I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don’t think about these things when I’m writing. I’m just thinking about telling a story and developing my characters. — ‘A Conversation With Roger Zelazny’ in Science Fiction, Volume 1, #2, June 1978
We’ve had warm weather since mid-April. Now Ingrid, the Estate Steward who’s my lovely wife, tells me that the Gus the Estate Head Gardener in his Sleeping Hedgehog article this month says there’ve been times this month in past centuries which saw the temperature truly struggling to get to ten degrees for weeks on end. I’ll definitely take the pleasant twenty-three degrees we’ve got this afternoon! I’ve got all of the Pub windows open to air this basement space out and, it being exceptionally nice, there’s not a soul here on this pleasant afternoon. Perfect for letting me work on this edition.
I’m in a Grateful Dead mood so that’s what you’ll be hearing here this afternoon. Mind you nothing past the late Seventies usually as that’s the period I like part as that’s when Keith and Donna Jean Godchaux were still part of the band. It’s pleasant music that reminds me of my busking days in Europe before I met Ingrid and we settled down here.
So we’ve got our usual mix of new material and the very best from the decades of Archives that accumalated over from the myriad periodicals we’ve published down the years such as Roots & Branches, Folk Roots, Mostly Folk, Sleeping Hedgehog and so forth. Now let’s get started…
I’d like to announce that Triskell Press has released a digital edition of Charles de Lint’s Yarrow: An Autumn Tale, which Grey delightfully notes is ‘set in de Lint’s Ottawa, the one he first envisioned for his novel Moonheart, and expanded in its sequel, Spiritwalk. Those readers who have fallen in love with the wonderful Tamson House of these two novels will be delighted to note its brief appearance in Yarrow as well. However, the characters in Yarrow are part of different story than the residents of Tamson House and their associates, and Yarrow is a stand-alone novel.’
Fairport Convention and Steeleye Span always seem to evoke the best in British folk rock music for me, so it’s fitting that Lars has a review of Brian Hinton and Geoff Wall’s biography of Ashley Hutchings: The Guv’nor & the Rise of Folk Rock as he helped birth both of those groups: ‘To some of us the subject of this book is, if not God, at least the musical equivalent to the pope. Name a group you like and have followed over the years, and there is a fair chance that Mr. Hutchings was there to start it, or at least influence the starting of it. He is in one way or another responsible for a very large number of the records in my collection, and yes, we are certainly talking three figures, here.’
Desiring an engaging and lengthy fantasy for your Summer reading? Robert has the work for you: ‘I was surprised some while back to discover that Patricia A. McKillip’s Riddle-Master Trilogy was marketed as young-adult fantasy when it was first published. I don’t think I’m particularly backward in terms of understanding what I read, and I was in my thirties when I first read the books (which have earned an unchallengeable place on my “reread frequently” list), and I knew there were things I was missing. Even in a recent re-reading, the trilogy is a complex, subtle and evocative story that lends itself to much deeper examination than one might expect.
Warner says ‘The Listener is Robert McCammon’s take on a depression-era supernatural thriller. And it does all of these things brilliantly, illustrating the time. And the desperation that would create as well as the tension of a particularly dark situation and the side effects, both fortunate and unfortunate, that certain supernatural elements can add. Read his full review to see he says that this is ‘one of the best supernatural suspense novels’ he’s read.
David looks at Festival Express which certainly was a long, strange trip: ‘It opens with a faded map of north Ontario, Kapuskasing dead centre. Then the camera pulls back and from the middle of the screen comes a train — an old Canadian National engine — and tracks, lots of tracks. This is a movie about that train and the people who rode on it, and the places it stopped, and what happened one week in 1970 when this train went from Toronto to Calgary . . . with a cargo of rock’n’rollers and all their paraphernalia. What a summer.’
Our food and drink section this time is just a recommendation of a whiskey tasting blogspot which is described this way: ‘SmokyBeast is penned by a whisky-loving wife and husband team in New York City. We sit down every Sunday night after our daughter goes to bed, and crack open a well-earned reward: a bottle of dark, smoky, and delicious whisky. Here are some of our favorites, and some lessons we’ve learned along the way.’ Need I say more? I think not.
It’s not a graphic novel but it’s definitely of a graphic nature as Charles looks at Charles Vess’ Drawing Down the Moon: The Art of Charles Vess. Now as his detailed review’s as much about the friendship that grew between them, I’ll let you read this charming tale of friendship and art without further ado. Oh and the book itself is simply stunning — truly an art gallery in a book form!
Grateful Dead’s So Many Roads (1965-1995) catches the ear of Brendan: ‘So often dismissed as a anachronistic hippie band that would somehow never die, the Grateful Dead actually formed a keystone of sorts between the traditional forms of American roots music and the rock music of the ’60s. Looking past the psychedelic trappings and bizarre skeleton images, one can easily see that foundations of the Dead’s music consist mainly of the American Musical Triumvirate: jazz, blues, and country, with of course a healthy dose of rock and roll to keep things interesting.’
Charles rightfully notes in the lead to his Together Through Life review that: ‘There’s a funny thing that happens whenever Dylan releases an album that the critics like (I think it averages out at one every three releases). When they fall all over themselves praising an album, as they did 2006’s Modern Times, you know it doesn’t matter what the next album is like, they’re not going to like it.’
One of the most amazing things we were sent to review was the Folk Music in Sweden series, all twenty-five discs. Yeah, you read me right, twenty-five discs of Swedish trad music. Lars got the honour of reviewing this set from Swedish label Caprice and he has a word to the wise at the end of his most excellent review: ‘Well, a summary of this project would be: A very ambitious project which helps to preserve the musical traditions from Sweden for future generations, and give them access to some of the treasures that are hidden in various vaults in Stockholm. But beware, do not try to taste it all in one go. Remember the old advice about how to eat an elephant. You do it bit by bit.’
Johnny Clegg & Savuka‘s Live and More DVD gets these sage words from Scott: ‘As good as the concert performance on this DVD is, and as good as the live concert I saw from Clegg’s recent American tour was, those shows are forced to compete with the memory of a night whose legend grows with each retelling. Somehow, I get the feeling that anybody who caught Johnny Clegg & Savuka during 1990, when they were quite likely the best live act on the planet, will respond to this DVD similarly.’
Our What Not this week is a collectible from Guardians of the Galaxy, namely a figurine of Rocket Raccoon and Groot. Says Cat: ‘Accurate representations of Rocket Raccoon, best known from the two Guardians of the Galaxy films are difficult to find without spending a lot of cash on the accurate one-sixth scale models costing in the hundreds of dollars. I wanted one such figure largely because I thought that Rocket and Groot were the most interesting characters in those films.’
It’s full Summer here, so I think some Grateful Dead music would be in order. Oh don’t sneer, they were the quintessential summer band for several generations of both European and North American summer concert goers. So let’s give a listen to their ‘The Music Never Stopped’ recorded quite appropriately at near Summer Solstice in Passaic, NJ forty three years ago. It’s a remarkably great soundboard recording, but that’s another thing they did well.