abbey Girls, and the English Folk Dance Revival and The Blind Harper Dances: Modern English Country Dances which is set  to airs by Turlough O’Carolan.

I’m a bit of a traditionalist when it comes to what I like for music which is why the playlist here in the Pub when the Neverending Session isn’t, errr, in session leans heavily towards Celtic trad music. So it will surprise you that my selection for parting music today isn’t of that manner but rather it something a bit more modern, to wit ‘The Cuckoo’s Nest’ by De Dannan, recorded at the Canal Street Tavern in Dayton, Ohio, in 1982. Well, as if something composed in the 1920s by John J. Kimmel is to considered modern…

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A Kinrowan Estate story: The Oysterband

The Old Man here — Indeed it’s cold and wet outside, not ‘tall good for a long walk today, so I’m mucking about the database for the Infinite Jukebox here. Now, some might think it is indeed more than a bit queer that the Infinite Jukebox contains recordings of performers beyond count — but it is, after all, the Infinite Jukebox. I found a version of the Rolling Stones’ ‘Let It Bleed’ with Marianne Faithfull fronting, as her boyfriend had overdosed all those years ago. I also loved the other female fronted rock and roll I listened to this morning — ‘Hotel California’ by The Eagles, with Linda Ronstadt as the lead vocalist! Cool, really cool.

However, I was searching the Infinite Jukebox because I fondly remembered an Oyster Band album called English Rock and Roll — The Early Years. Yes, Oyster Band, not Oysterband. The band started life some thirty years ago as Fiddler’s Dram, later becoming the Oyster Ceilidh Band and eventually dropping the Ceilidh part of their name. As the name suggests, much of their music is bloody fine dance tunes which I really like on days like today!

If you are a fan of the present-day Oysterband, their rather sedate earlier sound might surprise you. Especially when compared to the band’s angry tone during the Thatcher years, when they would sing in ‘The shouting end of life’ that ‘Hacks that want to see me shuffle off the shelf / I hand them each a bottle, I say — Go fuck yourself!’ No, this is a far quieter, more traditional band that aficionados of good electrified English folk music will love, as almost everything, unlike later albums, is traditional material — only ‘A Longport Hymn’ (written by Alan Prosser) and the ‘Holligrave’ tune (written by Ian Kearey) are contemporary in composition. Oh, John Jones’ lovely voice is here, as is the voice of the soon-to-depart Cathy Lesurf of later Albion Band fame.

Indeed it has the aspects of the later band, but it feels much different than they do a decade or so later. Listening to it play in my office as it rains outside, I’m reminded of a time before Thatcher. Bloody bitch that she was, she made folk music political as a reaction against her evil reign. Here is a more innocent, pre-Thatcher Oysterband, one where saying ‘Go fuck yourself!’ would have been unthinkable. I miss that time, that sense of innocence. As the years pass, I find myself less interested in electrified English folk than I was when it started out some forty years ago. I want to be cheered up, not depressed!

Now let’s listen in as the ever so perfect tenor voice of John Jones sings the lyrics of ‘The Prentice Boy,’ a Cheshire folk song about a cobbler’s boy who runs away to join the Spanish army. And yes, do help yourself to a bottle or two of the rather good ale I found in the Pub this afternoon!

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What’s New for the 28th of April: Folklore in the Twentieth Century, Russian Music, Real Fairy Tales, Swedish Pan Pipes, and more

April is the cruelest month, breeding lilacs out of the dead land, mixing memory and desire, stirring dull roots with spring rain. — T.S. Eliot

I spent some time in Southeast Asia many years ago working for the British Consulate there, and so acquired a taste for the food served there. Mrs. Ware and her Kitchen staff blessed me this morning with a repast worthy of being called magnificent — sunny side eggs done up in the Thai style, both pork and shrimp dumplings pan fried of course, fried Thai donuts, and a mug of tea  with a generous lashing of cream. They amazingly even got me a day old copy of the English language Bangkok Post to read with it. Not sure how they did that, but I’m certain there’s a favour in the asking for later.

Now here’s our Edition…

Deborah gives us a glimpse of fairy tales by Neil Gaiman, in M is for Magic: ‘There is a child who burns with curiosity, who is full of the Wood. He knows there are scary things in the world, and amazing things too. This child understands that trolls still lurk under bridges and she knows that magical things can be found in the most ordinary of places. She knows that she should be careful in the world but that she shouldn’t let that keep her at home. He realizes that the categorically scary can be oddly comforting and that the impenetrably beautiful can often times be terrifying indeed. And yet this is all to say there’s a child who’s every child.’

