Guy Gavriel Kay’s Ysabel

Like in Jane Yolen’s The Wild Hunt, in Ysabel we have a Summer Queen, similar to but not the same as Yolen’s Summer Queen. And both works have what can loosely be considered Champions vying over and over again for her hand. (Or perhaps just her honor, as the case might be.) And like Yolen’s novel, the game played here, which has gone on for a very, very long time, has very serious consequences. And like the Yolen novel, Ysabel has at its heart two teenage protagonists. But despite the similarities, Ysabel is very different from The Wild Hunt, the primary difference being that Yolen’s work was really a novella, but this work is a full-blown novel exploring in-depth what happens when mortals touched by magic get caught up in a somewhat nasty game being wagered for extremely high stakes. For as always is the case when The White Goddess is involved, no one dares guess the outcome of the game. (Yolen’s work also opens a stanza form the Robert Graves poem, ‘To Juan at The Winter Solstice’, quoted above. Given the subject matter, it’s not all that strange a coincidence!) The only question that matters is what game is being played and how to avoid getting seriously hurt by what unfolds.

The bound galley from Viking Canada that I was sent by the publicist was something I had not expected to like all that much, as Guy GavrielKay has not been a writer whose work I’ve developed a great liking for over the years. I was re-reading Charles de Lint’s Forests of The Heart but I set it aside to see if it was worth reading. The premise of the novel on Kay’s Web site had made me request this galley many, many months before. So long ago in fact that I had forgotten my interest in reading this novel. You can be amused — as i get older, my memory certainly isn’t as good as it was some decades back. And oddly enough, memory plays an important role in this novel as remembrance of what has been is what shapes this tale. Like Peter S. Beagle’s Summerlong novel which should see publication in 2008 if all goes well, Ysabel is very much about what happens when mortals and immortals meet.

The protagonist is Canadian Ned Marriner, the fifteen year-old son of a well-known photographer and a mother who’s rarely if ever with them. Ned has accompanied his father, Edward Marriner, and a team of assistants to Provence for a six week shoot of the legendary, history infused landscape. Ned plans nothing more than a little sightseeing, listening to his iPod, and catching up on essays he should have already written for school long ago. Melanie, the somewhat anal-retentive but rather cute assistant to his father has prepared copious notes for him to all the local things he needs — coffee shops, wireless hotspots, cathedrals, you name it. (This trait of hers figures heavily in the plot.) While exploring a cathedral in Aix-en-Provence, the city where they are staying, he encounters Kate Wenger, a fifteen year-old girl who he’s attracted to, artwork which gives him the creeps, and one of, oh, I’m not telling as that would spoil the fun. Let’s just say that his vacation will rapidly cease to be much fun at all.

What’s appealing about Ysabel is how believable all the characters are. Again like Summerlong which has a different but similar plot, both humans and the not so human feel real, feel like folks one might encounter somewhere. Yolen’s Winter Queen’s made real by existing oft times as a rather imperious feline who was better than any other being, and Ysabel’s made believable by being less than certain about what she should do when faced with circumstances beyond what has gone before. Kay has a deft touch at both dialog and plotting — many a contemporary fantasy has failed for me , i.e., Charles de Lint’s The Onion Girl and Jane Lindskold’s completion of Roger Zelazny’s Lord Demon, because the characters didn’t act right in that they simply accepted what was going as being ‘natural’. Here as in Summerlong , they panic, they argue, and even get pissed off at each other over what is happening! I wasn’t at all sure things would work out well, but they did.

If for no other reason, read Ysabel to see how one can accurately depict fifteen year-old characters. Most Young Adult fiction that I have read simply treats the young adults as miniature adults, not as beings who are both child and adult, but really neither. Kay’s much better than that with Ned Marriner — he is a fifteen year-old interested in running, music, and girls. (His awareness of the fifteen year-old female in the novel as being sexually arousing is both tastefully presented and important to the plot. And he will also have longings for Melanie which figure into the resolution of the plot!) Likewise his handling of the situation as it unfolds, in a manner William Butler Yeats would recognize, feels right.

How good is it? Let’s just say it’ll definitely make my Best of 2007 list a year from now. It’s that good. I look forward to re-reading Ysabel in its hardcopy edition when the publisher sends it to Green Man. (Yes, I re-read novels. After finishing this superb work, I went back to Forests of The Heart, and I will read again Summerlong when it comes out.) Though I don’t know that Kay plans a sequel, encountering this group of characters again would be a pleasure

(Roc, 2007)

About Cat Eldridge

I’m the publisher of Green Man Review and Sleeping Hedgehog.

My current novels are listening to Pushing Ice by Alastair Reynolds, and reading Naomi Kritzer’s Catfishing on Cat-net and Anthony Boucher’s Murder in the Morgue My current graphic novel is Spider-Gwen: Most Wanted..

I’m listening to a whole bunch of new Celtic and Nordic new releases but I’ll dip in my music collection for such artists as Blowzabella, Jay Ungar and Molly Mason, and Frifot as the weather goes colder.