No one is making me say this. No one is making me tell this story. Nobody’s ever been much good at making me say anything I hadn’t already made up my mind to say. — Elizabeth Bear
I’ve returned from the short concert tour that I and my wife Catherine took in the Nordic countries. It was but five dates, which made it pleasant indeed, and all were small venue concerts, barely fifty attendees each,which made it even more more pleasant, as we knew most who attended from our previous concerts in those cities. We spent three to five days in a city so it was a leisurely time we had there.
If you want a really good look at a certain well-known conductor of the concert scene in the nineteenth century Paris, go read Evenings with Orchestra by Hector Berlioz. It’s an highly amusing look at that scene and he certainly is brutally blunt at times too. I took it with me this trip for my reading material.
Now let’s see what we’ve got this Edition…
Cat has a look at Charles de Lint’s Forests of The Heart. It says that we should ‘Have another drink and just listen to the music’. The novel has some astounding descriptions of Irish music sessions it, so do check it. The novel itself is about far more than Irish music and his review tell you why you should be reading it.
Deborah says ‘ (Jane) Yolen initially compiled Not One Damsel in Distress for her daughter and three granddaughters, as she wished to provide for her girls that which she had not been able to access — stories where girls are the heroes. Not heroines or sheroes but true heroes, in every sense of the word. Stories where it is the girls who are the knights and the serpent slayers and the pirates. As Yolen writes in the open letter to her girls at the beginning of the collection, “This book is for you because in it are folktales about heroes — regular sword-wielding, spear-throwing, villain-stomping, rescuing-type heroes who also happen to be females.”‘
Kate has a look-see at Jethro Tull: A History of the Band, 1968 – 2001: ‘Scott Allen Nollen has proven his devotion as a Tull fan in the countless miles travelled and the hours passed collecting details and interviewing band members and other associates. He has included nostalgic pictures of the band, some of which were borrowed from Ian Anderson, the often frenzied flautist who, despite some controversy, became the Fagin-like front man for the band. After ten long years of research, here is a comprehensive and entertaining story of the much misunderstood Jethro Tull. The authenticity is underlined by the thoughtful and honest foreword written by Ian Anderson himself.’
Warner says happily: ‘The Last Tsar’s Dragons is an interesting little historical fantasy written by Jane Yolen and Adam Stemple. Dealing with revolutionary Russia, this little volume represents a delightful amd multilayered example of the historical fantasy.’
Denise dives into Ghirardelli’s Intense Dark Hazelnut Heaven bar, and she’s a fan. ‘ The website says this bar is perfect for sharing, but screw that. It’s too yummy; before you know it, it’s gone.’ Read her review to see exactly why she’s eager to devour this chocolate!
Elizabeth didn’t like the Spider-Man film which we reviewed here but she loved Spider-Man 2: ‘Just about every aspect of this movie is a step-up from the original. First off, the acting is top-notch. Tobey Maguire as Peter Parker/Spider-Man, James Franco as villain-in-training Harry Osborn, and Rosemary Harris as moral compass Aunt May are all back in fine form, and with meatier roles, too. J.K. Simmons had me rolling in the aisles as J. Jonah Jameson, who now has more opportunities to gripe, cheat, and chew on his cigar with ruthless vigor. And — finally! — the filmmakers have seen fit to actually recognize that Kirsten Dunst possesses a remarkable acting talent.’
Cat (the Cat also known as ‘The Chief’) has a look at Warren Ellis’ Global Frequency, a comic series that starts to seem frighteningly real: ‘Global Frequency is a organisation devoted to combating those incidents that are too extreme, too weird, or just too dangerous for the usual first responders to handle. Funded by the mysterious Amanda Zero, it consists of exactly one thousand and one agents, all of whom are specialists in something, say, for example, bioweapons or taking out snipers.’
The Oysterband are certainly a folk rock band but Ed has a review of their very early years when they weren’t: ‘I stumbled onto the Oysterband several years back via a copy of Little Rock to Leipzig, received as a premium during a college radio station’s fund drive. This was blind good luck. The two CDs I had originally wanted were gone, so I picked this one based on its “folk-rock” label. I haven’t stopped listening to this band and now own ten of their CDs. As a devoted and possibly obsessed fan, when the chance came to review some of their earliest and long out-of-print albums, I jumped. I now feel blessed to have acquired this piece of their history. In short, these LPs prove that the Oysters were always good, but have nevertheless gotten much better.
Gary reviews a new release from the living legend, South African composer and pianist Abdullah Ibrahim. Of The Balance, his first new album in four years, Gary says, ‘It’s a treat from top to bottom’.
I’ve got a look at A Parcel of Steeleye Span: ‘This triple disc set contains the entirety of their first five albums for Chrysalis, from 1972’s Below The Salt to 1975’s All Around My Hat with Parcel of Rogues, Commoners Crown, and Now We Are Six being the recordings in between. This completely remastered collection has 46 tracks in all, including a number of very tasty bonus tracks.’
Paul, who’s got a new baby as of a few days ago, has a review of a Lúnasa recording : Sé, (pronounced Shay), is Gaelic for ‘six’, and as well as the obvious meaning, is a lovely great mouthful of a title. For those of you who may be new to Lúnasa, this is a four-piece (Cillian Vallely joined a number of years back on pipes and low whistles) traditional Irish band. Just tunes. Great, great tunes. Fiddle, whistles, flutes, upright bass, pipes, guitar, bodhran, a little piano and trumpet even… The variety is wide but never overwhelming. It’s one of the things that have made Lúnasa what they are today: the ability to undertstand just exactly what a tune needs, without ever overcomplicating matters.’
Our What Not today deals with crafts, social media, and freedom of speech. Or, to be more specific, what one can refuse to allow on a website. The social crafting site Ravelry just banned pro-Trump posts; ‘We cannot provide a space that is inclusive of all and also allow support for open white supremacy. Support of the Trump administration is undeniably support for white supremacy.’ They’re not banning supporters, nor are the endorsing any political party. They’re just dis-allowing hate.
But crafting is so soft and fluffy, right? Hah. Fiber-y types have always been more than a little revolutionary. There’s yarn-bombing, irreverent and subversive cross-stitch, ‘stitch and bitch’ events, and the ‘Pussy Hat’ movement, to name a few current bits of craftiness. Why? Because as with all other forms of art, fiber artists deal with their own forms of censorship, most notably with regards to what can and can’t be shown, according to whatever pearl-clutcher gets bent out of shape. So why not shout out using what you’ve got on hand? In taking a stand, Ravelry uses what they’ve got on hand to deliver a message against hate and racism. And I’m damn proud to be one of their members.
Our music to take our leave this time is some Rock and Roll as I’m in the mood for it. Yes I like that music — of a certain vintage that is. It’s by Credence Clearwater Revival and it’s their ’Bad Moon Rising’ from their Madison Square Garden show on the thirteenth of May forty nine years ago.