Faith brings us a bit of gothic horror by way of Douglas Clegg’s Isis: ‘Have you ever read “The Monkey’s Paw” by W. W. Jacobs? It’s a nasty little story that proves quite graphically that bringing the dead back to life, no matter what the motive, is a horrible idea and not for amateurs. Although its plotline is not identical, Isis nicely illustrates the same thing.’

Robert has a look at a book for anyone with an interest in folklore and its place in the arts: ‘While the authors of Re-Situating Folklore are concerned largely with the relationship between folklore and literature, what they describe is something that happens across the spectrum of “high art” and the vernacular: folklore, or the vernacular (which is the ultimate origin of folklore), in its forms or content, is adopted as high art, while reciprocally, literary or artistic works work their way into folk or pop culture.’

Robert bought the DVD for an X-Men spinoff that was pretty impressive: The Wolverine: ‘It should come as no surprise that I saw The Wolverine when it came out. I was impressed enough that I bought the DVD when that came out. (Another coupon – I try to avoid paying full price for anything.) Yes, it was worth it.’

Garth Ennis’ Midnighter: Killing Machine got an ambivalent reaction from Robert: ‘I have to confess to some ambivalence toward Midnighter: Killing Machine, the first collection of the eponymous series on the character introduced in Stormwatch and who continued as part of the Authority in the Wildstorm universe. I think that ambivalence will be apparent as you read through this commentary.’

Chris got tickets to Martin Barre’s concert of “greatest hits” from Jethro Tull: ‘Martin Barre, who for more than four decades was the guitarist of legendary rock band Jethro Tull, is celebrating the band’s fiftieth anniversary this year with a greatest hits show that delves into the band’s deep, wonderful catalog. . . . The show I saw at the Iridium in New York on April 25 featured reworked versions of songs spanning much of the band’s career, and was in every way worthy of Tull’s long history.’

Lars has a look at a rather unusual mix of traditions in Alban & Josué’s Polska på Pan: ‘
f you are the least interested in Swedish traditional music, keyed fiddles, Indian flute music, or just crosses between different musical cultures, you should well consider giving some of your listening time to this. It is an excellent example of what can be achieved if one is firmly rooted in a tradition but daring enough to expand the boundaries of that tradition.’

Robert looks at a pair of recordings of music by twentieth-century Russian masters, performed by twentieth-century legends, including none other than Van Cliburn and the Chicago Symphony Orchestra: ‘Music by Russian composers in the twentieth century presents some interesting contrasts, not only between those who remained in the Soviet Union after the 1917 Revolution, such as Dmitri Shostakovich, but also among the expatriates, such as, in this case, the composers I have been calling over the past few days “The Two Sergeis”: Sergei Rachmaninoff and Sergei Prokofiev.’

Our What Not this week is a convention. Denise says: ‘Washington DC’s Awesome Con was this weekend, and it was a chance to check out all sorts of entertainment-type things. But my personal favorites are the science-y type stuff at Future Con. Educational booths from the Smithsonian, NASA, National Geographic and many more sated wannabe science nerds like me with tales of robotics and biological research. But I think I enjoyed panels that combined genre fandoms and hard science, like The Science of Aquaman, Germ Warfare: A Very Graphic History (with special guest Max Brooks!), and Harry Potter and the Genetics of Wizarding. Who says you can’t have fun and learn something? Weekend well spent, and I’m already looking forward to next year.’

So how about some tasty pop from nearly forty years ago? ‘Come On Eileen’ is  from the Dexys Midnight Runners, a Birmingham pop band with soul influences founded by Kevin Rowland and Kevin Archer. The song was a success in large part because of heavy radio play and because of MTV airing its video in heavy rotation in ‘82, just four years after the band was formed. Our version is from Rockpalast, a German radio programme that apparently let everything it taped loose in the marketplace as soundboard recordings as I’ve seen amazing music productions ‘released’ by them. This was done on the 9th of April, the year after the song was officially released.

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A Kinrowan Estate story: Lost Empires

More Midnight Wine? A bit of smoked savannah slinker? Some snow-white strawberries from the other side of that Border? What tickles your fancy this fine morning?

I was eating a very late breakfast with a few other Green Man staffers after a late night of trading truths, half truths, and outright lies over a poker game a Jack — who had dropped by on his way to yet ‘nother adventure — had started when he walked into the Pub, when a stranger walked in and took a seat nearby. There was nothing unusual about him until over his second cup of Sumatra he said that he was the last King of the Austrian-Hungarian Empire . . . Who were we to disagree? What profit was there in doing that?

