Where I’ve been is places, and what I’ve seen is things, and there’ve been times I’ve run off from seeing them, off to other places and things. I keep moving, me and this guitar with the silver strings slung behind my shoulder. Sometimes I’ve got food with me, and an extra shirt maybe, but most times just the guitar, and trust to God for what I need else.”
We had a party here last week to welcome in Spring (and of course we got a nasty blizzard a few days later) and the late night antics among band members got a bit strange, such as when a quite besotted Irish band member was fighting with an equally drunk member of a Welsh punk band over who got the snout of the pig from the roast… and no, I’ve no idea where the snout actually ended up, nor what either of them wanted of it.
Iain’s off with the Several Annies, his Library apprentices, assisting Gus in watching over the pregnant ewes so Gus or one of his staff can assist with the birth when the Goddess so deems it to be. That means I get to assemble this What’s New, so let’s see what I found for you…
Cat had high hopes for Philip DePoy’s The Devil’s Hearth as he has ‘a special fondness for mystery series set in the Appalachian Mountains, even though there aren’t a lot of good ones and a lot of not so great ones. Sharyn McCrumb’s Ballads series had some memorable outings, particularly among the later novels, and one which was outstanding, Ghost Riders.’ Read his review to see if DePoy lived up to his expectations.
Denise reviews Aliens Omnibus Volume 7: Criminal Enterprise and No Exit. ‘ if you’re a fan of this mythology (because let’s face it, this behemoth of a franchise is large enough to warrant that descriptive), you’ll want to dig in.’ If you’re on the lookout for something spooky, take a look at her review to see if these tales might do the trick.
Richard has a look at The Third Cry to Legba, and Other Invocations, the first in an impressive series : ‘Manly Wade Wellman is the literary equivalent of a favorite corner bar. The regulars all know the place and sing its praises to the heavens, but somehow the restaurant critics and Saturday night crowds never seem to find the place. And we, as patrons, are secretly relieved that we still have it all to ourselves. That way, when we pass other patrons, we can give each other secret little smiles because, well, we know something the rest of you don’t.’
In honor of the day, Robert has a couple of books on things Irish. First off, Malachy McCourt’s The Claddagh Ring: ‘The Claddagh ring is a ring fronted by a crowned heart held in two hands; usually gold (although I have seen them in silver), it symbolizes “friendship, loyalty and love.” Irish in origin, it has a rich history in Irish folklore and has become a transcultural phenomenon. Malachy McCourt has a reputation as gifted storyteller. The combination should be unbeatable.’
And next, a look at Ireland’s recent history in R. F. Foster’s Luck and the Irish: ‘One might think, just on the face of it, that a history of Ireland over the past thirty years or so would be of interest mainly to a specialist. (Or perhaps a gung-ho Irish expatriate.) However, in his introduction to Luck and the Irish, R. F. Foster casts his history into a much broader perspective.’
HandMade Films was a British film production and distribution company founded by that George Harrison. Notable films from the studio included Monty Python’s Life of Brian, Time Bandits, The Long Good Friday and the film Cat’s reviewing for us, The Raggedy Rawney. He says that it ‘is based on traditional Rom folklore — something I personally found fascinating. This adaptation of folk tradition to contemporary times makes it more fully comprehensible, compared with portraying it in the ancient long, long ago time. At least for me.’
The Michael Kamen soundtrack is equally fascinating for him, as he tells us: ‘Some pieces of film music stick with you long after you’ve seen the film. And if it’s a really interesting tune or song, it may make you seek out the soundtrack and see how it sounds outside of the film. Such was the case with the specific piece that got my mojo rising: the Blowzabella-style music that showed up in the wedding scene in Raggedy Rawney’.
For all you chocolate lovers (and I’m sure there are many), Robert has a look (taste?) of a nice variation — Lindt Excellence Intense Orange Dark: ‘Now, I’m pretty much a purist as far as chocolate is concerned — the more cacao the better, and I want it to taste like chocolate. However, there are exceptions to that self-imposed rule, and chocolate with orange, being one of the classic combinations, qualifies.’
Danger Girl: The Ultimate Collection by J. Scott Campbell and Andy Hartnell caused Denise’s inner five-year-old to think ‘the best marketing for this series would be a ‘Got Boobies?’ campaign.’ Her adult self answers, ‘As a woman I’m sure I should be offended / flabbergasted / spouting off some sort of Subjugation Of Women claptrap, but this series is just too beautifully drawn to be anything less than breathtaking.’
Muzsikas’ The Bartók Album gets an appreciative look by Brendan, who also reviewed Bartok’s Yugoslav Folk Songs which you’ll see connects intrinsically to this recording: ‘During a recent festival in celebration of the works of Béla Bartók — one of this century’s most important musical composers — at Bard College, the Hungarian tradition revivalist band Muzsikas discovered that many people were quite familiar with Bartok’s classical compositions while being quite ignorant of the Hungarian folk musical traditions that inspired much of those compositions.’
No’am says of the release simply called 25 Years of Celtic Music that ‘The Connecticut-based record company Green Linnet is celebrating its silver jubilee and in recognition of this fact has issued this double CD, containing two and a quarter hours of some of the best traditional Irish music available. Although length-wise the discs are divided equally, the first disc covers 1976-1996, whereas the second disc covers only three years, 1997-2000.’ An addendum by an editor: Green Linnet would last but another five years before its assets were sold off to another company.
Richard has high praise indeed for a Maddy Prior album; ‘Flesh & Blood is one of the finest CDs I’ve heard in years. Prior’s voice, always angelic, has never sounded better; and, with the able help of Nick Holland and Troy Donockley, she has picked material that does her vocal talents justice. Indeed, the collection is so captivating that I’ve had to take it out of my work rotation; after all, I don’t get paid to stand around and gawk dreamily to music.’
For all you contemporary music aficionados, Robert suggests an album from one of the premiere ensembles in that area: ‘Winter was Hard is one of Kronos Quartet’s anthology albums, and contains a wealth of contemporary music from a wide range of approaches. It is one of the first of their recordings that I owned (in cassette) and my first exposure to many of the composers included. Coming back to this album after several years, I am amazed at how much of this music is now familiar from other contexts.’
Our What Not this week is another treat from Folkmanis. Says Robert: ‘I seem to have another Folkmanis puppet lurking around, this one the Rat In a Tin Can. The Folkmanis website describes him as being ready for a playful picnic (note the napkin in one paw). However, it seemed to me that he might just as easily be a waiter in an upscale rat restaurant: his black-and-white pattern might almost be taken for formal wear.’
So let’s finish off with some choice music from Nightnoise, to wit ‘Toys, Not Ties’ which was performed at Teatro Calderón de la Barca, which is a theater in Valladolid, Spain, on the 23rd of April twenty-seven years ago. For more on this superb sort of Celtic band, go read our career retrospective here. Nightnoise had its origins in members of the Bothy Band and Skara Brae, august bands indeed, and also included fiddler Johnny Cunningham for a while.