One flies in to case the joint, boldly struts around.
Two fly in to make it three, laugh a while and knock each other down.
Four flies in with a frowning walk gains a laugh from out a squawk
but it’s five who owns the place and proves it with a look, stopping
six and seven in their tracks from smuggling a book.
SJ Tucker’s ‘Ravens in The Library’
The only Raven I’ve ever known to be let in the Library is Maggie, the one eyed corvid that showed up here one late Autumn with a damaged wing and a scarred over eye some decades back. She can’t fly all that well anymore as she has a certain lack of balance from the eye damage and the wing, which even with the assistance of our hedgewitch Tamsin, didn’t heal right so she sticks close in the trees just beyond the outside Library entry and has her own nest just inside that door so she’s safe at night and in bad weather.
Gary reviews the first book in a new fantasy series, Kevin Hearne’s A Plague of Giants. It begins with the invasion of the continent Teldwen. ‘Five of the six peoples in Teldwen have a kenning or mystical power that is linked to them as a people, and to the place where they live, and perhaps to the spirit or god of that place. A Plague of Giants, in addition to being the story of the war sparked by the giants’ invasion, is also the story of the discovery of the sixth kenning.’
Phil Brucato’s Ravens in the Library: Magic in the Bard’s Name anthology was done as a fundraiser for SJ Tucker who was seriously ill at the time. Tucker’s doing much better now but do read Leona’s review to see why you should seek out this stellar work for a fine summer read!
Richard looks at a novel I’ve enjoyed reading several times:’Seven Wild Sisters, a collaboration between Charles de Lint and Charles Vess, holds no surprises, and that’s a very good thing. The companion-cum-sequel to their earlier collaboration The Cats of Tanglewood Forest, the book delivers exactly what it promises: Gorgeous illustration and an encounter with the otherworld that’s ultimately more about wonder than it is about peril.
Robert starts off a review I think is perfect for Summer reading this way: ‘I’ve long followed Charles de Lint’s writing, starting with, if I remember correctly, Moonheart way back when, and I’ve been as close as I ever come to being a fan for years. (I even got my hands on some early stories, somehow.) So when I was asked to do a review of The Cats of Tanglewood Forest, I said, “Yes. I haven’t had a chance to read de Lint in a while.”’
Robert’s discovered a nifty kitchen short-cut for those fond of Indian cuisine: Trader Joe’s Masala Simmer Sauce: ‘I know one thing about Indian food — I love it. I don’t claim any real expertise in that particular cuisine (although I do have an Indian cookbook stashed away around here somewhere), but one of my favorite nice things to do for myself used to be to go up to an Indian restaurant in the neighborhood and hit the buffet — then invariably, I’d waddle home and take a nap.’
The Cats of Tanglewood Forest is an expansion of a much shorter work by de Lint and Vess entitled A Circle Of Cats which Mia says is ‘is not a novel, or a novella, or even, at 44 pages, a chapbook — those are merely convenient labels assigned by publishers and booksellers to assist them in categorization. Call Cats instead an enchantment, a weaving of words and pictures into pure magic. Charles de Lint is adept at converging the mundane world and the Otherworld: at touching them together briefly to produce intense moments and life altering episodes, and then gently letting each world retreat from the touch and settle back into its own normality, usually with both sides all the better for the experience.‘
Reaching way back in our Archives, Asher has a look at Aliens Alive, a Nordic recording that definitely stretches musical boundaries — ‘Annbjørg Lien finds, in folk music, everything from fairy tales to science fiction. Indeed, the title of her previous album, Baba Yaga, is drawn from a fairytale. Aliens Alive is a selection of live performances culled from Annbjørg Lien’s 2001 Norwegian tour.“
Ahhhh, summertime and the living is fine indeed which is why Gary says ‘The Sadies’ In Concert Vol. One is my feel-good disc of the summer. Put these discs on, crank up the volume, and rock out!’
Robert takes a look at a recording that rapidly became a favorite: Morton Feldman’s Piano and String Quartet: ‘I’ve remarked before on Morton Feldman’s propensity to shape sound with silence, a tendency he shares with Toru Takemitsu. Listening to Feldman’s Piano and String Quartet, a late work, written two years before his death in 1987, I realize that the juxtaposition of sound and silence in Feldman’s work is only the tip of the iceberg, so to speak.’
And now, Robert takes us back in time, about 600 years, more or less, for The Tallis Scholars Sing Josquin: ‘In spite of the dearth of records concerning his life, we do know that Josquin was the foremost composer of his time. Although his music was largely overshadowed by that of Palestrina and Tallis for literally centuries, Josquin has, over the past hundred years or so, been rediscovered.’
For this week’s What Not, Robert takes us to one of his favorite places, and one of his favorite parts of that place: Chicago’s Field Museum of Natural History: The Alsdorf Hall of Northwest Coast and Arctic Peoples: ‘I’ve come to think of the Field Museum as the “everything museum” — from evolution to paleoanthropology to conservation to meteors: it’s all here. . . . One of the more intriguing areas is the Alsdorf Hall of Northwest Coast and Arctic Peoples, which is just what it claims to be.’
I’m going to finish this edition out with Tucker performing ‘The Raven in The Library’. This performance is at ConFusion in Troy, Michigan on January 23, 2010, and the performer you see here with Sooj is Betsy Tucker.