Mind you, he was dressed all in black with a smart cut to his slightly old-fashioned clothes and a haughty demeanor of one to the Manor born, but that said little to who he was, and we’ve heard far stranger statements made here by much odder looking individuals. Now I know that most historians claim that Charles I succeeded to the Austro-Hungarian throne during The First World War, and that he abdicated from it a short time later in 1918 when the Armistice took effect and the war ended with the surrender of the Central powers to the Allies. Historians further say he died five years later — a mortal lifetime ago. Our visitor, Karl by name, rejected that history with an angry shake of his head. Indeed Bela, our resident Balkan violinist, has also claimed for years that he was born in the Austrian-Hungarian Empire!

One of the poker players shrugged her shoulders — I think it was Zina who was playing on her fiddle a spritely set of tunes, ‘Never Wed a Hendrake Lass / Hangman’s Reel / Midsummer’s Night’ — and asked him to tell his story. So over the course of that morning, he told us tales of Empires lost and regained, of parties so lavish that vassal states were impoverished to keep the festivities going, of a lover who betrayed him for a handful of silver, of another lover who risked everything for him, of mad priests who couldn’t be killed, and many more tales.

He drained his tankard of Skull-buster Strine beer, picked up his walking cane, and said in his faintly accented English that it was time to catch a train back to His Imperial Capital. Bela bowed deeply to him as he turned toward the door, and that was the last we saw of him — but he left behind ‘nough stories for lifetimes…

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What’s New for the 21st of April: A History of Tull, the Polesotechnic League, Chocolate Eggs, More Tull, Payback, and other neat stuff

She who invented words, and yet does not speak; she who brings dreams and visions, yet does not sleep; she who swallows the storm, yet knows nothing of rain or wind. I speak for her; I am her own.― Catherynne M. Valente’s The Orphan’s Tales: In the Night Garden

So have you read The Orphan’s Tales? No? So think A Thousand and One Nights told from the viewpoint of I’d guess a teenage girl spiralling out to encompass myriad other storytellers telling their tales, all interconnected into one Story. Each Story piece is short, sometimes only a paragraph and certainly no more than a few pages at the most. Absolutely delicious to dip into for a few minutes or get lost for hours on end. I’ve got both of them here behind the Bar and have been known when the Pub is quiet to pull one of them out and read a narrative thread until I’m needed again.

Want a flavour of them? Well SJ Tucker recorded ‘The Girl in the Garden’ which is off her most excellent Sirens album which sets the premise up, and I think that there’s a short tale from them on the Infinite Jukebox… Yes there’s it is, ‘The Tale of The Tea Maker and The Shoe Maker’  so that should whet your appetite. Our reviews of the two volumes are here and over here.

Of course this Edition contains lots of other neat stuff for you as well from a history of Jethro Tull and music from the band too, YA from Kage Baker, Easter chocolate, bulldogs, baked eggs, Irish music, even stories from Poul Anderson. With that, I’ll take your leave for now.

Chuck has a book for you that’s very popular to take out from the Library here at Kinrowan Estate: ‘Ciaran Carson is an Irish poet and musician, who has, in Last Night’s Fun, put together a series of writings, each inspired by a traditional tune. In most cases, these are short essays. For others, he has written poetry or put together sets of quotations. Occasionally the subjects in consecutive chapters are directly related, but that is most likely happenstance.’

Kate has a look-see at Jethro Tull: A History of the Band, 1968-2001: ‘Scott Allen Nollen has proven his devotion as a Tull fan in the countless miles travelled and the hours passed collecting details and interviewing band members and other associates. He has included nostalgic pictures of the band, some of which were borrowed from Ian Anderson, the often frenzied flautist who, despite some controversy, became the Fagin-like front man for the band. After ten long years of research, here is a comprehensive and entertaining story of the much misunderstood Jethro Tull. The authenticity is underlined by the thoughtful and honest foreword written by Ian Anderson himself.’

Matthew looks at a Kage Baker venture into children’s fiction: ‘In comparison to her other works,’ says he, ‘I would consider The Hotel under the Sand to be one of Kage Baker’s lesser works, but it is still highly enjoyable.’

We have another first from Robert — well, sort of: A collection of stories from the late Poul Anderson: ‘At long last, someone has begun the monumental task of issuing the late Poul Anderson’s classic stories of the Polesotechnic League in internal chronological order. Hank Davis, who compiled this volume (there are three volumes in total), has expanded the timeline to include some League prehistory and the series is being called The Technic Civilization Saga. Anderson was one of the luminaries of the Golden Age of science fiction, and his stories of the League rank with Asimov’s Foundation Trilogy series and Heinlein’s Future History as landmarks in the field.’

Remember when you could eat anything? Under certain circumstances we all have the digestions of teenagers, even now. Such as when that April storm blows through, leaving the world coated in ice, every twig and windshield glittering in the ironical sun, and let me tell you, it’s not a good idea to pour the kettle on that windshield. It’ll shatter. But a baked egg can set you up to walk out into that slippery, glittering world, chip your windshield clear, maybe snap a few pix for Instagram, and know in your heart that Spring is on the way.

Denise dives into the holiday spirit with a look at Specially Selected’s Chocolate Truffle Eggs and Choceur’s Dark Chocolate Marzipan Mini Eggs. One she enjoyed, one she…tolerated. How to figure out which is which?  Well that’s easy; just read her reviews to see what you may want to include in your basket!

Big Earl says of Ånon that ‘Ånon Egeland is a master of the mighty hardanger fiddle (a violin with drone strings). As a collector of traditional songs from his area, Egeland is noted for keeping the traditions of the north alive. On this, his first solo album of his twenty-plus year career, he brings forth a beautiful collection of dances from Sweden and Norway, some learnt from the great masters of the idiom.’

Got a Tull fan on your Birthday shopping list? Oh does Chris have a suggestion for you: ‘Did I really need a box set of an album, when I already had an LP, cassette tape, and, as in the case of Aqualung, the 25th anniversary CD? However, I found myself tempted by Songs from the Wood, a personal favorite album of mine, and decided to take my chances with it, and the reissue of Heavy Horses. I wasn’t disappointed.’

‘You know it’s true love when a Swede compares you to coffee, right?’ That’s what Gary says about Wooh Dang, the new Americana release by Daniel Norgren.

Robert picked Tummel’s Payback Time as his recommended recording  this outing: ‘Think about the band playing on while the Titanic goes down. Think of some of Joel Gray’s bitchier numbers in Cabaret. Think of Josephine Baker at her most outrageous taking Paris by storm. Think of a bunch of crazy Swedes with no inhibitions whatsoever getting together and letting everyone have it, right between the eyes. That might give an inkling of the tone of Tummel’s Payback Time.’

With Spring officially sprung, more and more people are enjoying the out-of-doors. And many are doing that with a furry friend. Today, on National Bulldogs Are Beautiful Day, it bears mentioning that these stout little bringers of happiness come in many forms. From Frenchies to Olde English, Cataholula to Continental, there’s surely a bully pup or twelve that’ll make you swoon. You know they’re good for your heart, right? Check out these little bebbes, and enjoy a lovely bit of Bulldog time. That feels better now, doesn’t it?

I’m a Tull fan from days on old when Ian successfully bludgeoned rock and folk music into one art form. So I got thinking about what might be on the Infinite Jukebox and to my delight I discovered it had ‘The Hunting Girl’ in which boy meets girl on horse and they get down in the dirt for a good fucking. Even the lyrics make that clear (‘She took this simple man’s downfall in hand; I raised the flag that she unfurled) and Ian’s Flute playing adds a sexual urgency to the song. This version was recorded on the 12th of November, forty years ago at the LA Sports Arena.


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A Kinrowan Estate Story: Writing Retreats (A Letter To Peter)

Dear Peter,

Here’s my thoughts on the history of writing retreats here

The first recorded one was in the Twenties, a small group of mystery writers, no one that anyone reads now, but who were all fairly well-known at that time. They stayed here for a few weeks, talked about their editors and how little the magazines were paying, drank well and ate even better. They wree very impressed with the collection of mystery works in our Library including a full run of Strand magazine.

A rather interesting writing group that met here off and on during the Second World War apparently was under the auspices of the War Office though we didn’t get told that until some fifty years later. We were told then that they were a group of historians and novelists, who were to develop deep covers for agents in Nazi occupied Europe.

When the yurts got built in the Sixties, we started getting groups here in the Summer that liked meeting outdoors. One of the odder groups was apparently devoted to writing Feminist versions of the Arthurian mythos. Now none of us had any problem with that but they brooked no arguments as to the validity of that idea. And that made for some rather tense moments in the Pub late in the evening.

I think that was what led The Steward to turn down a group of Marion Zimmer Bradley acolytes who wanted to meet here some summers back. That he had brown eyes and had read The Mists of Avalon I’m sure had nothing to do with it . . .

By the Eighties, we started to get creative writing groups which I swear meant that grammar, logic, and even telling a story that makes sense were tossed in the rubbish bin. Iain, our new Librarian, actually started planning his vacations so that he and his wife were off somewhere else when such a group was here as he wanted nothing to do with them. Wise decision all in all.

(They got banned from reading their work to each other in the Pub. And pretty much anywhere else except where they had rented space.)

We still get to this one or two writing groups a year that meet our standards and are allowed to use the Estate, but I’m still more fond of knitters, artists, bread and cheese makers, real ale fans, and even the occasional horde of mass voice orchestras.

Cheers Reynard

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